Renaissance In Scotland
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Renaissance In Scotland
The Renaissance in Scotland was a cultural, intellectual and artistic movement in Scotland, from the late fifteenth century to the beginning of the seventeenth century. It is associated with the pan-European Renaissance that is usually regarded as beginning in Italy in the late fourteenth century and reaching northern Europe as a Northern Renaissance in the fifteenth century. It involved an attempt to revive the principles of the classical era, including humanism, a spirit of scholarly enquiry, scepticism, and concepts of balance and proportion. Since the twentieth century, the uniqueness and unity of the Renaissance has been challenged by historians, but significant changes in Scotland can be seen to have taken place in education, intellectual life, literature, art, architecture, music, science and politics. The court was central to the patronage and dissemination of Renaissance works and ideas. It was also central to the staging of lavish display that portrayed the political ...
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Scottish Renaissance
The Scottish Renaissance ( gd, Ath-bheòthachadh na h-Alba; sco, Scots Renaissance) was a mainly literary movement of the early to mid-20th century that can be seen as the Scotland, Scottish version of modernism. It is sometimes referred to as the Scottish literary renaissance, although its influence went beyond literature into music, visual arts, and politics (among other fields). The writers and artists of the Scottish Renaissance displayed a profound interest in both modern philosophy and technology, as well as incorporating Scottish folklore, folk influences, and a strong concern for the fate of Scotland's endangered language, declining languages. It has been seen as a parallel to other movements elsewhere, including the Irish Literary Revival, the Harlem Renaissance (in United States, America), the Bengal Renaissance (in Kolkata, India) and the Jindyworobak Movement (in Australia), which emphasised indigenous folk traditions. Beginnings The term "Scottish Renaissance" was ...
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James V
James V (10 April 1512 – 14 December 1542) was King of Scotland from 9 September 1513 until his death in 1542. He was crowned on 21 September 1513 at the age of seventeen months. James was the son of King James IV and Margaret Tudor, and during his childhood Scotland was governed by regents, firstly by his mother until she remarried, and then by his second cousin, John, Duke of Albany. James's personal rule began in 1528 when he finally escaped the custody of his stepfather, Archibald Douglas, Earl of Angus. His first action was to exile Angus and confiscate the lands of the Douglases. James greatly increased his income by tightening control over royal estates and from the profits of justice, customs and feudal rights. He founded the College of Justice in 1532, and also acted to end lawlessness and rebellion in the Borders and the Hebrides. The rivalry between France, England, and the Holy Roman Empire lent James unwonted diplomatic weight, and saw him secure two politically ...
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Union Of Crowns
The Union of the Crowns ( gd, Aonadh nan Crùintean; sco, Union o the Crouns) was the accession of James VI of Scotland to the throne of the Kingdom of England as James I and the practical unification of some functions (such as overseas diplomacy) of the two separate realms under a single individual on 24 March 1603. Whilst a misnomer, therefore, what is popularly known as "The Union of the Crowns" followed the death of James's cousin, Elizabeth I of England, the last monarch of the Tudor dynasty. The union was personal or dynastic, with the Crown of England and the Crown of Scotland remaining both distinct and separate despite James's best efforts to create a new imperial throne. England and Scotland continued as two separate states sharing a monarch, who directed their domestic and foreign policy, along with Ireland, until the Acts of Union of 1707 during the reign of the last Stuart monarch, Anne. However, there was a republican interregnum in the 1650s, during which th ...
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Polyphonic
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to "su ...
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George Jamesone
George Jamesone (or Jameson) (c. 1587 – 1644) was a Scottish painter who is regarded as Scotland's first eminent portrait-painter. Early years He was born in Aberdeen, where his father, Andrew Jamesone, was a stonemason. Jamesone attended the grammar school near his home on Schoolhill and is thought to have gone on to further education at Marischal College. Legend has it that Jamesone once studied under Rubens in Antwerp with Anthony van Dyck. This is, however, yet to be proven as his name does not appear to be noted on the Guild registers of the town. Since Rubens was exempt from registering pupils, the absence of Jamesone's name does not mean that the painter definitely did not study there. Jamesone certainly did complete an apprenticeship under the supervision of his uncle, John Anderson, who was a popular decorative painter in Edinburgh at the beginning of the seventeenth century. Jamesone finished this training in 1618. He is not recorded as being in Aberdeen again un ...
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Scottish Reformation
The Scottish Reformation was the process by which Kingdom of Scotland, Scotland broke with the Pope, Papacy and developed a predominantly Calvinist national Church of Scotland, Kirk (church), which was strongly Presbyterianism, Presbyterian in its outlook. It was part of the wider European Protestant Reformation that took place from the sixteenth century. From the late fifteenth century the ideas of Renaissance humanism, critical of aspects of the established Catholic Church in Scotland, Catholic Church, began to reach Scotland, particularly through contacts between Scottish and continental scholars. In the earlier part of the sixteenth century, the teachings of Martin Luther began to influence Scotland. Particularly important was the work of the Lutheran Scot Patrick Hamilton (martyr), Patrick Hamilton, who was executed in 1528. Unlike his uncle Henry VIII of England, Henry VIII in England, James V of Scotland, James V avoided major structural and theological changes to the ch ...
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Flemish Painting
Flemish painting flourished from the early 15th century until the 17th century, gradually becoming distinct from the painting of the rest of the Low Countries, especially the modern Netherlands. In the early period, up to about 1520, the painting of the whole area is (especially in the Anglophone world) typically considered as a whole, as Early Netherlandish painting. This was dominated by the Flemish south, but painters from the north were also important. Dutch and Flemish Renaissance painting, of which Antwerp became the centre, covers the period up to about 1580 or later, by the end of which the north and south Netherlands had become politically separated. Flemish Baroque painting was especially important in the first half of the 17th century, dominated by Rubens. In theory the term does not refer to modern Flanders but to the County of Flanders and neighbouring areas of the Low Countries such as the Tournaisis and Duchy of Brabant. However this distinction, well understoo ...
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Linlithgow Palace
The ruins of Linlithgow Palace are located in the town of Linlithgow, West Lothian, Scotland, west of Edinburgh. The palace was one of the principal residences of the monarchs of Scotland in the 15th and 16th centuries. Although maintained after Scotland's monarchs left for England in 1603, the palace was little used, and was burned out in 1746. It is now a visitor attraction in the care of Historic Environment Scotland. Origins A royal manor existed on the site from the 12th century. This was enclosed by a timber palisade and outer fosse to create a fortification known as 'the Peel', built in 1301/2 by occupying English forces under Edward I to designs by James of Saint George. The site of the manor made it an ideal military base for securing the supply routes between Edinburgh Castle and Stirling Castle. The English fort was begun in March 1302 under the supervision of two priests, Richard de Wynepol and Henry de Graundeston. The architect, Master James of St Georg ...
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