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Scottish Renaissance
The Scottish Renaissance ( gd, Ath-bheòthachadh na h-Alba; sco, Scots Renaissance) was a mainly literary movement of the early to mid-20th century that can be seen as the Scotland, Scottish version of modernism. It is sometimes referred to as the Scottish literary renaissance, although its influence went beyond literature into music, visual arts, and politics (among other fields). The writers and artists of the Scottish Renaissance displayed a profound interest in both modern philosophy and technology, as well as incorporating Scottish folklore, folk influences, and a strong concern for the fate of Scotland's endangered language, declining languages. It has been seen as a parallel to other movements elsewhere, including the Irish Literary Revival, the Harlem Renaissance (in United States, America), the Bengal Renaissance (in Kolkata, India) and the Jindyworobak Movement (in Australia), which emphasised indigenous folk traditions. Beginnings The term "Scottish Renaissance" was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance In Scotland
The Renaissance in Scotland was a cultural, intellectual and artistic movement in Scotland, from the late fifteenth century to the beginning of the seventeenth century. It is associated with the pan-European Renaissance that is usually regarded as beginning in Italy in the late fourteenth century and reaching northern Europe as a Northern Renaissance in the fifteenth century. It involved an attempt to revive the principles of the classical era, including humanism, a spirit of scholarly enquiry, scepticism, and concepts of balance and proportion. Since the twentieth century, the uniqueness and unity of the Renaissance has been challenged by historians, but significant changes in Scotland can be seen to have taken place in education, intellectual life, literature, art, architecture, music, science and politics. The court was central to the patronage and dissemination of Renaissance works and ideas. It was also central to the staging of lavish display that portrayed the political ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revue Anglo-Américaine
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, ribald publicity campaigns and the occasional use of prurient material, the revue was typically patronized by audience members who earned more and felt even less restricted by middle-class s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ezra Pound
Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a Fascism, fascist collaborator in Italy during World War II. His works include ''Ripostes'' (1912), ''Hugh Selwyn Mauberley'' (1920), and his 800-page Epic poetry, epic poem, ''The Cantos'' (c. 1917–1962). Pound's contribution to poetry began in the early 20th century with his role in developing Imagism, a movement stressing precision and economy of language. Working in London as foreign editor of several American literary magazines, he helped discover and shape the work of contemporaries such as T. S. Eliot, Ernest Hemingway, and James Joyce. He was responsible for the 1914 serialization of Joyce's ''A Portrait of the Artist as a Young Man'', the 1915 publication of Eliot's "The Love Song of J. Alfred Prufrock", and the serialization from 1918 of Joyce's ''Ulysses (novel), Ulysses''. Hemingway wrote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Henryson
Robert Henryson (Middle Scots: Robert Henrysoun) was a poet who flourished in Scotland in the period c. 1460–1500. Counted among the Scots ''makars'', he lived in the royal burgh of Dunfermline and is a distinctive voice in the Northern Renaissance at a time when the culture was on a cusp between medieval and renaissance sensibilities. Little is known of his life, but evidence suggests that he was a teacher who had training in law and the humanities, that he had a connection with Dunfermline Abbey and that he may also have been associated for a period with Glasgow University. His poetry was composed in Middle Scots at a time when this was the state language. His writing consists mainly of narrative works. His surviving body of work amounts to almost 5000 lines. Works Henryson's surviving canon consists of three long poems and around twelve miscellaneous short works in various genres. The longest poem is his '' Morall Fabillis,'' a tight, intricately structured set of thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Dunbar
William Dunbar (born 1459 or 1460 – died by 1530) was a Scottish makar, or court poet, active in the late fifteenth and early sixteenth centuries. He was closely associated with the court of King James IV and produced a large body of work in Scots distinguished by its great variation in themes and literary styles. He was probably a native of East Lothian, as assumed from a satirical reference in ''The Flyting of Dumbar and Kennedie''. W. Mackay Mackenzie, ''The Poems of William Dunbar'', The Mercat Press, Edinburgh,1990. His surname is also spelt ''Dumbar''. Biography Dunbar first appears in the historical record in 1474 as a new student or ''determinant'' of the Faculty of Arts at the University of St Andrews.J.M. Anderson, ''Early records of the University of St Andrews: the graduation roll 1413–1579 and the matriculation roll 1473–1579'', Scottish History Society, Edinburgh, 1926A.I. Dunlop, Acta facultatis artium Universitatis Sanctandree, 1413–1588, Oliver and Boy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makar
A makar () is a term from Scottish literature for a poet or bard, often thought of as a royal court poet. Since the 19th century, the term ''The Makars'' has been specifically used to refer to a number of poets of fifteenth and sixteenth century Scotland, in particular Robert Henryson, William Dunbar and Gavin Douglas, who wrote a diverse genre of works in Middle Scots in the period of the Northern Renaissance. The Makars have often been referred to by literary critics as ''Scots Chaucerians''. In modern usage, poets of the Scots revival in the 18th century, such as Allan Ramsay and Robert Fergusson are also makars. Since 2002, the term "makar" has been revived as the name for a publicly funded poet, first in Edinburgh, followed by the cities of Glasgow, Stirling and Dundee. In 2004 the position of Makar or National Poet for Scotland, was authorized by the Scottish Parliament. Etymology Middle Scots (plural ) is the equivalent of Middle English '' maker''. The word functi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celtic Revival
The Celtic Revival (also referred to as the Celtic Twilight) is a variety of movements and trends in the 19th, 20th and 21st centuries that see a renewed interest in aspects of Celtic culture. Artists and writers drew on the traditions of Gaelic literature, Welsh-language literature, and so-called 'Celtic art'—what historians call Insular art (the Early Medieval style of Ireland and Britain). Although the revival was complex and multifaceted, occurring across many fields and in various countries in Northwest Europe, its best known incarnation is probably the Irish Literary Revival. Irish writers including William Butler Yeats, Lady Gregory, "AE" Russell, Edward Martyn, Alice Milligan and Edward Plunkett (Lord Dunsany) stimulated a new appreciation of traditional Irish literature and Irish poetry in the late 19th and early 20th century. In aspects the revival came to represent a reaction to modernisation. This is particularly true in Ireland, where the relationship betwee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nationalism
Nationalism is an idea and movement that holds that the nation should be congruent with the State (polity), state. As a movement, nationalism tends to promote the interests of a particular nation (as in a in-group and out-group, group of people),Anthony D. Smith, Smith, Anthony. ''Nationalism: Theory, Ideology, History''. Polity (publisher), Polity, 2010. pp. 9, 25–30; especially with the aim of gaining and maintaining the nation's sovereignty (self-governance) over its homeland to create a nation-state. Nationalism holds that each nation should govern itself, free from outside interference (self-determination), that a nation is a natural and ideal basis for a polity, and that the nation is the only rightful source of political power. It further aims to build and maintain a single national identity, based on a combination of shared social characteristics such as culture, ethnicity, geographic location, language, politics (or the government), religion, traditions and belief ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celtic Revival
The Celtic Revival (also referred to as the Celtic Twilight) is a variety of movements and trends in the 19th, 20th and 21st centuries that see a renewed interest in aspects of Celtic culture. Artists and writers drew on the traditions of Gaelic literature, Welsh-language literature, and so-called 'Celtic art'—what historians call Insular art (the Early Medieval style of Ireland and Britain). Although the revival was complex and multifaceted, occurring across many fields and in various countries in Northwest Europe, its best known incarnation is probably the Irish Literary Revival. Irish writers including William Butler Yeats, Lady Gregory, "AE" Russell, Edward Martyn, Alice Milligan and Edward Plunkett (Lord Dunsany) stimulated a new appreciation of traditional Irish literature and Irish poetry in the late 19th and early 20th century. In aspects the revival came to represent a reaction to modernisation. This is particularly true in Ireland, where the relationship betwee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marion Angus
Marion Emily Angus (1865–1946) was a Scottish poet who wrote in the Scots vernacular or Braid Scots, defined by some as a dialect of English and others as a closely related language. Her prose writings are mainly in standard English. She is seen as a forerunner of a Scottish renaissance in inter-war poetry – her verse marks a departure from the Lallans tradition of Robert Burns towards that of Hugh MacDiarmid, Violet Jacob and others.ODNB entryRetrieved 8 December 2011. Subscription required./ref> Life Born on 27 March 1865 in Sunderland, England, Marion Angus was the third of the six children of Mary Jessie, née Watson, and Henry Angus (1833–1902), a Presbyterian minister from North-East Scotland. Her grandfather on her mother's side was William Watson, sheriff-substitute of Aberdeen from 1829 to 1866, who in 1841 founded there the first industrial school for street children. Her father graduated from Marischal College in the same city and was ordained in Sunderland in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lewis Spence
James Lewis Thomas Chalmers Spence (25 November 1874 – 3 March 1955) was a Scottish journalist, poet, author, folklorist and occult scholar. Spence was a Fellow of the Royal Anthropological Institute of Great Britain and Ireland, and vice-president of the Scottish Anthropological and Folklore Society. He founded the Scottish National Movement. Early life Spence was born in 1874 in Monifieth, Angus, Scotland. After graduating from Edinburgh University he pursued a career in journalism. He was an editor at ''The Scotsman'' 1899–1906, editor of ''The Edinburgh Magazine'' for a year, 1904–05, then an editor at ''The British Weekly'', 1906–09. Career In this time Spence's interest was sparked in the myth and folklore of Mexico and Central America, resulting in his popularisation of the Mayan Popol Vuh, the sacred book of the Quiché Mayans (1908). He compiled ''A Dictionary of Mythology'' (1910), an ''Encyclopedia of occultism and parapsychology'' (1920) and numerous ad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scottish Chapbook
Scottish usually refers to something of, from, or related to Scotland, including: *Scottish Gaelic, a Celtic Goidelic language of the Indo-European language family native to Scotland *Scottish English *Scottish national identity, the Scottish identity and common culture *Scottish people, a nation and ethnic group native to Scotland *Scots language, a West Germanic language spoken in lowland Scotland *Symphony No. 3 (Mendelssohn), a symphony by Felix Mendelssohn known as ''the Scottish'' See also *Scotch (other) *Scotland (other) *Scots (other) *Scottian (other) *Schottische * {{disambiguation Scottish people, Language and nationality disambiguation pages ca:Escocès ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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