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Samuel Scripps
Samuel Henrick Scripps (October 30, 1927 – February 16, 2007) was a patron of the arts, and played a significant role in gaining support and recognition for theatre and dance companies throughout America in the second half of the twentieth century. A life in the theatre Born and raised on what became known as the Scripps Ranch in San Diego, California, in 1927, Scripps was the grandson of Edward Willis Scripps, American newspaper publisher and founder of The E. W. Scripps Company, and United Press International. Early in his life, Scripps developed a love for Shakespeare, as well as for dance. With his wife, Luise Elcanness Scripps, who was a specialist on the dance of India, Scripps was instrumental in promoting and supporting dance and theatre throughout America. Scripps worked as Assistant Technical Director for the Old Globe Theater in San Diego, the Berkeley Shakespeare Festival, as well as Lighting Designer for the Riverside Shakespeare Company, for which he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scripps Ranch
Scripps Ranch is a community of San Diego, California in the northeastern part of that city. Its ZIP code is 92131. It is located east of Interstate 15, north of Marine Corps Air Station Miramar, and south of Poway. Scripps Ranch is a coastal/inland bedroom community within the City of San Diego. Miramar Reservoir is located within Scripps Ranch and offers recreational boating and fishing. A feature of Scripps Ranch is its landscaping, which includes many mature eucalyptus trees that are most apparent along Pomerado Road. History Scripps Ranch was originally a 400-acre (1.6 km) ranch owned by newspaper publisher E.W. Scripps. He later expanded it to . In October 2003, a section of south Scripps Ranch was devastated by the Cedar Fire, destroying over 300 homes. Two elected planning groups (the Scripps Ranch Planning Group and the Miramar Ranch North Planning Committee), advise the city on local planning and land-use issues. The Scripps Ranch Civic Association ("SRCA") acts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanya Holm
Hanya Holm (born Johanna Eckert; 3 March 1893 – 3 November 1992) is known as one of the "Big Four" founders of American modern dance. She was a dancer, choreographer, and above all, a dance educator. Early life, connection with Mary Wigman Born as Johanna Eckert on 3 March 1893 in Worms, Rhineland-Palatinate, German Empire. Holm was drawn to music and drama at an early age, she attended the Dalcroze Institute of Applied Rhythm in Frankfurt, studying under Emile Jaques-Dalcroze throughout her childhood and young adult life. At the age of 28, she saw the German expressionist Mary Wigman perform, and decided to continue her dance career at the Wigman School in Dresden where she soon became a member of the company. Mary Wigman and Hanya Holm shared a special bond through movement. ''Egyptian Dance'' was said to be the first time Wigman realized the artistic impression Holm was capable of. She had the creative will and ability to shape a choreographic vision into reality. Wigman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pearl Primus
Pearl Eileen Primus (November 29, 1919 – October 29, 1994) was an American dancer, choreographer and anthropologist. Primus played an important role in the presentation of African dance to American audiences. Early in her career she saw the need to promote African dance as an art form worthy of study and performance. Primus' work was a reaction to myths of savagery and the lack of knowledge about African people. It was an effort to guide the Western world to view African dance as an important and dignified statement about another way of life. Background Born in Port of Spain, Trinidad, Pearl Primus was two years old when she moved with her parents, Edward Primus and Emily Jackson, to New York City in 1921. In 1940, Primus received her bachelor's degree from Hunter College in biology and pre-medical science. As a graduate student in biology, she realized that her dreams of becoming a medical researcher would be unfulfilled, due to racial discrimination at the time that imposed l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trisha Brown
Trisha Brown (November 25, 1936 – March 18, 2017) was an American choreographer and dancer, and one of the founders of the Judson Dance Theater and the postmodern dance movement. Brown’s dance/movement method, with which she and her dancers train their bodies, remains pervasively impactful within international postmodern dance. Early life and education Brown was born in Aberdeen, Washington in 1936, and received a B.A. degree in dance from Mills College in 1958. Brown later received a D.F.A. from Bates College in 2000. For several summers she studied with Louis Horst, José Limón, and Merce Cunningham at the American Dance Festival, then held at Connecticut College. Work Dance In 1960 Brown participated in an experimental workshop devoted to improvisation at the studio of Anna Halprin, in Kentfield, California. Subsequently, at the urging of fellow choreographers, Simone Forti and Yvonne Rainer, Brown moved to New York to study composition with Robert Dunn, who taught a cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Talley Beatty
Talley Beatty (22 December 1918 – 29 April 1995) was born in Cedar Grove, Louisiana, a section of Shreveport, but grew up in Chicago, Illinois. He is considered one of the greatest of African American choreographers, and also bears the titles dancer, doctor, and dance company director. After studying under Katherine Dunham and Martha Graham, Beatty went on do solo work and choreograph his own works which center on the social issues, experiences, and everyday life of African Americans. Beatty and his technique and style of dancing were both praised and criticized by critics and dancers of his day. Dance background Beatty began studying dance at the age of eleven with Katherine Dunham. He learned her style of dancing, which was heavily based on her African and Caribbean studies of dance in the West Indies. He was a part of Dunham’s company and performed in several shows with them. He also trained under Martha Graham in the 1940s. He left the Dunham troupe in 1946 to continue his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donald McKayle
Donald McKayle (July 6, 1930 – April 6, 2018) was an American modern dancer, choreographer, teacher, director and writer best known for creating socially conscious concert works during the 1950s and '60s that focus on expressing the human condition and, more specifically, the black experience in America. He was "among the first black men to break the racial barrier by means of modern dance." His work for the concert stage, especially ''Games'' (1951) and ''Rainbow Round My Shoulder'' (1959), has been the recipient of widespread acclaim and critical attention. In addition, McKayle was the first black man to both direct and choreograph major Broadway musicals, including the Tony Award-winners ''Raisin'' (1973) and ''Sophisticated Ladies'' (1981), and he worked extensively in television and film. As a young man he appeared with some of the twentieth century's most important choreographers, including Martha Graham, Anna Sokolow, and Merce Cunningham, and in some of Broadway's landm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Sokolow
Anna Sokolow (February 9, 1910, Hartford, Connecticut – March 29, 2000, Manhattan, New York City) was an American dancer and choreographer known for the social justice focus and theatricality of her work, and for her support of the development of Modern Dance in Mexico and in Israel. At the beginning of her career, Sokolow was a principal dancer in the Martha Graham Company (1930-1938) and she soon became an independent choreographer who went on to form multiple dance companies throughout her life beginning with “Dance Unit” in the 1930s and later The Player's Project which launched in 1971 and re-launched in the 1980s. Sokolow choreographed for and set her work on companies around the world, including major companies such as Batsheva Dance Company, Alvin Ailey American Dance Theater, The Jose Limón Dance Company, Joffery Ballet and the Daniel Lewis Dance Company. Her work continues to be performed by the Sokolow Theatre/Dance Ensemble in New York City. Her work is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twyla Tharp
Twyla Tharp (; born July 1, 1941) is an American dancer, choreographer, and author who lives and works in New York City. In 1966 she formed the company Twyla Tharp Dance. Her work often uses classical music, jazz, and contemporary pop music. From 1971 to 1988, Twyla Tharp Dance toured extensively around the world, performing original works. In 1973 Tharp choreographed ''Deuce Coupe'' to the music of The Beach Boys for the Joffrey Ballet. ''Deuce Coupe'' is considered the first "crossover ballet", a mix of ballet and modern dance. Later she choreographed ''Push Comes to Shove'' (1976), which featured Mikhail Baryshnikov and is now thought to be the best example of crossover ballet. In 1988, Twyla Tharp Dance merged with American Ballet Theatre, since which time ABT has premiered 16 of Tharp's works. On May 24, 2018, Tharp was awarded an honorary Doctor of Arts degree by Harvard University. Early life and education Tharp was born in 1941 on a farm in Portland, Indiana, the daug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Limón
José Arcadio Limón (January 12, 1908 – December 2, 1972) was a dancer and choreographer from Mexico and who developed what is now known as 'Limón technique'. In the 1940s, he founded the José Limón Dance Company (now the Limón Dance Company), and in 1968 he created the José Limón Foundation to carry on his work. In his choreography, Limón spoke to the complexities of human life as experienced through the body. His dances feature large, visceral gestures — reaching, bending, pulling, grasping — to communicate emotion. Inspired in part by his teacher Doris Humphrey's and Charles Weidman's theories about the importance of body weight and dynamics, his own Limón technique emphasizes the rhythms of falling and recovering balance and the importance of good breathing to maintaining flow in a dance. He also utilized the dance vocabulary developed by both Doris Humphrey and Charles Weidman, which aimed at demonstrating emotion through dance in a way that was much le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Weidman
Charles Weidman (July 22, 1901 – July 15, 1975) was a renowned choreographer, modern dancer and teacher. He is well known as one of the pioneers of modern dance in America. He wanted to break free from the traditional movements of dance forms popular at the time to create a uniquely American style of movement. Born in 1901, he choreographed from the 1920s until his death in 1975. While he is most famous for his work with Doris Humphrey, Weidman did much work on his own. He created a bridge to a new range of movement that he only began to explore. His work inspired many and helped to create a whole genre of dance that is still evolving today. Career Charles Weidman began choreographing in a time of great change in American culture. He began his career as a dancer for the Denishawn Company, but soon decided to break free from their exotic style of movement and create a new style that was unique to America. He started the Humphrey-Weidman Company with Doris Humphrey in 1927, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doris Humphrey
Doris Batcheller Humphrey (October 17, 1895 – December 29, 1958) was an American dancer and choreographer of the early twentieth century. Along with her contemporaries Martha Graham and Katherine Dunham, Humphrey was one of the second generation modern dance pioneers who followed their forerunners – including Isadora Duncan, Ruth St. Denis, and Ted Shawn – in exploring the use of breath and developing techniques still taught today. As many of her works were annotated, Humphrey continues to be taught, studied and performed. Early life Humphrey was born in Oak Park, Illinois, but grew up in Chicago, Illinois. She was the daughter of Horace Buckingham Humphrey, a journalist and one-time hotel manager, and Julia Ellen Wells, who had trained as a concert pianist. She was a descendant of pilgrim William Brewster who arrived on the Mayflower in 1620. In Chicago, with the encouragement of her mother, she studied with eminent ballet masters as well as with Mary Woo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erick Hawkins
Frederick "Erick" Hawkins (April 23, 1909November 23, 1994) was an American modern-dance choreographer and dancer. Early life Frederick Hawkins was born in Trinidad, Colorado, on April 23, 1909. He majored in Greek civilization at Harvard University, graduating in 1930. A performance by the German dancers Harald Kreutzberg and Yvonne Georgi so impressed him that he went to Austria to study dance with the former. Later, he studied at the School of American Ballet. Career Soon he was dancing with George Balanchine's American Ballet. In 1937, he choreographed his first dance, ''Show Piece'', which was performed by Ballet Caravan. The next year, Hawkins was the first man to dance with the company of the famous modern dancer and choreographer Martha Graham. In 1939, he officially joined her troupe, dancing male lead in a number of her works, including ''Appalachian Spring'' in 1944. They married in 1948. He left her troupe in 1951 to found his own, and they divorced in 1954. Not lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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