SABDA
''Shabda'' ( sa, शब्द, ), is the Sanskrit word for "speech sound". In Sanskrit grammar, the term refers to an utterance in the sense of linguistic performance. History In classical Indian philosophy of language, the grammarian Katyayana stated that ''shabda'' ("speech") is eternal (''nitya''), as is ''artha'' "meaning", and that they share a mutual co-relation. According to Patanjali, the permanent aspect of ''shabda'' is ("meaning"), while ''dhvani'' ("sound, acoustics") is ephemeral to ''shabda''. Om, or Aum, a sacred syllable of Hinduism, Buddhism, Jainism and Sikhism, is considered to be the first resonating vibrational sound within an individual being. It also denotes the non-dualistic universe as a whole. In Buddhism, Om corresponds to the crown chakra and white light. Bhartrihari, on the other hand, held a ''shabda-advaita'' position, identifying ''shabda'' as indivisible, and unifying the notions of cognition and linguistic performance, which is ultimately ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Brahman
In Hinduism, ''Brahman'' ( sa, ब्रह्मन्) connotes the highest universal principle, the ultimate reality in the universe.P. T. Raju (2006), ''Idealistic Thought of India'', Routledge, , page 426 and Conclusion chapter part XII In major schools of Hindu philosophy, it is the material, efficient, formal and final cause of all that exists.For dualism school of Hinduism, see: Francis X. Clooney (2010), ''Hindu God, Christian God: How Reason Helps Break Down the Boundaries between Religions'', Oxford University Press, , pages 51–58, 111–115;For monist school of Hinduism, see: B. Martinez-Bedard (2006), ''Types of Causes in Aristotle and Sankara'', Thesis – Department of Religious Studies (Advisors: Kathryn McClymond and Sandra Dwyer), Georgia State University, pages 18–35 It is the pervasive, infinite, eternal truth, consciousness and bliss which does not change, yet is the cause of all changes. ''Brahman'' as a metaphysical concept refers to the single bi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Indian Logic
The development of Indian logic dates back to the ''anviksiki'' of Medhatithi Gautama (c. 6th century BCE); the Sanskrit grammar rules of Pāṇini (c. 5th century BCE); the Vaisheshika school's analysis of atomism (c. 6th century BCE to 2nd century BCE); the analysis of inference by Gotama (c. 6th century BC to 2nd century CE), founder of the Nyaya school of Hindu philosophy; and the tetralemma of Nagarjuna (c. 2nd century CE). Indian logic stands as one of the three original traditions of logic, alongside the Greek and the Chinese logic. The Indian tradition continued to develop through early to modern times, in the form of the Navya-Nyāya school of logic. Origins The Nasadiya Sukta of the ''Rigveda'' ( RV 10.129) contains ontological speculation in terms of various logical divisions that were later recast formally as the four circles of '' catuskoti'': "A", "not A", "A and 'not A'", and "not A and not not A". Medhatithi Gautama (c. 6th century BCE) founded the ''anviksiki'' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gurmukhi
Gurmukhī ( pa, ਗੁਰਮੁਖੀ, , Shahmukhi: ) is an abugida developed from the Laṇḍā scripts, standardized and used by the second Sikh guru, Guru Angad (1504–1552). It is used by Punjabi Sikhs to write the language, commonly regarded as a Sikh script, Gurmukhi is used in Punjab, India as the official script of the Punjabi language. While Shahmukhi script is used in Punjab, Pakistan as the official script. The primary scripture of Sikhism, the Guru Granth Sahib, is written in Gurmukhī, in various dialects and languages often subsumed under the generic title ''Sant Bhasha'' or ''saint language'', in addition to other languages like Persian and various phases of Indo-Aryan languages. Modern Gurmukhī has thirty-five original letters, hence its common alternative term ''paintī'' or "the thirty-five," plus six additional consonants, nine vowel diacritics, two diacritics for nasal sounds, one diacritic that geminates consonants and three subscript characters. Hi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mool Mantar
The Mūl Mantar ( pa, ਮੂਲ ਮੰਤਰ, ) is the opening verse of the Sikh scripture, the ''Guru Granth Sahib''. It consists of thirteen words in the Punjabi language, written in Gurmukhi script, and are the most widely known among the Sikhs. They summarize the essential teaching of Guru Nanak,Eleanor Nesbitt, "Sikhism: a very short introduction", , Oxford University Press, pp. 22-24 thus constituting a succinct doctrinal statement of Sikhism. It has been variously translated, with the interpretation of the first two words particularly contested. These are rendered as "There is one god", "One reality is", "This being is one" and others. Sometimes the disagreements include capitalizing g in god, or r in reality, which affects the implied meaning in English. Some consider it monotheistic, others monist. The general view favors the monotheistic interpretation, but not the Semitic understanding of monotheism. It is rather "Guru Nanak's mystical awareness of the one that is exp ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ragas
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Guru Granth Sahib
The Guru Granth Sahib ( pa, ਗੁਰੂ ਗ੍ਰੰਥ ਸਾਹਿਬ, ) is the central holy religious scripture of Sikhism, regarded by Sikhs as the final, sovereign and Guru Maneyo Granth, eternal Guru following the lineage of the Sikh gurus, ten human gurus of the religion. The Adi Granth ( pa, ਆਦਿ ਗ੍ਰੰਥ), its first rendition, was compiled by the fifth guru, Guru Arjan (1564–1606). Its compilation was completed on 29 August 1604 and first installed inside Golden Temple in Amritsar on 1 September 1604. Baba Buddha was appointed the first Granthi of the Golden Temple. Shortly afterwards Guru Hargobind added Ramkali Ki Vaar. Later, Guru Gobind Singh, the tenth Sikh guru, added hymns of Guru Tegh Bahadur to the Adi Granth and affirmed the text as his successor. This second rendition became known as the Guru Granth Sahib and is also sometimes referred to as the Adi Granth. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Holy Text
Religious texts, including scripture, are texts which various religions consider to be of central importance to their religious tradition. They differ from literature by being a compilation or discussion of beliefs, mythologies, ritual practices, commandments or laws, ethical conduct, spiritual aspirations, and for creating or fostering a religious community. The relative authority of religious texts develops over time and is derived from the ratification, enforcement, and its use across generations. Some religious texts are accepted or categorized as canonical, some non-canonical, and others extracanonical, semi-canonical, deutero-canonical, pre-canonical or post-canonical. "Scripture" (or "scriptures") is a subset of religious texts considered to be "especially authoritative", revered and "holy writ", "sacred, canonical", or of "supreme authority, special status" to a religious community. The terms ''sacred text'' and ''religious text'' are not necessarily interchangeable ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Carvaka
Charvaka ( sa, चार्वाक; IAST: ''Cārvāka''), also known as ''Lokāyata'', is an ancient school of Indian materialism. Charvaka holds direct perception, empiricism, and conditional inference as proper sources of knowledge, embraces philosophical skepticism and rejects ritualism and supernaturalism. It was a popular belief system in ancient India. Brihaspati a philosopher, is traditionally referred to as the founder of Charvaka or Lokāyata philosophy, although some scholars dispute this. During the Hindu reformation period in the first millennium BCE, when Buddhism was established by Gautama Buddha and Jainism was re-organized by Parshvanatha, the Charvaka philosophy was well documented and opposed by both religions. Much of the primary literature of Charvaka, the Barhaspatya sutras, were lost either due to waning popularity or other unknown reasons. Its teachings have been compiled from historic secondary literature such as those found in the shastras, sutras, and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vedas
upright=1.2, The Vedas are ancient Sanskrit texts of Hinduism. Above: A page from the '' Atharvaveda''. The Vedas (, , ) are a large body of religious texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of Hinduism. There are four Vedas: the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda. Each Veda has four subdivisions – the Samhitas (mantras and benedictions), the Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), the Brahmanas (commentaries on rituals, ceremonies and sacrifices), and the Upanishads (texts discussing meditation, philosophy and spiritual knowledge).Gavin Flood (1996), ''An Introduction to Hinduism'', Cambridge University Press, , pp. 35–39A Bhattacharya (2006), ''Hindu Dharma: Introduction to Scriptures and Theology'', , pp. 8–14; George M. Williams (2003), Handbook of Hindu Mythology, Oxford University Press, , p ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mandana Mishra in Rajasthan and Madhya Pradesh, India
{{Disambiguation ...
Mandana may refer to *Mandana (given name) *Mandane of Media, 6th century BCE princess of Media *Mandana Paintings Mandana paintings are wall and floor paintings of Rajasthan and Madhya Pradesh, India. Mandana are drawn to protect home and hearth, welcome gods into the house and as a mark of celebrations on festive occasions. Meena women in the Hadoti area ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |