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Maya Deren
Maya Deren (born Eleonora Derenkowska, uk, Елеоно́ра Деренко́вська, links=no; Запись о рождении в метрической книге Киевского раввината за 1917 год // ЦГИАК Украины. Ф. 1164. Оп. 1. Д. 161 (517 — по старой нумерации). Л. 73об–74. ''(russian)'' – October 13, 1961) was a -born |
Meshes Of The Afternoon
''Meshes of the Afternoon'' is a 1943 American short experimental film directed by and starring wife-and-husband team Maya Deren and Alexandr Hackenschmied. The film's narrative is circular and repeats several motifs, including a flower on a long driveway, a key falling, a door unlocked, a knife in a loaf of bread, a mysterious Grim Reaper–like cloaked figure with a mirror for a face, a phone off the hook and an ocean. Through creative editing, distinct camera angles, and slow motion, the surrealist film depicts a world in which it is more and more difficult to grasp reality. In 1990, ''Meshes of the Afternoon'' was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant", going into the registry in the second year of voting. In 2015 the BBC named the film the 40th greatest American movie ever made. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Film
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources. While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in new technology rather t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jewish
Jews ( he, יְהוּדִים, , ) or Jewish people are an ethnoreligious group and nation originating from the Israelites Israelite origins and kingdom: "The first act in the long drama of Jewish history is the age of the Israelites""The people of the Kingdom of Israel and the ethnic and religious group known as the Jewish people that descended from them have been subjected to a number of forced migrations in their history" and Hebrews of historical History of ancient Israel and Judah, Israel and Judah. Jewish ethnicity, nationhood, and religion are strongly interrelated, "Historically, the religious and ethnic dimensions of Jewish identity have been closely interwoven. In fact, so closely bound are they, that the traditional Jewish lexicon hardly distinguishes between the two concepts. Jewish religious practice, by definition, was observed exclusively by the Jewish people, and notions of Jewish peoplehood, nation, and community were suffused with faith in the Jewish God, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hella Hammid
Hella Hammid (15 July 1921 – 1 May 1992) was an American photographer whose career included teaching at UCLA. Her freelance photographs appeared in diverse publications including ''Life'', ''Ebony'', ''The Sun'' and ''The New York Times''. Her softly backlit picture of two young Italian girls dancing, watched by other children in front of the abutments of a stone building, was chosen by Edward Steichen for his 1955 world-touring MoMA exhibition ''The Family of Man,'' which was seen by nine million visitors. Hammid had a long professional career taking "candid portraits" of children and families for private clients as well as contributing to a number of book projects. Hammid's photographic career is the subject of the book, Hella Hammid: Feminine Fate'' One of her most widely circulated images is the Tree Poster', which portrays writer Deena Metzger, a close friend of Hammid's. Hammid was also a remote viewer who worked with Russell Targ and Harold E. Puthoff at SRI Internat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ritual In Transfigured Time
''Ritual in Transfigured Time'' is a 1946 American Experimental film, experimental Silent film, silent short film directed by Maya Deren. Like Deren's previous work, ''A Study in Choreography for Camera'' (1945), she explores the use of dance on film through the lens of commentary of societal norms, metamorphosis, and anthropomorphism. The film is notable for its disjointed storytelling and use of slow motion, Freeze-frame shot, freeze framing, and unique blend of stage dance and film. Deren became known for her affinity for dance in other subsequent films such as ''Meditation on Violence'', ''Ensemble for Somnambulists'', and ''Divine Horsemen: The Living Gods of Haiti''. Elinor Cleghorn writes: "While she never undertook formal training, she identified as a dancer; but rather than pursuing a career as a performer she made her fascination with dance as cultural expression the focus of her progression as a writer and researcher." Plot Maya Deren's character sits in a room with str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Study In Choreography For Camera
''A Study in Choreography for Camera'' is a 1945 American experimental silent short film directed by Maya Deren. Shot in black-and-white, the film stars Talley Beatty. Cast * Talley Beatty Talley Beatty (22 December 1918 – 29 April 1995) was born in Cedar Grove, Louisiana, a section of Shreveport, but grew up in Chicago, Illinois. He is considered one of the greatest of African American choreographers, and also bears the titles dan ... References External links * * 1945 films 1945 short films American black-and-white films Films directed by Maya Deren {{short-silent-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Hammid
Alexandr Hackenschmied, born Alexander Siegfried George Hackenschmied, known later as Alexander Hammid (17 December 1907, Linz – 26 July 2004, New York City) was a Czech-American photographer, film director, cinematographer and film editor. He immigrated to the U.S. in 1938 and became involved in American avant-garde cinema. He is best known for three films: ''Crisis'' (1939), ''Meshes of the Afternoon'' (1943) and '' To Be Alive!'' (1964). He made ''Meshes of the Afternoon'' with Maya Deren, to whom he was married from 1942 to 1947. His second marriage was to the photographer Hella Heyman, who had also collaborated with Hammid and Deren on several films. He won the 1965 Academy Award for Best Documentary (Short Subject) for ''To Be Alive!'' (1964), which he co-directed with Francis Thompson. Career in Czechoslovakia and the U.S. Born in Linz, Austria-Hungary to the son of a school-teacher, he changed his name to Alexander Hammid when he became a citizen of the United S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Superimposition
Superimposition is the placement of one thing over another, typically so that both are still evident. Graphics In graphics, superimposition is the placement of an image or video on top of an already-existing image or video, usually to add to the overall image effect, but also sometimes to conceal something (such as when a different face is superimposed over the original face in a photograph). Cartography This technique is used in cartography to produce photomaps by superimposing grid lines, contour lines and other linear or textual mapping features over aerial photographs. 2D images Superimposition of two-dimensional images containing correlated periodic grid structures may produce moiré patterns. Superimposition of two correlated layers comprising parallel lines or curves may give rise line moiré patterns. The movement of one of the layers results in a faster movement of the line moiré superimposition image. Such optical acceleration is known as moiré speedup (check for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jump-cut
A jump cut is a cut in film editing in which a single continuous sequential shot of a subject is broken into two parts, with a piece of footage being removed in order to render the effect of jumping forward in time. Camera positions of the subject in the remaining pieces of footage of the sequence should vary only slightly in order to achieve the effect. It is a manipulation of temporal space using the duration of a single shot, and fracturing the duration to move the audience ahead. This kind of cut abruptly communicates the passing of time as opposed to the more seamless dissolve heavily used in films predating Jean-Luc Godard's '' Breathless'', which made extensive use of jump cuts and popularized the technique during the 1960s. For this reason, jump cuts are considered a violation of classical continuity editing, which aims to give the appearance of continuous time and space in the story-world by de-emphasizing editing, but are sometimes nonetheless used for creative purposes. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multiple Exposure
In photography and cinematography, a multiple exposure is the superimposition of two or more exposures to create a single image, and double exposure has a corresponding meaning in respect of two images. The exposure values may or may not be identical to each other. Overview Ordinarily, cameras have a sensitivity to light that is a function of time. For example, a one-second exposure is an exposure in which the camera image is equally responsive to light over the exposure time of one second. The criterion for determining that something is a double exposure is that the sensitivity goes up and then back down. The simplest example of a multiple exposure is a double exposure without flash, i.e. two partial exposures are made and then combined into one complete exposure. Some single exposures, such as "flash and blur" use a combination of electronic flash and ambient exposure. This effect can be approximated by a Dirac delta measure (flash) and a constant finite rectangular window, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Koffka
Kurt Koffka (March 12, 1886 – November 22, 1941) was a German psychologist and professor. He was born and educated in Berlin, Germany; he died in Northampton, Massachusetts from coronary thrombosis. He was influenced by his maternal uncle, a biologist, to pursue science. He had many interests including visual perception, brain damage, sound localization, developmental psychology, and experimental psychology. He worked alongside Max Wertheimer and Wolfgang Köhler to develop Gestalt psychology. Koffka had several publications including "The Growth of the Mind: An Introduction to Child Psychology" (1924) and "The Principles of Gestalt Psychology" (1935) which elaborated on his research. Personal life Kurt Koffka, born March 18, 1886 in Berlin, Germany, was raised by Luis Levy and Emil Koffka. His mother listed herself as Protestant despite having a Jewish heritage. His father was a lawyer and his younger brother, Friedrich Koffka, went on to become a judge. In spite o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gestalt Psychology
Gestalt-psychology, gestaltism, or configurationism is a school of psychology that emerged in the early twentieth century in Austria and Germany as a theory of perception that was a rejection of basic principles of Wilhelm Wundt's and Edward Titchener's elementalist and structuralist psychology.Mather, George (2006) Foundations of Perception, Psychology Pressch.1 p.32 As used in Gestalt psychology, the German word ''Gestalt'' ( , ; meaning "form") is interpreted as "pattern" or "configuration". Gestalt psychologists emphasize that organisms perceive entire patterns or configurations, not merely individual components. The view is sometimes summarized using the adage, "the whole is more than the sum of its parts." Gestalt psychology was founded on works by Max Wertheimer, Wolfgang Köhler, and Kurt Koffka. Origin and history Max Wertheimer (1880–1943), Kurt Koffka (1886–1941), and Wolfgang Köhler (1887-1967) founded Gestalt psychology in the early 20th century. The domi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
