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Saint John The Baptist (Alonso Cano)
''John the Baptist'' is a sculpture by the Baroque artist Alonzo Cano, housed in the National Sculpture Museum, Valladolid. The sculpture was made by the artist for the church of San Juan de la Palma, during his Seville period. In 1634 the Parish of Saint John the Baptist commissioned painter Juan del Castillo and retable joiner Miguel Cano Miguel Cano Pacheco was a Spanish baroque architect and sculptor born in Almodóvar del Campo, father and first master of Alonso Cano, renowned joiner of altarpieces. The reputation of his work and the accumulation of orders motivated that he was ..., father of Alonso, a retable to include paintings and the central sculpture of Saint John. It was carved by Alonso Cano inspired by Martínez Montañés’ ''St. John the Baptist'' from St. Anne's convent (Seville). The sculpture is characterized by its idealized naturalism. External links National Museum of SculptureSaint John the Baptist – Google Cultural Institute 1630s sculptures ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alonzo Cano
Alonso Cano Almansa or Alonzo Cano (19 March 16013 September 1667) was a Spanish painter, architect, and sculptor born in Granada.Alonso Cano – article Biography 
He learned architecture from his father, ; [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valladolid
Valladolid () is a Municipalities of Spain, municipality in Spain and the primary seat of government and de facto capital of the Autonomous communities of Spain, autonomous community of Castile and León. It is also the capital of the province of Valladolid, province of the same name. It has a population around 300,000 people (2021 est.). Population figures from 1 January 2013. The city is located roughly in the centre of the northern half of the Iberian Peninsula's Meseta Central, at the confluence of the Pisuerga River, Pisuerga and Esgueva rivers before they join the Duero, surrounded by winegrowing areas. The area was settled in pre-Roman times by the Celtic Vaccaei people, and then by Ancient Rome, Romans themselves. The settlement was purportedly founded after 1072, growing in prominence within the context of the Crown of Castile, being endowed with fairs and different institutions such as a collegiate church, University of Valladolid, University (1241), Court (royal), Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Sculpture Museum (Valladolid)
The "National Museum of Sculpture" is a museum in Valladolid, Spain, belonging to the Spanish Ministry of Culture. The museum has an extensive sculptural collection ranging from the Middle Ages to the 19th century. The collections come mostly from churches and monasteries in the Region of Castile, whose pieces of religious art were confiscated by the State in 1836, by order of Minister of Finance Mendizábal. Other parts of the collections come from particular donations, deposits or acquisitions by the State. The museum was founded as the Provincial Museum of Fine Arts on 4 October 1842. It had its first headquarters at the Palacio de Santa Cruz. On 29 April 1933 it was moved to the Colegio de San Gregorio. Other current seats are in the 16th-century ''Palacio de Villena'' and ''Palacio del Conde de Gondomar'' The museum houses works from the 13th to 19th centuries, executed mostly in the Central Spain, and also in other regions historically connected to Spain (Italy, Fland ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seville
Seville (; es, Sevilla, ) is the capital and largest city of the Spanish autonomous community of Andalusia and the province of Seville. It is situated on the lower reaches of the River Guadalquivir, in the southwest of the Iberian Peninsula. Seville has a municipal population of about 685,000 , and a metropolitan population of about 1.5 million, making it the largest city in Andalusia, the fourth-largest city in Spain and the 26th most populous municipality in the European Union. Its old town, with an area of , contains three UNESCO World Heritage Sites: the Alcázar palace complex, the Cathedral and the General Archive of the Indies. The Seville harbour, located about from the Atlantic Ocean, is the only river port in Spain. The capital of Andalusia features hot temperatures in the summer, with daily maximums routinely above in July and August. Seville was founded as the Roman city of . Known as ''Ishbiliyah'' after the Islamic conquest in 711, Seville became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parish (Catholic Church)
In the Catholic Church, a parish ( la, parochia) is a stable community of the faithful within a particular church, whose pastoral care has been entrusted to a parish priest (Latin: ''parochus''), under the authority of the diocesan bishop. It is the lowest ecclesiastical subdivision in the Catholic episcopal polity, and the primary constituent unit of a diocese or eparchy. Parishes are extant in both the Latin and Eastern Catholic Churches. In the 1983 Code of Canon Law, parishes are constituted under cc. 515–552, entitled "Parishes, Pastors, and Parochial Vicars." Types Most parishes are ''territorial parishes'', which comprise all the Christian faithful living within a defined geographic area. Some parishes may be joined with others in a deanery or ''vicariate forane'' and overseen by a ''vicar forane'', also known as a ''dean'' or '' archpriest''. Per canon 518, a bishop may also erect non-territorial parishes, or ''personal parishes'', within his see. Personal parishes ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan Del Castillo
Juan del Castillo (c. 1590 – c. 1657) was a Spanish Baroque painter. Many of his paintings became famous during his time due to his pupil, Bartolomé Esteban Murillo. Del Castillo was the youngest brother of the painter Agustín. Both were trained in painting by Luis Fernández in Seville. Afterwards he painted religious frescoes and oil paintings around Seville, and also in Granada and Cádiz. Amongst his students were his brother-in-law Alonso Cano and his nephew Antonio, as well as Bartolomé Esteban Murillo, Pedro de Moya, Andro de Medina and Juan de Valdés Leal Juan de Valdés Leal (4 May 1622 – 15 October 1690) was a Spanish painter and etcher of the Baroque era. Career Valdés was born in Seville in 1622. He became a painter, sculptor, and architect. By his twenties, he was studying under Anto ....A. O'Neil''Castillo (Juan del)'' A Dictionary of Spanish Painters, 1833, p. 65. His work was influenced by Venetian style. References 1590s births 1650s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Retable
A retable is a structure or element placed either on or immediately behind and above the altar or communion table of a church. At the minimum it may be a simple shelf for candles behind an altar, but it can also be a large and elaborate structure. A retable which incorporates sculptures or painting is often referred to as an altarpiece. According to the Getty ''Art & Architecture Thesaurus Online'', "A 'retable' is distinct from a ' reredos'; while the reredos typically rises from ground level behind the altar, the retable is smaller, standing either on the back of the altar itself or on a pedestal behind it. Many altars have both a reredos and a retable." 'Retable' This distinction is not always upheld in common use, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miguel Cano
Miguel Cano Pacheco was a Spanish baroque architect and sculptor born in Almodóvar del Campo, father and first master of Alonso Cano, renowned joiner of altarpieces. The reputation of his work and the accumulation of orders motivated that he was moving from the mancheguian city to Granada, with all his family, two months before his son Alonso was born. Works * 1601 Altarpiece of ''San Ildefonso'' (Granada) Parish. * 1628 Altarpiece of ''Nuestra Señora de la Oliva'' (Lebrija Lebrija () is a city and municipality of Spain located in the autonomous community of Andalusia, most specifically in the Province of Sevilla. It straddles the left bank of the Guadalquivir river, and the eastern edge of the marshes known as L ...) Parish, finished by his son. Year of birth missing Year of death missing Spanish Baroque architects 16th-century Spanish sculptors Spanish Baroque sculptors Spanish male sculptors {{Spain-sculptor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan Martínez Montañés
Juan Martínez Montañés (March 16, 1568 – June 18, 1649), known as el Dios de la Madera (''the God of Wood''), was a Spanish sculptor, born at Alcalá la Real, in the province of Jaén. He was one of the most important figures of the Sevillian school of sculpture. Biography Juan Martínez Montañés was born on March 16, 1568 in Alcalá la Real, Jaén, Spain. His master was Pablo de Roxas. His first known work, dating to 1597, is the graceful St. Christopher in the church of El Salvador at Seville. His ''Boy Christ'' (dated 1607) is in the sacristy of the cathedral of Seville. His masterpiece, the great altar of St Jerome at San Isidoro del Campo, Santiponce, near Seville, was contracted in 1609 and completed in 1613. Montañés executed most of his sculpture in wood, which was gessoed, polychromed and gilded. Other works were the great altars at Santa Clara in Seville and at San Miguel in Jerez, the Immaculate Conception and the realistic figure of Christ Crucified in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate Fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
