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All For You (Miho Nakayama Album)
is the 11th studio album by Japanese entertainer Miho Nakayama. Released through King Records on March 16, 1990, the album features the singles " Midnight Taxi" and "Semi-sweet Magic". The album peaked at No. 3 on Oricon's albums chart. It also sold over 124,000 copies and was certified Gold by the RIAJ The is an industry trade group composed of Japanese corporations involved in the music industry. It was founded in 1942 as the Japan Phonogram Record Cultural Association, and adopted its current name in 1969. The RIAJ's activities include p .... Track listing All music is arranged by Tomoji Sogawa, except where indicated. Charts Certification References External links * * * {{Authority control 1990 albums Miho Nakayama albums Japanese-language albums King Records (Japan) albums ...
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Miho Nakayama
is a Japanese singer and actress. She is affiliated with Big Apple Co., Ltd. Nakayama is nicknamed , and sometimes uses the pseudonyms or when she writes the lyrics. Biography History Nakayama was born in Saku, Nagano, Japan. Following her mother's remarriage, her family moved to Koganei, Tokyo. There, Nakayama attended Koganei Municipal Junior High School. Idol career After being discovered by a talent scout while shopping in Harajuku, she made her debut on 21 June 1985 with her single " C", as well as a starring role in the film '' Be-Bop High School''. Throughout her career as a singer and actress, Nakayama recorded 22 studio albums and scored eight No. 1 singles on Oricon's charts; two of them selling over a million copies each. She also starred in a Famicom Disk System dating sim made by Nintendo titled ''Nakayama Miho no Tokimeki High School'', in which she played a high school student trying to mask her true identity. Acting career In 1995, director Shunji Iwai cast ...
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J-pop
J-pop ( ja, ジェイポップ, ''jeipoppu''; often stylized as J-POP; an abbreviated form of "Japanese popular music"), natively also known simply as , is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced ''kayōkyoku'' ("Lyric Singing Music", a term for Japanese popular music from the 1920s to the 1980s) in the Japanese music scene. J-rock bands such as Happy End fused the Beatles and Beach Boys-style rock with Japanese music in the 1960s1970s. J-country had popularity during the international popularity of Westerns in the 1960s1970s as well, and it still has appeal due to the work of musicians like Charlie Nagatani and venues including Little Texas, Tokyo. J-rap became mainstream with producer Nujabes and his work on ''Samurai Champloo'', Japanese pop culture is often seen with anime in hip hop. Other trends ...
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Pop Rock
Pop rock (also typeset as pop/rock) is a fusion genre with an emphasis on professional songwriting and recording craft, and less emphasis on attitude than rock music. Originating in the late 1950s as an alternative to normal rock and roll, early pop rock was influenced by the beat, arrangements, and original style of rock and roll (and sometimes doo-wop). It may be viewed as a distinct genre field rather than music that overlaps with pop and rock. The detractors of pop rock often deride it as a slick, commercial product and less authentic than rock music. Characteristics and etymology Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop rock" and "power pop" have been used to describe more commercially successful music that uses elements from, or the form of, rock music. Writer Johan Fornas views pop/rock as "one single, continuous genre field", rather than distinct categories. To the authors Larry Starr and Chri ...
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King Records (Japan)
, commonly known as King Records, is a Japanese record company founded in January 1931 as a division of the Japanese publisher Kodansha. It initially began operating as an independent entity in the 1950s. It later became part of the Otowa Group. Today, King Records is one of Japan's largest record companies which is not owned by a multinational entity. The label's headquarters are in Bunkyo, Tokyo. The label's name is actually based from the now-defunct ''Kingu'' magazine published by Kodansha from 1924 to 1957. Sub-labels Its Starchild label, was managed by animation producer Toshimichi Ōtsuki, specialised in anime music and film. King Records also distributes the Up-Front Works–owned and –operated labels Piccolo Town and Rice Music, and also released video games for the PC-88, Famicom, and MSX2 computers. On February 1, 2016, King Records restructured Starchild and renamed it King Amusement Creative. Paddle Wheel Records is a division of King Record Co. You! Be Cool i ...
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Merry Merry
is the tenth studio album by Japanese entertainer Miho Nakayama. Released through King Records on December 5, 1989, it is a Christmas-themed album, featuring five song covers, two original songs written by Nakayama (under the pseudonym "Mizuho Kitayama"), and an instrumental version of her 1988 song "Long Distance to the Heaven". It is also the first album that Nakayama produced herself. A limited edition release included a 20-page hardcover storybook adaptation of "Long Distance to the Heaven". The album peaked at No. 9 on Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in Nov ...'s albums chart and sold over 110,000 copies. Track listing All music is arranged by Kazuo Ōtani. Charts References External links * * * {{Authority control 1989 Christmas albums Miho Nak ...
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Jeweluna
is the 12th studio album by Japanese entertainer Miho Nakayama. Released through King Records on July 18, 1990, the album features the singles "Megamitachi no Bōken" and " Kore kara no I Love You". The album peaked at No. 3 on Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in Nov ...'s albums chart and sold over 112,000 copies. Track listing Charts References External links * * * {{Authority control 1990 albums Miho Nakayama albums Japanese-language albums King Records (Japan) albums ...
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Midnight Taxi (song)
is the 17th single by Japanese entertainer Miho Nakayama. Written by Ryō Asuka, the single was released on January 15, 1990, by King Records. Background and release "Midnight Taxi" was Nakayama's final single to be released on 7" vinyl EP format. It was released to coincide with her Coming of Age Day. "Midnight Taxi" became Nakayama's sixth No. 1 on Oricon's weekly singles chart. It sold over 181,000 copies and was certified Gold by the RIAJ The is an industry trade group composed of Japanese corporations involved in the music industry. It was founded in 1942 as the Japan Phonogram Record Cultural Association, and adopted its current name in 1969. The RIAJ's activities include p .... Track listing All songs are written by Ryō Asuka and arranged by Tomoji Sogawa. Charts Weekly charts Year-end charts Certification References External links * * * {{Authority control 1990 singles 1990 songs Japanese-language songs Miho Nakayama songs King Records ...
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Semi-sweet Magic
is the 18th single by Japanese entertainer Miho Nakayama. Written by Gorō Matsui and Cindy, the single was released on March 21, 1990, by King Records. Background and release "Semi-sweet Magic" was used by Kyōwa Saitama Bank for their commercial featuring Nakayama. "Semi-sweet Magic" peaked at No. 3 on Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in Nov ...'s weekly singles chart and sold over 122,000 copies. Track listing Charts References External links * * * {{Authority control 1990 singles 1990 songs Japanese-language songs Miho Nakayama songs Songs with lyrics by Gorō Matsui King Records (Japan) singles ...
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Oricon
, established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in November 1967 and became known for its music charts. Oricon Inc. was originally set up as a subsidiary of Original Confidence and took over the latter's Oricon record charts in April 2002. The charts are compiled from data drawn from some 39,700 retail outlets (as of April 2011) and provide sales rankings of music CDs, DVDs, electronic games, and other entertainment products based on weekly tabulations. Results are announced every Tuesday and published in ''Oricon Style'' by subsidiary Oricon Entertainment Inc. The group also lists panel survey-based popularity ratings for television commercials on its official website. Oricon started publishing Combined Chart, which includes CD sales, digital sales, and streaming together, on December 19, 2 ...
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Recording Industry Association Of Japan
The is an industry trade group composed of Japanese corporations involved in the music industry. It was founded in 1942 as the Japan Phonogram Record Cultural Association, and adopted its current name in 1969. The RIAJ's activities include promotion of music sales, enforcement of copyright law, and research related to the Japanese music industry. It publishes the annual ''RIAJ Year Book'', a statistical summary of each year's music sales, as well as distributing a variety of other data. Headquartered in Minato, Tokyo, the RIAJ has twenty member companies and a smaller number of associate and supporting members; some member companies are the Japanese branches of multinational corporations headquartered elsewhere. The association is responsible for certifying gold and platinum albums and singles in Japan. RIAJ Certification In 1989, the Recording Industry Association of Japan introduced the music recording certification systems. It is awarded based on shipment figures of com ...
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Gorō Matsui
is a Japanese lyricist born 11 December 1957 in Gifu Prefecture, Japan, though he considers Tokyo to be his hometown. Beginning with participation in the Yamaha Popular Song Contests, he made his debut writing the lyrics for the 1981 Chage and Aska album . Matsui then began writing lyrics for groups such as Anzen Chitai, Kyosuke Himuro, and others, becoming one of the more popular lyricists for a variety of rock bands. He has now written the lyrics for over 2000 songs. Since the late 1980s, most of the lyrics for the music released by Anzen Chitai has been written by Matsui. As of today, Matsui is under the management of Avex Group, Japan's biggest independent record label. He serves as a resident songwriter for the said company. Works Matsui's works include the following: Boyfriend *" Be My Shine" Chage and Aska * Anzen Chitai * * Atsuko Enomoto *''Be My Angel'' Shōko Inoue * * * Hiromi Iwasaki * Yoshie Kashiwabara * Shizuka Kudo *"Daite Kuretara Ii no ni" *"Koi Hito ...
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Aska (singer)
Aska, (born on February 24, 1958 in Ono, Onojō, Fukuoka) is a Japanese singer-songwriter. Aska is best known for work as part of the music duo Chage and Aska. As a composer, he wrote most of the duo's hit songs, including "Morning Moon", "Love Song", " Say Yes", and "Meguriai". He has also written for many other singers and groups, including Hikaru Genji. He began a solo career in 1987, and was highly successful in the early 1990s. His most well-known song as a solo singer is "Hajimari wa Itsumo Ame" (The Start Is Always Rain), which was a single from his second solo album. The song reached No. 2 on oricon and sold over 1,160,000 copies. The song led him to prominence across East Asia. He was arrested in May 2014 for possession of the illegal stimulant MDMA. On September 12, 2014, he was sentenced to three years in prison suspended for four years. He restarted his career in 2017. In 2019, Aska announced he would leave Chage and Aska. Stage name origin Initially, it was tho ...
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