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Scott Barley
Scott Barley (born 11 November 1992) is a Welsh filmmaker, artist, drone musician, and author. His films have been associated with the Remodernist film, Remodernist and Slow cinema movements, and ecocriticism. Recurrent themes in his work are the anthropocene, nature, darkness, cosmology, Phenomenology (philosophy), phenomenology, mereology and mysticism. His filmmaking methods have been compared to David Lynch, Stan Brakhage, Philippe Grandrieux, Béla Tarr, Alexander Sokurov, Maya Deren and Jean Epstein. Since early 2015, Barley has almost exclusively shot his films on iPhone. He is most well-known for the 2017 experimental film, ''Sleep Has Her House (2017 film), Sleep Has Her House''. Danish film critic, and former director of the European Documentary Network, Tue Steen Müller has described him as the "Anselm Kiefer of cinema". Influences and style Barley's imagery and focus on natural landscape has been likened to the romantic tradition of Sublime (philosophy), The Sublim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cardiff
Cardiff (; cy, Caerdydd ) is the capital city, capital and List of urban areas in the United Kingdom, largest city of Wales. It forms a Principal areas of Wales, principal area, officially known as the City and County of Cardiff ( cy, Dinas a Sir Caerdydd, links=no), and the city is the List of cities in the United Kingdom, eleventh-largest in the United Kingdom. Located in the South East Wales, south-east of Wales and in the Cardiff Capital Region, Cardiff is the county town of the Historic counties of Wales, historic county of Glamorgan and in 1974–1996 of South Glamorgan. It belongs to the Eurocities network of the largest European cities. A small town until the early 19th century, its prominence as a port for coal when mining began in the region helped its expansion. In 1905, it was ranked as a city and in 1955 proclaimed capital of Wales. Cardiff Urban Area, Cardiff Built-up Area covers a larger area outside the county boundary, including the towns of Dinas Powys and Pena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mereology
In logic, philosophy and related fields, mereology ( (root: , ''mere-'', 'part') and the suffix ''-logy'', 'study, discussion, science') is the study of parts and the wholes they form. Whereas set theory is founded on the membership relation between a set and its elements, mereology emphasizes the meronomic relation between entities, which—from a set-theoretic perspective—is closer to the concept of inclusion between sets. Mereology has been explored in various ways as applications of predicate logic to formal ontology, in each of which mereology is an important part. Each of these fields provides its own axiomatic definition of mereology. A common element of such axiomatizations is the assumption, shared with inclusion, that the part-whole relation orders its universe, meaning that everything is a part of itself ( reflexivity), that a part of a part of a whole is itself a part of that whole ( transitivity), and that two distinct entities cannot each be a part of the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernism
Modernism is both a philosophical and arts movement that arose from broad transformations in Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of realism and made use of the works of the past by the employment of reprise, incorporation, rewriting, recapitulation, revision and parody. Modernism also rej ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sublime (philosophy)
In aesthetics, the sublime (from the Latin '' sublīmis'') is the quality of greatness, whether physical, moral, intellectual, metaphysical, aesthetic, spiritual, or artistic. The term especially refers to a greatness beyond all possibility of calculation, measurement, or imitation. Since its first application in the field of rhetoric and drama in ancient Greece it became an important concept not just in philosophical aesthetics but also in literary theory and art history. Digital sublime refers to certain perceptions of information technology. Ancient philosophy The first known study of the ''sublime'' is ascribed to Longinus: Peri Hupsous/Hypsous or '' On the Sublime''. This is thought to have been written in the 1st century AD though its origin and authorship are uncertain. For Longinus, the sublime is an adjective that describes great, elevated, or lofty thought or language, particularly in the context of rhetoric. As such, the sublime inspires awe and veneration, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anselm Kiefer
Anselm Kiefer (born 8 March 1945) is a German painter and sculptor. He studied with Peter Dreher and Horst Antes at the end of the 1960s. His works incorporate materials such as straw, ash, clay, lead, and shellac. The poems of Paul Celan have played a role in developing Kiefer's themes of German history and the horrors of the Holocaust, as have the spiritual concepts of Kabbalah. In his entire body of work, Kiefer argues with the past and addresses taboo and controversial issues from recent history. Themes from Nazi rule are particularly reflected in his work; for instance, the painting ''Margarethe'' (oil and straw on canvas) was inspired by Celan's well-known poem "Todesfuge" ("Death Fugue"). His works are characterised by an unflinching willingness to confront his culture's dark past, and unrealised potential, in works that are often done on a large, confrontational scale well suited to the subjects. It is also characteristic of his work to find signatures and names of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sleep Has Her House (2017 Film)
''Sleep Has Her House'' is a 2017 experimental film shot, written, produced, directed, and edited by Welsh filmmaker, Scott Barley. Like several of his previous short films, ''Sleep Has Her House'' was shot on an iPhone. It also features still photography and hand drawn images by the artist. The film is considered part of the slow cinema movement due to its use of long takes; the longest of which is 11 minutes long, featuring the sun setting until dusk. The film features no actors or dialogue. Synopsis ''“The shadows of screams climb beyond the hills.'' ''It has happened before.'' ''But this will be the last time.'' ''The last few sense it, withdrawing deep into the forest.'' ''They cry out into the black, as the shadows pass away, into the ground.”'' — Opening text from ''Sleep Has Her House''In a world seemingly devoid of human beings and inhabited by only a select few animals, an undefined presence manifests, embodied as the wind. It passes through the valley, lake, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Epstein
Jean Epstein (; 25 March 1897 – 2 April 1953) was a French filmmaker, film theorist, literary critic, and novelist. Although he is remembered today primarily for his adaptation of Edgar Allan Poe's '' The Fall of the House of Usher'', he directed three dozen films and was an influential critic of literature and film from the early 1920s through the late 1940s. He is often associated with French Impressionist Cinema and the concept of ''photogénie''. Life and career Epstein was born in Warsaw, Kingdom of Poland (then a part of Russian Empire) to a French-Jewish father and Polish mother. After his father died in 1908, the family relocated to Switzerland, where Epstein remained until beginning medical school at the University of Lyon in France. While in Lyon, Epstein served as a secretary and translator for Auguste Lumière, considered one of the founders of cinema. Epstein started directing his own films in 1922 with ''Pasteur'', followed by ''L'Auberge rouge'' and '' Coeur f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maya Deren
Maya Deren (born Eleonora Derenkowska, uk, Елеоно́ра Деренко́вська, links=no; Запись о рождении в метрической книге Киевского раввината за 1917 год // ЦГИАК Украины. Ф. 1164. Оп. 1. Д. 161 (517 — по старой нумерации). Л. 73об–74. ''(russian)'' – October 13, 1961) was a Ukrainian-born American |
Alexander Sokurov
Alexander Nikolayevich Sokurov, PAR (russian: link=no, Александр Николаевич Сокуров; born 14 June 1951) is a Russian filmmaker. His most significant works include a feature film, ''Russian Ark'' (2002), filmed in a single unedited shot, and ''Faust'' (2011), which was honoured with the Golden Lion, the highest prize for the best film at the Venice Film Festival. Life and work Sokurov was born in Podorvikha, Irkutsky District, in Siberia, into a military officer's family. He graduated from the History Department of the Nizhny Novgorod University in 1974 and entered one of the VGIK studios the following year. There he became friends with Tarkovsky and was deeply influenced by his film ''Mirror''. Most of Sokurov's early features were banned by Soviet authorities. During his early period, he produced numerous documentaries, including ''The Dialogues with Solzhenitsyn'' and a reportage about Grigori Kozintsev's flat in Saint Petersburg. His film ''Mournf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Béla Tarr
Béla Tarr (born 21 July 1955) is a Hungarian filmmaker. Debuting with the film ''Family Nest'' (1977), Tarr began his directorial career with a brief period of what he refers to as "social cinema", aimed at telling everyday stories about ordinary people, often in the style of cinema vérité. Over the next decade, he changed the cinematic style and thematic elements of his films. Tarr has been interpreted as having a pessimistic view of humanity; the characters in his works are often cynical, and have tumultuous relationships with one another in ways critics have found to be darkly comic. '' Almanac of Fall'' (1984) follows the inhabitants of a run-down apartment as they struggle to live together while sharing their hostilities. The drama '' Damnation'' (1988) was lauded for its languid and controlled camera movement, which Tarr would become known for internationally. ''Sátántangó'' (1994) and '' Werckmeister Harmonies'' (2000) continued his bleak and desolate representati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe Grandrieux
Philippe Grandrieux (born 10 November 1954) is a French film director and screenwriter. Life and career Grandrieux was born in Saint-Étienne. He studied film at the INSAS (Institut National Supérieur des Arts du Spectacle) in Belgium. He exhibited his first video work at ''Galerie Albert Baronian'', Bruxelles. In the 1980s, he worked in collaboration with the French Institut National de l'Audiovisuel (INA) and the television channel La Sept/Arte where he helped develop new cinematographic forms and formats that called into question some basic principles of film writing: for instance, the conventions behind documentary, information and film essays. In 1990, he created the film research lab “Live” which produced one-hour-long sequences by Thierry Kuntzel, Robert Kramer and Robert Frank... Since 2005, programs devoted to Grandrieux's features (''Sombre'', ''La Vie nouvelle'', ''Un lac''), installations, video, documentary work and shorts have been broadcast all over the worl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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