Santa Maria Delle Grazie, Varallo
The Church of Our Lady of the Graces () is a Gothic-style, Roman Catholic church in Varallo Sesia, province of Vercelli, region of Piedmont, Italy. The church was built, together with the adjacent Franciscan convent, by padre Bernardo Caimi between 1486 and 1493. At this time, the construction of the Sacro Monte was also beginning. In December 1931, Pope Pius XI gave the church the title of Minor Basilica. History The interior is subdivided into spaces for the general public and for the friars, separated by a partition wall (), supported by three round arches. The central arch opens to a hall reserved for friars, while the two lateral arches lead to two chapels. The fresco cycle scheme of the wall is traditionally attributed to Bernardino of Siena, and painted in 1531 by Gaudenzio Ferrari. Similar decorative structures, with a partition wall entirely decorated with frescoes of the life of Jesus, were typical of the religious and artistic culture of the Friars Minor in Piedmont ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Varallo Sesia Santa Maria Delle Grazie 001
Varallo may refer to: Persons * Varallo (surname) * Tanzio da Varallo (c. 1575/1580 – c. 1632/1633), Italian painter Places * Varallo Pombia, an Italian comune in the province of Novara * Varallo Sesia, an Italian comune in the province of Vercelli ** Novara–Varallo railway *** Varallo Sesia railway station * Varallo's, the oldest restaurant in Tennessee {{disambiguation, geo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gospel
Gospel originally meant the Christian message ("the gospel"), but in the 2nd century it came to be used also for the books in which the message was set out. In this sense a gospel can be defined as a loose-knit, episodic narrative of the words and deeds of Jesus, culminating in his trial and death and concluding with various reports of his post-resurrection appearances. Modern scholars are cautious of relying on the gospels uncritically, but nevertheless, they provide a good idea of the public career of Jesus, and critical study can attempt to distinguish the original ideas of Jesus from those of the later authors. The four canonical gospels were probably written between AD 66 and 110. All four were anonymous (with the modern names added in the 2nd century), almost certainly none were by eyewitnesses, and all are the end-products of long oral and written transmission. Mark was the first to be written, using a variety of sources. The authors of Matthew and Luke both independently ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Adoration Of The Magi
The Adoration of the Magi or Adoration of the Kings is the name traditionally given to the subject in the Nativity of Jesus in art in which the three Magi, represented as kings, especially in the West, having found Jesus by following a star, lay before him gifts of gold, frankincense, and myrrh, and worship him. It is related in the Bible by Matthew 2:11: "On entering the house, they saw the child with Mary his mother; and they knelt down and paid him homage. Then, opening their treasure chests, they offered him gifts of gold, frankincense, and myrrh. And having been warned in a dream not to return to Herod, they left for their own country by another path". Christian iconography considerably expanded the bare account of the Biblical Magi described in the Gospel of Matthew ( 2:1– 22). By the later Middle Ages this drew from non-canonical sources like the Golden Legend by Jacobus de Voragine. Artists used the expanded Christian iconography to reinforce the idea that J ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Grotesque
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Gro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ferrari Gaudenzio Crucifixion Varallo
Ferrari S.p.A. (; ) is an Italian luxury sports car manufacturer based in Maranello, Italy. Founded by Enzo Ferrari (1898–1988) in 1939 from the Alfa Romeo racing division as ''Auto Avio Costruzioni'', the company built its first car in 1940, and produced its first Ferrari-badged car in 1947. Fiat S.p.A. acquired 50% of Ferrari in 1969 and expanded its stake to 90% in 1988. In October 2014, Fiat Chrysler Automobiles (FCA) announced its intentions to separate Ferrari S.p.A. from FCA; as of the announcement FCA owned 90% of Ferrari. The separation began in October 2015 with a restructuring that established Ferrari N.V. (a company incorporated in the Netherlands) as the new holding company of the Ferrari S.p.A. group, and the subsequent sale by FCA of 10% of the shares in an IPO and concurrent listing of common shares on the New York Stock Exchange. Through the remaining steps of the separation, FCA's interest in Ferrari's business was distributed to shareholders of FCA, wi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ivrea
Ivrea (; pms, Ivrèja ; ; lat, Eporedia) is a town and ''comune'' of the Metropolitan City of Turin in the Piedmont region of northwestern Italy. Situated on the road leading to the Aosta Valley (part of the medieval Via Francigena), it straddles the Dora Baltea and is regarded as the centre of the Canavese area. Ivrea lies in a basin that in prehistoric times formed a large lake. Today five smaller lakes — Sirio, San Michele, Pistono, Nero and Campagna — are found in the area around the town. On July 1, 2018, the site which is known as "Industrial City of the 20th Century" was listed as a UNESCO World Heritage Site. History Ivrea and its surroundings have been inhabited since the Neolithic era; the Celts are believed to have had a village in Ivrea from around the 5th century BC. However, the town first officially appears in history as an outpost of the Roman Republic founded in 100 BC, probably built to guard one of the traditional invasion routes into nort ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Giovanni Martino Spanzotti
Giovanni Martino Spanzotti (c. 1455 – c. 1528; also known as ''Gian Martino Spanzotti'') was an Italian painter active in Piedmont, Lombardy and northern Italy. Biography He was born in Casale Monferrato and died in Chivasso. Little is known of his life. Born into a family of painters from Varese, he likely apprenticed with his father, Pietro. He appears to have had contacts with either Francesco del Cossa or his works, including the ''Madonna Enthroned'' (or ''Madonna Tucker'') in the Turin City Museum of Ancient Art. Other influences are Zanetto Bugatto and Vincenzo Foppa. Spanzotti painted between 1480 and 1498 in the Piedmont, as well as in Casale Monferrato and Vercelli. Works from this period include the Triptych in the Galleria Sabauda (his sole signed work) and the ''Adoration with Child'' in Rivarolo Canavese. Around 1485-1490 he executed a cycle of frescoes of the ''Life of Christ'' in the church of San Bernardino in Ivrea. His pupils included il Sodoma and De ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Perugino
Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Early years He was born Pietro Vannucci in Città della Pieve, Umbria, the son of Cristoforo Maria Vannucci. His nickname characterizes him as from Perugia, the chief city of Umbria. Scholars continue to dispute the socioeconomic status of the Vannucci family. While certain academics maintain that Vannucci worked his way out of poverty, others argue that his family was among the wealthiest in the town. His exact date of birth is not known, but based on his age at death that was mentioned by Vasari and Giovanni Santi, it is believed that he was born between 1446 and 1452. Pietro most likely began studying painting in local workshops in Perugia such as those of Bartolomeo Caporali or Fiorenzo di Lorenzo. The date of the first Florentine sojou ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bramantino
Bartolomeo Suardi, best known as Bramantino ( – ), was an Italian painter and architect, mainly active in his native Milan. Biography He was born in Milan, the son of Alberto Suardi, but his biography remains unclear, and was long complicated by two "Pseudo-Bramantinos". He was trained by Donato Bramante, adopting a diminutive form of his master's name. This training gave him influences from by the Urbino quattrocento tradition of ''immobile realism'', and later he assimilated some elements of the style of Leonardo, after he arrived in Milan, although in other respects he remained faithful to his training in the style of Central Italy. He is documented in late 1508 as helping in the decoration of the Vatican Stanze though nothing remains of his work there, and by 1509 he was back in Milan. His style changed considerably during his career, and also shows strongly individual traits. His main influences were the serene and sometimes unnatural quietist classicism of Piero della ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Last Supper (Leonardo Da Vinci)
''The Last Supper'' ( it, Il Cenacolo or ) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to . The painting represents the scene of the Last Supper of Jesus with the Twelve Apostles, as it is told in the Gospel of Johnspecifically the moment after Jesus announces that one of his apostles will betray him. Its handling of space, mastery of perspective, treatment of motion and complex display of human emotion has made it one of the Western world's most recognizable paintings and among Leonardo's most celebrated works. Some commentators consider it pivotal in inaugurating the transition into what is now termed the High Renaissance. The work was commissioned as part of a plan of renovations to the church and its convent buildings by Leonardo's patron Ludovico Sforza, Duke of Milan. In order to permit his inconsistent painting schedule and frequent revisions, it is painted with materials that allowed for regular alterations: tempera on gesso, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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St Anne
According to Christian apocryphal and Islamic tradition, Saint Anne was the mother of Mary and the maternal grandmother of Jesus. Mary's mother is not named in the canonical gospels. In writing, Anne's name and that of her husband Joachim come only from New Testament apocrypha, of which the Gospel of James (written perhaps around 150) seems to be the earliest that mentions them. The mother of Mary is mentioned but not named in the Quran. Christian tradition The story is similar to that of Samuel, whose mother Hannah ( he, ''Ḥannāh'' "favour, grace"; etymologically the same name as Anne) had also been childless. The Immaculate Conception was eventually made dogma by the Catholic Church following an increased devotion to Anne in the 12th century. Dedications to Anne in Eastern Christianity occur as early as the 6th century. In the Eastern Orthodox tradition, Anne and Joachim are ascribed the title ''Ancestors of God'', and both the Nativity of Mary and the Presentation of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |