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Shantinath Jain Teerth
The Shantinath Jain Teerth, also known as Shri 1008 Shantinath Digambar Jain Mandir, is a Jain temple located in Indapur, Pune, Maharashtra. The design and architecture of the temple is patterned after that of South Indian temples. The temple is known for its 27-foot tall granite idol of Shri 1008 Munisuvrata, the twentieth Tirthankara. The number 1008 is significant in Jainism and is associated with the Tirthankaras. The temple is sometimes called the Golden Temple because of its golden facade. The Temple Architecture The architecture draws inspiration from South Indian temples, and the temple has a 31 foot high tower, known as the ''Shikhar'', modeled after the ''Shikhar'' of Mel Sithamur Jain Math. It is quadrangular in shape, constructed using reinforced concrete and the facade is painted golden by artists from Mamallapuram. The tower houses an idol of Mahavira made of brass. Altar Idols are placed on a ''Vedi'', equivalent to Altar, in Jain temples. The main ''Vedi'' i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jainism
Jainism ( ), also known as Jain Dharma, is an Indian religions, Indian religion. Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras (supreme preachers of ''Dharma''), with the first in the current time cycle being Rishabhadeva, whom the tradition holds to have lived millions of years ago, the twenty-third ''tirthankara'' Parshvanatha, whom historians date to the 9th century BCE, and the twenty-fourth ''tirthankara'' Mahāvīra, Mahavira, around 600 BCE. Jainism is considered to be an eternal ''dharma'' with the ''tirthankaras'' guiding every time cycle of the Jain cosmology, cosmology. The three main pillars of Jainism are ''Ahimsa in Jainism, ahiṃsā'' (non-violence), ''anekāntavāda'' (non-absolutism), and ''aparigraha'' (asceticism). Jain monks, after positioning themselves in the sublime state of soul consciousness, take five main vows: ''ahiṃsā'' (non-violence), ''satya'' (truth), ''Achourya, asteya'' (not stealing), ''b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brass
Brass is an alloy of copper (Cu) and zinc (Zn), in proportions which can be varied to achieve different mechanical, electrical, and chemical properties. It is a substitutional alloy: atoms of the two constituents may replace each other within the same crystal structure. Brass is similar to bronze, another copper alloy, that uses tin instead of zinc. Both bronze and brass may include small proportions of a range of other elements including arsenic (As), lead (Pb), phosphorus (P), aluminium (Al), manganese (Mn), and silicon (Si). Historically, the distinction between the two alloys has been less consistent and clear, and modern practice in museums and archaeology increasingly avoids both terms for historical objects in favor of the more general "copper alloy". Brass has long been a popular material for decoration due to its bright, gold-like appearance; being used for drawer pulls and doorknobs. It has also been widely used to make utensils because of its low melting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasupujya
Vasupujya was the twelfth tirthankara in Jainism of the '' avasarpini'' (present age). According to Jain beliefs, he became a siddha, a liberated soul which has destroyed all of its karma. Vasupujya was born to King Vasupujya and Queen Jaya Devi at Champapuri in the Ikshvaku dynasty. His birth date was the fourteenth day of the Falgun Krishna month of the Indian calendar. He never married and remained a celibate. He attained Kevala Jnana within one month of Tapsya and Moksha at Champapuri, of Bihar in India on the fourteenth day of the bright half of the month of Ashadh. Biography Vasupujya Swami was the 12th ''tirthankara'' in Jainism of the '' Avasarpini'' (present age). According to Jain beliefs, he became a '' siddha'', a liberated soul which has destroyed all of its ''karma''. Vasupujya was born to King Vasupujya and Queen Jaya Devi at Champapuri in the Ikshvaku dynasty. His birth date was the fourteenth day of the ''Falgun Krishna'' month of the Indian calendar. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jinvani
In Jainism, Jinvani means the message or the teachings of the Jina (''arihant''). It is made up of two words ''Jina'' ( arihant) and ''Vani'' (voice). Often the words are spelled out separately or put together as "Jinavani" in publications. It is depicted in various forms, such as "Jinwani" which may be a hymn (or a village in India, by coincidence), and is also personified as ''Jinvani Maa'' (Mother Jinvani). The omniscient form of Jina-Vani (relative to Kevala Jnana) is said to be a letterless speech, when emanating from an arihant, which is understandable by all present, in their own language, as it is transformed into lettered discourse. In literature, discourses of the tirthankara (or jineshwar) are generally referred to as Jinvani (or Jin-Vaani), as well as Srutu Jnana (or Shrut Jnana), meaning scriptural knowledge. Depiction There is a statue of Saraswati Devi, goddess of knowledge, having Jinvani in her hand on Lotus behind the Peacock in the Shantinath Jain Teerth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saraswati
Saraswati ( sa, सरस्वती, ) is the Hindu goddess of knowledge, music, art, speech, wisdom, and learning. She is one of the Tridevi, along with the goddesses Lakshmi and Parvati. The earliest known mention of Saraswati as a goddess is in the Rigveda. She has remained significant as a goddess from the Vedic period through the modern period of Hindu traditions. She is generally shown to have four arms, holding a book, a rosary, a water pot, and a musical instrument called the veena. Each of these items have a symbolic meaning in Hinduism. Some Hindus celebrate the festival of Vasant Panchami (the fifth day of spring, and also known as Saraswati Puja and Saraswati Jayanti in many regions of India) in her honour, and mark the day by helping young children learn how to write the letters of the alphabet on that day. The goddess is also revered by believers of the Jain religion of west and central India, as well as some Buddhist sects. Etymology Saraswati, is a Sans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padmavati (Jainism)
Padmāvatī is the protective goddess or śāsana devī (शासनदेवी) of Parshvanatha, Pārśvanātha, the twenty-third Jain tirthankara, tīrthāṅkara, complimenting Parshwa yaksha in Swetambara and Dharanendra in digambar the shasan deva. She is a yakshi (attendant goddess) of Parshwanatha. Jain Biography There is another pair of souls of a nāga and Nāga, nāginī who were saved by Parshwanath while being burnt alive in a log of wood by the tapas kamath, and who were subsequently reborn as Indra (Dharanendra in particular) and Padmavati (different from sashan devi) after their death. According to the Jainism, Jain tradition, Padmavati and her husband Dharanendra protected Lord Parshvanatha when he was harassed by Meghmali. After Padmavati rescued Parshvanatha grew subsequently powerful in to yakshi, a powerful tantric deity and surpassed other snake goddess ''Vairotya''. Legacy Worship Goddess Padmavati along with Ambika (Jainism), Ambika, Chakreshvar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manibhadra
Manibhadra is one of the major yakshas. He was a popular deity in ancient India. Iconography Several well known images of yaksha Manibhadra have been found. The two oldest known image are: Yaksha Manibhadra from Parkham Yaksha Manibhadra coming from Parkham near Mathura, datable to period 200 BCE – 50 BC The statue is 2.59 meters high. On stylistic grounds and paleographical analysis of the inscription, the statue is datable to the middle of the 2nd century BCE. The inscription says "Made by Gomitaka, a pupil of Kunika. Set up by eight brothers, members of the Manibhadra congregation ("puga")." This inscription thus indicates that the statue represents the Yaksa Manibhadra. According to John Boardman, the hem of the dress is derived from Greek art. Describing a similar statue, John Boardman writes: "It has no local antecedents and looks most like a Greek Late Archaic mannerism". Similar folds can be seen in the Bharhut Yavana. File:Parkham Yaksha inscription.jpg, Parkham Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auspicious Dreams In Jainism
Auspicious dreams are often described in texts of Jainism which forecast the virtue of children. Their number varies according to different traditions and they described frequently as fourteen or sixteen dreams. They are seen by mothers of the prominent figures in Jainism including Tirthankaras, on the conception of their soul in the womb. They are interpreted as describing virtues and kingship of a future child. They are also found in various artistic media as an ornamentation. Dreams Their number and description differ according to major traditions of Jainism. According to Digambara tradition, there are 16 dreams while according to Svetambara tradition, there are 14 dreams. Most of them are same. They are described in detail as dreams of queen Trishala, mother of Mahavira, in some Jain texts. These dreams features animals, objects and a goddess associated with positive virtues and kingship. They are generally considered positive symbols in Indian culture so they frequently ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashtamangala
The Ashtamangala is a sacred suite of ''Eight Auspicious Signs'' endemic to a number of religions such as Hinduism, Jainism, and Buddhism. The symbols or "symbolic attributes" () are yidam and teaching tools. Not only do these attributes (or energetic signatures) point to qualities of enlightened mindstream, but they are the investiture that ornaments these enlightened "qualities" (Sanskrit: ''guṇa''; ). Many cultural enumerations and variations of the Ashtamangala are extant. In Buddhism Tibetan Buddhists make use of a particular set of eight auspicious symbols, ''ashtamangala'', in household and public art. Some common interpretations are given along with each symbol although different teachers may give different interpretations: Conch The right-turning white conch shell (Sanskrit: ; ) represents the beautiful, deep, melodious, interpenetrating and pervasive sound of the dharma, which awakens disciples from the deep slumber of ignorance and urges them to accompli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yakshini
''Yakshinis'' or ''yakshis'' (यक्षिणी sa, yakṣiṇī or ''yakṣī''; pi, yakkhiṇī or ''yakkhī'') are a class of female nature spirits in Hindu, Buddhist, and Jain religious mythologies that are different from devas and asuras (classes of power-seeking beings), and gandharvas or apsaras (celestial nymphs). Yakshinis and their male counterparts, the yakshas, are one of the many paranormal beings associated with the centuries-old sacred groves of India. Yakshis are also found in the traditional legends of Northeastern Indian tribes, ancient legends of Kerala, and in the folktales of Kashmiri Muslims. Sikhism also mentions yakshas in its sacred texts. The well behaved and benign ones are worshipped as tutelaries, they are the attendees of Kubera, the treasurer of the gods, and also the Hindu god of wealth who ruled Himalayan kingdom of Alaka. There are also malign and mischievous yakshinis with poltergeist-like behaviours, that can haunt and curse humans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yaksha
The yakshas ( sa, यक्ष ; pi, yakkha, i=yes) are a broad class of nature-spirits, usually benevolent, but sometimes mischievous or capricious, connected with water, fertility, trees, the forest, treasure and wilderness. They appear in Hindu, Jain and Buddhist texts, as well as ancient and medieval era temples of South Asia and Southeast Asia as guardian deities. The feminine form of the word is or ''yakshini'' ( sa, यक्षिणी ; Pali:Yakkhini). In Hindu, Jain and Buddhist texts, the has a dual personality. On the one hand, a may be an inoffensive nature- fairy, associated with woods and mountains; but there is also a darker version of the , which is a kind of ghost ( bhuta) that haunts the wilderness and waylays and devours travellers, similar to the . Early yakshas Several monumental yakshas are known from the time of the Maurya Empire period. They are variously dated from around the 3rd century BCE to the 1st century BCE. These statues are monumental ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shantinatha
Shantinatha was the sixteenth Jain tirthankar of the present age (Avasarpini). Shantinatha was born to King Vishvasena and Queen Aiira at Hastinapur in the Ikshvaku dynasty. His birth date is the thirteenth day of the Jyest Krishna month of the Indian calendar. He was also a Chakravartin and a Kamadeva. He ascended to the throne when he was 25 years old. After over 25,000 years at the throne, he became a Jain monk and started his penance. According to Jain beliefs, he became a siddha, a liberated soul which has destroyed all of its karma. Biography in Jain tradition Shantinatha was the sixteenth Jain '' Tīrthankara'' of the 24 tirthankars of the present age ('' avasarpini''). Life before renunciation He was born to King Vishvasena and Queen Achira at Hastinapur on 13th day of Jestha Krishna in the Ikshvaku clan. Before the birth of Shantinatha, Queen Achira dreamt the sixteen most auspicious dreams. Shantinatha spent 25,000 years as a youth (''kumāra kāla'') and marrie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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