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San Filippo, Lodi
San Filippo Neri is a late Baroque-style Roman Catholic church located on Corso Umberto in central Lodi, region of Lombardy, Italy. History The church, dedicated to St Phillip Neri, was designed by the brothers Pietro Giacomo, Michele, and Domenico Sartorio and built during 1740-1745. The Sartori also completed some of the statuary. The interior is extravagantly decorated, with frescoed surfaces and polychrome altars. The nave ceiling and walls were frescoed (1756) by Carlo Innocenzo Carloni and his studio. The scenes depict the ''Glory of St Phillip'', a ''Holy Trinity'', and the ''Crucifixion'' at the apse. The cupola is frescoed with the ''Assumption of the Virgin'' and the spandrels with the ''Evangelists''. The wooden choir above the entrance was painted by Federico Ferrari. The organ (1779) was built by the Serassi brothers of Bergamo. Other works are by Giorgio Federico Fochezer and Giovanni Battista Trotti.
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Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ...
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Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread use in ...
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Roman Catholic Churches In Lodi, Lombardy
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *''Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music *Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *"Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television *Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *Ῥωμαῖ ...
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Baroque Architecture In Lombardy
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ...
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18th-century Roman Catholic Church Buildings In Italy
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ...
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Biblioteca Laudense
The Biblioteca Laudense is the main public library (Biblioteca Comunale) located on Via Solferino #72, in the town of Lodi, in the region of Lombardy, Italy. The library is in the Palazzo San Filippo, once housing the convent and chapel of the Oratorians. It now houses the library and a Civic Museum of Lodi. History The Filippini had arrived in Lodi by 1622, and acquired this space by 1639. They began construction of the church of San Filippo in 1645. The structure, including the adjacent housing was rebuilt in 1740-1758, with completion of the large hall in the library with the ceiling frescoed by Carlo Innocenzo Carloni with the ''Glory of St Philip Neri''. The Oratorians valued both devotion and knowledge and completed the large walnut cabinets for storing books. The structure was unfinished in 1791 when the French occupation led to the suppression of the order, and creation of a public library. In its origins, the library had some 2000 volumes donated by the government. But ...
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Tympanum (architecture)
A tympanum (plural, tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. History In ancient Greek, Roman and Christian architecture, tympana of religious buildings often contain pedimental sculpture or mosaics with religious imagery. A tympanum over a doorway is very often the most important, or only, location for monumental sculpture on the outside of a building. In classical architecture, and in classicising styles from the Renaissance onwards, major examples are usually triangular; in Romanesque architecture, tympana more often has a semi-circular shape, or that of a thinner slice from the top of a circle, and in Gothic architecture they ha ...
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Antonio Veneroni
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician the ...
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Giovanni Battista Trotti
Giovanni Battista Trotti (1555 – 11 June 1612) was an Italian painter of the late-Renaissance period, active mainly in Piacenza, Parma, and his native city of Cremona. In Cremona, he was initially a pupil of Bernardino Campi, whose niece he married. He painted in the ''Palazzo dei Giardino'' in Parma. He painted a ''Crucifixion'' in the Cremona Cathedral; while in San Pietro, he painted a ''Santa Maria Egiziaca'' ( St. Mary of Egypt). He painted the ''Beheading of John the Baptist'' for San Domenico at Cremona, and in San Francesco and Sant'Agostino at Piacenza. He was employed by the court of Parma, along with Agostino Carracci; and Agostino found Trotti disagreeable on which account he acquired the name of ''II Malosso'' (bad bone). Other pictures by him are: a ''Immaculate Conception'' for San Francesco Grande, in Piacenza, and a ''Descent from the Cross'', now found in the Brera Academy. He painted frescoes in the cupola of Sant'Abbondi, after designs by Campi, and in ...
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Lodi, Lombardy
Lodi ( , ; Ludesan: ) is a city and ''comune'' in Lombardy, northern Italy, primarily on the western bank of the River Adda. It is the capital of the province of Lodi. History Lodi was a Celtic village; in Roman times it was called, in Latin, Laus Pompeia (probably in honour of the consul Gnaeus Pompeius Strabo) and was known also because its position allowed many Gauls of ''Gallia Cisalpina'' to obtain Roman citizenship. It was in an important position where a vital Roman road crossed the River Adda. Lodi became the see of a diocese in the 3rd century. Saint Bassianus (San Bassiano) is the patron saint of the town. A free commune around 1000, it fiercely resisted the Milanese, who destroyed it in 1111. The old town corresponds to the modern Lodi Vecchio. Frederick Barbarossa rebuilt it on its current location in 1158. From 1220, the ''Lodigiani'' (inhabitants of Lodi) spent decades in constructing a system of miles of artificial rivers and channels (called ''Consorzio di M ...
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Giorgio Federico Fochezer
Giorgio may refer to: * Castel Giorgio, ''comune'' in Umbria, Italy * Giorgio (name), an Italian given name and surname * Giorgio Moroder, or Giorgio, Italian record producer ** ''Giorgio'' (album), an album by Giorgio Moroder * "Giorgio" (song), a song by Lys Assia * Giorgio Bruno, a character from the video game ''Time Crisis 4'' * Giorgio Zott, the main antagonist from the video game ''Time Crisis 3'' * Giorgio Beverly Hills, a prestige fragrance brand See also * Georgios * Georgio (other) * San Giorgio (other) San Giorgio, is the Italian form of Saint George. When used as the name of a person it is frequently contracted to Sangiorgio. Places Comuni Many towns and villages are named after the saint, including the following ''comuni'', or municipalities: ...
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Federico Ferrari
Federico Ferrari (born 15 September 1969) is an Italian philosopher and art critic. He teaches Philosophy of Art at Brera Academy, in Milan, Italy. Career Under the influence of Maurice Blanchot and Jean-Luc Nancy he has published many essays on philosophy, as well as literature. He has written two books with Jean-Luc Nancy: the first on the subject of nude, the second on the iconography of the writer. More recently, he has focused on the ontological state of the image, the deconstruction of the museum in postmodernity, and the question of art and/or in time. In 2011 he theorized the aesthetics of "Arte Essenziale", which manifested itself in the show held at Collezione Maramotti ( Reggio Emilia, Italy) and at Frankfurter Kunstverein (Germany). Eugenio Viola writes of Ferrari, "In a time when many continue to lament what they see as the inexorable decline of theory’s role in criticism, "Arte essenziale" (Essential Art), curated by philosopher Federico Ferrari, does its ...
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