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Sacred And Profane Love (play)
''Sacred and Profane Love'' ( it, Amor Sacro e Amor Profano) is an oil painting by Titian, probably painted in 1514, early in his career. The painting is presumed to have been commissioned by Niccolò Aurelio, a secretary to the Venetian Council of Ten, whose coat of arms appears on the sarcophagus or fountain, to celebrate his marriage to a young widow, Laura Bagarotto. It perhaps depicts a figure representing the bride dressed in white, sitting beside Cupid and accompanied by the goddess Venus. The title of the painting is first recorded in 1693, when it was listed in an inventory as ' (Divine love and Profane love), and may not represent the original concept at all. Although "much ink has been spilt by art historians attempting to decipher the iconography of the painting", and some measure of consensus has been achieved, basic aspects of the intended meaning of the painting, including the identity of the central figures, remain disputed. Description Two women, who appe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgar Wind
Edgar Wind (; 14 May 1900 – 12 September 1971) was a German-born British interdisciplinarity, interdisciplinary art historian, specializing in iconology in the Renaissance era. He was a member of the school of art historians associated with Aby Warburg and the Warburg Institute as well as the first Professor of art history at Oxford University. Wind is best remembered for his research in allegory and the use of religion and mythology, pagan mythology during the 15th and 16th centuries, and for his book on the subject, ''Pagan Mysteries in the Renaissance.'' Biography Wind was born in Berlin, Germany, one of the two children of Maurice Delmar Wind, an Argentinian merchant of Russian Jewish ancestry, and his Romanian wife Laura Szilard. He received a thorough training in mathematics and philosophical studies,Kleinbauer p. 63 both at his Gymnasium in Charlottenburg, and then at university in Berlin, Freiburg, and Vienna. He completed his dissertation in Hamburg, where he was Erw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lurcher
A lurcher is a cross-bred dog resulting from mating a Greyhound or other sighthound with a dog of another type, commonly a herding dog or a terrier. The lurcher was for hundreds of years strongly associated with poaching; in modern times it is kept as a hunting dog or companion dog. History ''Lurcher'' is an old English term for a cross-bred dog - specifically the result of mating a sighthound with a dog of another type, typically a working breed. The term 'lurcher' was first used with this meaning in 1668; it is considered to be derived from the verb 'lurch', apparently a variant form of 'lurk', and meaning 'lurk' or 'steal'. In England from 1389, the right to keep a dog of any kind used in hunting - specifically stated in the Act of Parliament: ''None shall hunt but they which have sufficient living'' in the Anglo-Norman and English of the time: ''null leverer, ne lerce, nautre chien pur chacer'translated as, no "''Greyhound, Hound nor other Dog to hunt;'' – wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hare
Hares and jackrabbits are mammals belonging to the genus ''Lepus''. They are herbivores, and live solitarily or in pairs. They nest in slight depressions called forms, and their young are able to fend for themselves shortly after birth. The genus includes the largest lagomorphs. Most are fast runners with long, powerful hind legs, and large ears to dissipate body heat. Hare species are native to Africa, Eurasia and North America. A hare less than one year old is called a "leveret". A group of hares is called a "husk", a "down" or a "drove". Members of the ''Lepus'' genus are considered true hares, distinguishing them from rabbits which make up the rest of the Leporidae family. However, there are five leporid species with "hare" in their common names which are not considered true hares: the hispid hare (''Caprolagus hispidus''), and four species known as red rock hares (comprising ''Pronolagus''). Conversely, several ''Lepus'' species are called "jackrabbits", but classed as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steeple
In architecture, a steeple is a tall tower on a building, topped by a spire and often incorporating a belfry and other components. Steeples are very common on Christian churches and cathedrals and the use of the term generally connotes a religious structure. They might be stand-alone structures, or incorporated into the entrance or center of the building. Architecture Towers were not a part of Christian churches until about AD 600, when they were adapted from military watchtowers. At first they were fairly modest and entirely separate structures from churches. Over time, they were incorporated into the church building and capped with ever-more-elaborate roofs until the steeple resulted. Towers are a common element of religious architecture worldwide and are generally viewed as attempts to reach skyward toward heavens and the divine. Some wooden steeples are built with large wooden structural members arranged like tent poles and braced diagonally inside both with wood and stee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hypnerotomachia Poliphili
''Hypnerotomachia Poliphili'' (; ), called in English ''Poliphilo's Strife of Love in a Dream'' or ''The Dream of Poliphilus'', is a book said to be by Francesco Colonna. It is a famous example of an incunable (a work of early printing). The work was first published in 1499 in Venice by Aldus Manutius. This first edition has an elegant page layout, with refined woodcut illustrations in an Early Renaissance style. ''Hypnerotomachia Poliphili'' presents a mysterious arcane allegory in which the main protagonist, Poliphilo, pursues his love, Polia, through a dreamlike landscape. In the end, he is reconciled with her by the "Fountain of Venus". History The ''Hypnerotomachia Poliphili'' was printed by Aldus Manutius in Venice in December 1499. The author of the book is anonymous. However, an acrostic formed by the first, elaborately decorated letter in each chapter in the original Italian reads "POLIAM FRATER FRANCISCVS COLVMNA PERAMAVIT", which means "Brother Francesco Colonna has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Colonna (writer)
Francesco Colonna (1433/1434 – 1527) was an Italian Dominican priest and monk who was credited with the authorship of the ''Hypnerotomachia Poliphili'' by an acrostic formed by initial letters of the text. He lived in Venice, and preached at St. Mark's Cathedral. Besides ''Hypnerotomachia Poliphili'', he definitely wrote a Latin epic poem, ''Delfili Somnium'' (the "Dream of Delfilo"), which went unpublished in his lifetime and was not published until 1959. Colonna spent part of his life in the monastery of San Giovanni e Paolo in Venice, but the monastery was apparently not of the strictest observance and Colonna was granted leave to live outside its walls. In Ian Caldwell's and Dustin Thomason's novel ''The Rule of Four'', the Roman noble of the same name, Francesco Colonna, is featured as the true author of the ''Hypnerotomachia Poliphili''.A comparable conclusion was reached in G. Goebel, "Le songe de Francesco Colonna, prince prenestin", ''Fifteenth Century Studies'', St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodcut
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colors can be printed by keying the paper to a frame around the woodblocks (using a different block for each color). The art of carving the woodcut can be called "xylography", but this is rarely used in English for images alone, although that and "xylographic" are used in connection with block books, which are small books containing text and images in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaius Valerius Flaccus
Gaius Valerius Flaccus (; died ) was a 1st-century Roman poet who flourished during the " Silver Age" under the Flavian dynasty, and wrote a Latin ''Argonautica'' that owes a great deal to Apollonius of Rhodes' more famous epic. Gaius Valerius Flaccus at britannica.com.Tim Stover Valerius Flaccus at oxfordbibliographies.com. Life The only widely accepted mention of Valerius Flaccus by his contemporaries is by (10.1.90), who laments th ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matteo Maria Boiardo
Matteo Maria Boiardo (, ; 144019/20 December 1494) was an Italian Renaissance poet, best known for his epic poem ''Orlando innamorato''. Early life Boiardo was born in 1440, Letteratura.it at or near, (today's province of ); the son of Giovanni di Feltrino and Lucia Strozzi, he was of noble lineage, ranking as Count of Scandiano, with seignorial power over Arceto, |
Virgil
Publius Vergilius Maro (; traditional dates 15 October 7021 September 19 BC), usually called Virgil or Vergil ( ) in English, was an ancient Roman poet of the Augustan period. He composed three of the most famous poems in Latin literature: the ''Eclogues'' (or ''Bucolics''), the ''Georgics'', and the epic ''Aeneid''. A number of minor poems, collected in the ''Appendix Vergiliana'', were attributed to him in ancient times, but modern scholars consider his authorship of these poems as dubious. Virgil's work has had wide and deep influence on Western literature, most notably Dante's ''Divine Comedy'', in which Virgil appears as the author's guide through Hell and Purgatory. Virgil has been traditionally ranked as one of Rome's greatest poets. His ''Aeneid'' is also considered a national epic of ancient Rome, a title held since composition. Life and works Birth and biographical tradition Virgil's biographical tradition is thought to depend on a lost biography by the Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Statius
Publius Papinius Statius (Greek: Πόπλιος Παπίνιος Στάτιος; ; ) was a Greco-Roman poet of the 1st century CE. His surviving Latin poetry includes an epic in twelve books, the ''Thebaid''; a collection of occasional poetry, the ''Silvae''; and an unfinished epic, the ''Achilleid''. He is also known for his appearance as a guide in the ''Purgatory'' section of Dante's epic poem, the ''Divine Comedy''. Life Family background Information about Statius' life is almost entirely drawn from his ''Silvae'' and a mention by the satirist Juvenal. He was born to a family of Greek-Campanian origin; his Roman cognomen suggests that at some time an ancestor of his was freed and adopted the name of his former master, although neither Statius nor his father were slaves. The poet's father (whose name is unknown) was a native of Velia but later moved to Naples and spent time in Rome where he taught with marked success. From boyhood to adulthood, Statius' father proved himself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
