Santa Maria Del Rosario Alle Pigne, Naples
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Santa Maria Del Rosario Alle Pigne, Naples
''Santa Maria del Rosario alle Pigne'' (or ''del Rosariello'') is a church located near Piazza Cavour in Naples, Italy. History The church acquired its name, because in 1638, the zone where the church now stands was a pine forest. The trees were felled to build the convent on lands that belonged to the Moscabruno clan. Designs of the church were by Arcangelo Guglielmelli. It has a rectangular base with lateral chapels. The facade has a statue of the ''Virgin and Child'' by the artist. The cupola is built from tufa Tufa is a variety of limestone formed when carbonate minerals precipitate out of water in unheated rivers or lakes. Geothermally heated hot springs sometimes produce similar (but less porous) carbonate deposits, which are known as travertine. ... rock. The church has works by Luca Giordano. The adjacent cloister is built in a late Renaissance style. The church has undergone recent renovation. Bibliography *Vincenzo Regina, ''Le chiese di Napoli. Viaggio indimenti ...
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Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans. Naples served a ...
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Province Of Naples
The Province of Naples ( it, Provincia di Napoli; nap, Pruvincia 'e Nàpule) was a province in the Campania region of southern Italy. In 2014/2015, the reform of local authorities (Law 142/1990 and Law 56/2014), replaced the Province of Naples with the Metropolitan City of Naples. Demographics The province of Naples is the most densely populated in Italy. At the 2013 census were all located in the province, as were 10 of the top 15. It has an area of 1,171.13 km², and a total population of about 3.05 million. Largest communities in the Napoli metropolitan area: Tourism The area is particularly fruitful for tourism, both national and international. Pompeii, the excavated Roman city which was destroyed by Mount Vesuvius in 79 AD is among the most popular destinations in all of Italy. Three islands in the Gulf of Naples are also prominent destinations; Ischia, Procida, part of the Phlegrean Islands, and Capri. Together they are also known as the Campanian Archipelago ...
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Campania
Campania (, also , , , ) is an administrative Regions of Italy, region of Italy; most of it is in the south-western portion of the Italian peninsula (with the Tyrrhenian Sea to its west), but it also includes the small Phlegraean Islands and the island of Capri. The capital of the Campania region is Naples. As of 2018, the region had a population of around 5,820,000 people, making it Italy's third most populous region, and, with an area of , its most densely populated region. Based on its Gross domestic product, GDP, Campania is also the most economically productive region in southern Italy List of Italian regions by GDP, and the 7th most productive in the whole country. Naples' urban area, which is in Campania, is the List of urban areas in the European Union, eighth most populous in the European Union. The region is home to 10 of the 58 List of World Heritage Sites in Italy, UNESCO sites in Italy, including Pompeii and Herculaneum, the Royal Palace of Caserta, the Amalfi Coast and ...
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Roman Catholic
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *'' Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television * Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *Ῥωμ ...
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Church (building)
A church, church building or church house is a building used for Christian worship services and other Christian religious activities. The earliest identified Christian church is a house church founded between 233 and 256. From the 11th through the 14th centuries, there was a wave of church construction in Western Europe. Sometimes, the word ''church'' is used by analogy for the buildings of other religions. ''Church'' is also used to describe the Christian religious community as a whole, or a body or an assembly of Christian believers around the world. In traditional Christian architecture, the plan view of a church often forms a Christian cross; the center aisle and seating representing the vertical beam with the Church architecture#Characteristics of the early Christian church building, bema and altar forming the horizontal. Towers or domes may inspire contemplation of the heavens. Modern churches have a variety of architectural styles and layouts. Some buildings designe ...
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Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ...
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Roman Catholic Archdiocese Of Naples
The Roman Catholic Archdiocese of Naples ( it, Arcidiocesi di Napoli; la, Archidioecesis Neapolitana) is a Roman Catholic Archdiocese in southern Italy, the see being in Naples. A Christians, Christian community was founded there in the 1st century AD and the diocese of Naples was raised to the level of an Archbishop, Archdiocese in the 10th century."Archdiocese of Napoli "
''Catholic-Hierarchy.org''. David M. Cheney. Retrieved February 29, 2016
"Metropolitan Diocese of Napoli"
''GCatholic.org''. Gabriel Chow. Retrieved February 29, 2016
Two Archbishops of Naples have been elected Pope, Pope Paul IV, Paul IV and Pope Innocent XII, Innocent XII.
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Pine
A pine is any conifer tree or shrub in the genus ''Pinus'' () of the family Pinaceae. ''Pinus'' is the sole genus in the subfamily Pinoideae. The World Flora Online created by the Royal Botanic Gardens, Kew and Missouri Botanical Garden accepts 187 species names of pines as current, together with more synonyms. The American Conifer Society (ACS) and the Royal Horticultural Society accept 121 species. Pines are commonly found in the Northern Hemisphere. ''Pine'' may also refer to the lumber derived from pine trees; it is one of the more extensively used types of lumber. The pine family is the largest conifer family and there are currently 818 named cultivars (or trinomials) recognized by the ACS. Description Pine trees are evergreen, coniferous resinous trees (or, rarely, shrubs) growing tall, with the majority of species reaching tall. The smallest are Siberian dwarf pine and Potosi pinyon, and the tallest is an tall ponderosa pine located in southern Oregon's Rogue Riv ...
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Arcangelo Guglielmelli
Arcangelo Guglielmelli (1723) was an Italian architect and painter, active in his native Naples, Italy, in a late-Baroque style. He was involved in the building and reconstruction of churches, many of which had been damaged by the earthquakes of 1688 and 1694. Biography He was born to Marcello Guglielmelli and Caterina Vera, but grew up in the house of a painter, Onofrio de Marino, whose daughter he married in March 1677. His two sons were Marcello, also an architect who worked with his father, and Gaetano, who became a novice at Santa Maria della Vita. Early in his career, Arcangelo helped design ephemeral decorations for the frequent festivals held in Naples, such as in 1671 for the festival of San Gennaro, and 1677 for the festival of Quarantore, held by the Theatines of San Paolo Maggiore. He trained under Dionisio Lazzari. In 1677, in the church of Gesù delle Monache, Arcangelo worked on the reconstruction of the presbytery and added a small elliptical dome to provide li ...
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Cupola
In architecture, a cupola () is a relatively small, most often dome-like, tall structure on top of a building. Often used to provide a lookout or to admit light and air, it usually crowns a larger roof or dome. The word derives, via Italian, from lower Latin ''cupula'' (classical Latin ''cupella''), (Latin ''cupa''), indicating a vault resembling an upside-down cup. Background The cupola evolved during the Renaissance from the older oculus. Being weatherproof, the cupola was better suited to the wetter climates of northern Europe. The chhatri, seen in Indian architecture, fits the definition of a cupola when it is used atop a larger structure. Cupolas often serve as a belfry, belvedere, or roof lantern above a main roof. In other cases they may crown a spire, tower, or turret. Barns often have cupolas for ventilation. Cupolas can also appear as small buildings in their own right. The square, dome-like segment of a North American railroad train caboose that contains the seco ...
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Tufa
Tufa is a variety of limestone formed when carbonate minerals precipitate out of water in unheated rivers or lakes. Geothermally heated hot springs sometimes produce similar (but less porous) carbonate deposits, which are known as travertine. Tufa is sometimes referred to as (meteogene) travertine. It should not be confused with hot spring (thermogene) travertine. Tufa, which is calcareous, should also not be confused with tuff, a porous volcanic rock with a similar etymology that is sometimes also called "tufa". Classification and features Modern and fossil tufa deposits abound with wetland plants; as such, many tufa deposits are characterised by their large macrobiological component, and are highly porous. Tufa forms either in fluvial channels or in lacustrine environments. Ford and Pedley (1996) provide a review of tufa systems worldwide. Fluvial deposits Deposits can be classified by their depositional environment (or otherwise by vegetation or petrographically). Pedle ...
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Luca Giordano
Luca Giordano (18 October 1634 – 3 January 1705) was an Italian late-Baroque painter and printmaker in etching. Fluent and decorative, he worked successfully in Naples and Rome, Florence, and Venice, before spending a decade in Spain. Early life and training Born in Naples, Giordano was the son of the painter Antonio Giordano. In around 1650 he was apprenticed to Ribera on the recommendation of the viceroy of Naples and his early work was heavily influenced by his teacher. Like Ribera, he painted many half-length figures of philosophers, either imaginary portraits of specific figures, or generic types. He acquired the nickname ''Luca fa presto'', which translates into "Luca paints quickly." His speed, in design as well as handiwork, and his versatility, which enabled him to imitate other painters deceptively, earned for him two other epithets, "The Thunderbolt" (''Fulmine'') and "The Proteus" of painting. Following a period studying in Rome, Parma and Venice, Gior ...
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