Semi-sweet Magic
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Semi-sweet Magic
is the 18th single by Japanese entertainer Miho Nakayama. Written by Gorō Matsui and Cindy, the single was released on March 21, 1990, by King Records. Background and release "Semi-sweet Magic" was used by Kyōwa Saitama Bank for their commercial featuring Nakayama. "Semi-sweet Magic" peaked at No. 3 on Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in Nov ...'s weekly singles chart and sold over 122,000 copies. Track listing Charts References External links * * * {{Authority control 1990 singles 1990 songs Japanese-language songs Miho Nakayama songs Songs with lyrics by Gorō Matsui King Records (Japan) singles ...
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Miho Nakayama
is a Japanese singer and actress. She is affiliated with Big Apple Co., Ltd. Nakayama is nicknamed , and sometimes uses the pseudonyms or when she writes the lyrics. Biography History Nakayama was born in Saku, Nagano, Japan. Following her mother's remarriage, her family moved to Koganei, Tokyo. There, Nakayama attended Koganei Municipal Junior High School. Idol career After being discovered by a talent scout while shopping in Harajuku, she made her debut on 21 June 1985 with her single " C", as well as a starring role in the film '' Be-Bop High School''. Throughout her career as a singer and actress, Nakayama recorded 22 studio albums and scored eight No. 1 singles on Oricon's charts; two of them selling over a million copies each. She also starred in a Famicom Disk System dating sim made by Nintendo titled ''Nakayama Miho no Tokimeki High School'', in which she played a high school student trying to mask her true identity. Acting career In 1995, director Shunji Iwai cast ...
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All For You (Miho Nakayama Album)
is the 11th studio album by Japanese entertainer Miho Nakayama. Released through King Records on March 16, 1990, the album features the singles " Midnight Taxi" and "Semi-sweet Magic". The album peaked at No. 3 on Oricon's albums chart. It also sold over 124,000 copies and was certified Gold by the RIAJ The is an industry trade group composed of Japanese corporations involved in the music industry. It was founded in 1942 as the Japan Phonogram Record Cultural Association, and adopted its current name in 1969. The RIAJ's activities include p .... Track listing All music is arranged by Tomoji Sogawa, except where indicated. Charts Certification References External links * * * {{Authority control 1990 albums Miho Nakayama albums Japanese-language albums King Records (Japan) albums ...
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J-pop
J-pop ( ja, ジェイポップ, ''jeipoppu''; often stylized as J-POP; an abbreviated form of "Japanese popular music"), natively also known simply as , is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced ''kayōkyoku'' ("Lyric Singing Music", a term for Japanese popular music from the 1920s to the 1980s) in the Japanese music scene. J-rock bands such as Happy End fused the Beatles and Beach Boys-style rock with Japanese music in the 1960s1970s. J-country had popularity during the international popularity of Westerns in the 1960s1970s as well, and it still has appeal due to the work of musicians like Charlie Nagatani and venues including Little Texas, Tokyo. J-rap became mainstream with producer Nujabes and his work on ''Samurai Champloo'', Japanese pop culture is often seen with anime in hip hop. Other trends ...
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Dance-pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Da ...
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King Records (Japan)
, commonly known as King Records, is a Japanese record company founded in January 1931 as a division of the Japanese publisher Kodansha. It initially began operating as an independent entity in the 1950s. It later became part of the Otowa Group. Today, King Records is one of Japan's largest record companies which is not owned by a multinational entity. The label's headquarters are in Bunkyo, Tokyo. The label's name is actually based from the now-defunct ''Kingu'' magazine published by Kodansha from 1924 to 1957. Sub-labels Its Starchild label, was managed by animation producer Toshimichi Ōtsuki, specialised in anime music and film. King Records also distributes the Up-Front Works–owned and –operated labels Piccolo Town and Rice Music, and also released video games for the PC-88, Famicom, and MSX2 computers. On February 1, 2016, King Records restructured Starchild and renamed it King Amusement Creative. Paddle Wheel Records is a division of King Record Co. You! Be Cool i ...
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Gorō Matsui
is a Japanese lyricist born 11 December 1957 in Gifu Prefecture, Japan, though he considers Tokyo to be his hometown. Beginning with participation in the Yamaha Popular Song Contests, he made his debut writing the lyrics for the 1981 Chage and Aska album . Matsui then began writing lyrics for groups such as Anzen Chitai, Kyosuke Himuro, and others, becoming one of the more popular lyricists for a variety of rock bands. He has now written the lyrics for over 2000 songs. Since the late 1980s, most of the lyrics for the music released by Anzen Chitai has been written by Matsui. As of today, Matsui is under the management of Avex Group, Japan's biggest independent record label. He serves as a resident songwriter for the said company. Works Matsui's works include the following: Boyfriend *" Be My Shine" Chage and Aska * Anzen Chitai * * Atsuko Enomoto *''Be My Angel'' Shōko Inoue * * * Hiromi Iwasaki * Yoshie Kashiwabara * Shizuka Kudo *"Daite Kuretara Ii no ni" *"Koi Hito ...
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Midnight Taxi (song)
is the 17th single by Japanese entertainer Miho Nakayama. Written by Ryō Asuka, the single was released on January 15, 1990, by King Records. Background and release "Midnight Taxi" was Nakayama's final single to be released on 7" vinyl EP format. It was released to coincide with her Coming of Age Day. "Midnight Taxi" became Nakayama's sixth No. 1 on Oricon's weekly singles chart. It sold over 181,000 copies and was certified Gold by the RIAJ The is an industry trade group composed of Japanese corporations involved in the music industry. It was founded in 1942 as the Japan Phonogram Record Cultural Association, and adopted its current name in 1969. The RIAJ's activities include p .... Track listing All songs are written by Ryō Asuka and arranged by Tomoji Sogawa. Charts Weekly charts Year-end charts Certification References External links * * * {{Authority control 1990 singles 1990 songs Japanese-language songs Miho Nakayama songs King Records ...
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Megamitachi No Bōken
is the 19th single by Japanese entertainer Miho Nakayama. Written by Gorō Matsui and Hideo Saitō, the single was released on July 11, 1990, by King Records. Background and release Like the previous single "Semi-sweet Magic", "Megamitachi no Bōken" was used by Kyōwa Saitama Bank for their commercial featuring Nakayama. The song was composed and arranged by Saitō, who is best known for his collaborations with Chisato Moritaka. The B-side is a remix of "Too Fast, Too Close", an English-language song originally from Nakayama's 1988 album ''Angel Hearts''. "Megamitachi no Bōken" became Nakayama's second straight No. 3 on Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in Nov ...'s weekly singles chart and sold over 119,000 copies. Track listing Charts References Externa ...
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Oricon
, established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in November 1967 and became known for its music charts. Oricon Inc. was originally set up as a subsidiary of Original Confidence and took over the latter's Oricon record charts in April 2002. The charts are compiled from data drawn from some 39,700 retail outlets (as of April 2011) and provide sales rankings of music CDs, DVDs, electronic games, and other entertainment products based on weekly tabulations. Results are announced every Tuesday and published in ''Oricon Style'' by subsidiary Oricon Entertainment Inc. The group also lists panel survey-based popularity ratings for television commercials on its official website. Oricon started publishing Combined Chart, which includes CD sales, digital sales, and streaming together, on December 19, 2 ...
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1990 Singles
Year 199 ( CXCIX) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was sometimes known as year 952 '' Ab urbe condita''. The denomination 199 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Mesopotamia is partitioned into two Roman provinces divided by the Euphrates, Mesopotamia and Osroene. * Emperor Septimius Severus lays siege to the city-state Hatra in Central-Mesopotamia, but fails to capture the city despite breaching the walls. * Two new legions, I Parthica and III Parthica, are formed as a permanent garrison. China * Battle of Yijing: Chinese warlord Yuan Shao defeats Gongsun Zan. Korea * Geodeung succeeds Suro of Geumgwan Gaya, as king of the Korean kingdom of Gaya (traditional date). By topic Religion * Pope Zephyrinus succeeds Pope Victor I, as ...
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1990 Songs
Year 199 ( CXCIX) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was sometimes known as year 952 '' Ab urbe condita''. The denomination 199 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Mesopotamia is partitioned into two Roman provinces divided by the Euphrates, Mesopotamia and Osroene. * Emperor Septimius Severus lays siege to the city-state Hatra in Central-Mesopotamia, but fails to capture the city despite breaching the walls. * Two new legions, I Parthica and III Parthica, are formed as a permanent garrison. China * Battle of Yijing: Chinese warlord Yuan Shao defeats Gongsun Zan. Korea * Geodeung succeeds Suro of Geumgwan Gaya, as king of the Korean kingdom of Gaya (traditional date). By topic Religion * Pope Zephyrinus succeeds Pope Victor I, as ...
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Japanese-language Songs
is spoken natively by about 128 million people, primarily by Japanese people and primarily in Japan, the only country where it is the national language. Japanese belongs to the Japonic or Japanese- Ryukyuan language family. There have been many attempts to group the Japonic languages with other families such as the Ainu, Austroasiatic, Koreanic, and the now-discredited Altaic, but none of these proposals has gained widespread acceptance. Little is known of the language's prehistory, or when it first appeared in Japan. Chinese documents from the 3rd century AD recorded a few Japanese words, but substantial Old Japanese texts did not appear until the 8th century. From the Heian period (794–1185), there was a massive influx of Sino-Japanese vocabulary into the language, affecting the phonology of Early Middle Japanese. Late Middle Japanese (1185–1600) saw extensive grammatical changes and the first appearance of European loanwords. The basis of the standard dialect moved f ...
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