Red Barked Tree
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Red Barked Tree
''Red Barked Tree'' is the twelfth studio album by the English post-punk band Wire--digitally released on 20 December 2010, and as a CD on 10 January 2011 on the Pinkflag label. Featuring eleven tracks covering a diverse range of musical styles, the record was well received by critics, who found the record "representing the essence of their best work" and covering "virtually all aspects of Wire's varied history to create a stylistic best-of new material". Writing and recording The departure of founding member Bruce Gilbert in 2006 left Wire as a trio composed of Colin Newman (vocals, guitar, various), Graham Lewis (bass, vocals, various) and Robert Grey (drums). Having released ''Object 47'' in 2008, the band had originally intended to record ''Red Barked Tree'' in December 2009 at Githead and Wire soundman Frankie Lievaart's studio in Rotterdam, but Lievaart proved unable to trace having left the country with Gogol Bordello. The only alternative would have been Newman's swim&nb ...
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Wire (band)
Wire are an English rock band, formed in London in October 1976 by Colin Newman (vocals, guitar), Graham Lewis (bass, vocals), Bruce Gilbert (guitar) and Robert Grey (drums). They were originally associated with the punk rock scene, appearing on ''The Roxy London WC2'' album, and were later central to the development of post-punk, while their debut album ''Pink Flag'' was influential for hardcore punk. Wire are considered a definitive art punk and post-punk band, due to their richly detailed and atmospheric sound and obscure lyrical themes.They steadily developed from an early noise rock style to a more complex, structured sound involving increased use of guitar effects and synthesizers (1978's ''Chairs Missing'' and 1979's '' 154''). The band gained a reputation for experimenting with song arrangements throughout their career. History 1976 to 1980 Wire's debut album ''Pink Flag'' (1977) – "perhaps the most original debut album to come out of the first wave of British pu ...
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20 (Wire Album)
Twenty or 20 may refer to: * 20 (number), the natural number following 19 and preceding 21 * one of the years 20 BC, AD 20, 1920, 2020 Music Albums * ''20'' (2nd Chapter of Acts album), 1992 * ''20'' (Cunter album), 2011 * ''20'' (Dragana Mirković album), 2012 * ''20'' (Harry Connick, Jr. album), 1988 * ''20'' (Jan Smit album), 2016 * ''20'' (Kate Rusby album), 2012 * ''20'' (Terminaator album), 2007 * ''20'' (TLC album), 2013 * ''20'' (No Angels album), 2021 * ''#20'' (Edmond Leung album), 2011 * ''20th'' (album), by Casiopea, 2000 * ''20 wenty', an album released in Japan by South Korean rock band F.T. Island, 2012 * ''Twenty'' (Boyz II Men album), 2011 * ''Twenty'' (Chicane album), 2016 * ''Twenty'' (Jebediah album), 2015 * ''Twenty'' (Lynyrd Skynyrd album), 1997 * ''Twenty'' (Robert Cray album), 2005 * ''Twenty'' (Taking Back Sunday album), 2019 Songs * "Twenty" (The Rippingtons song) from ''20th Anniversary'', 2006 * "Twenty", a song by Karma to ...
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Metacritic
Metacritic is a website that review aggregator, aggregates reviews of films, TV shows, music albums, video games and formerly, books. For each product, the scores from each review are averaged (a weighted arithmetic mean, weighted average). Metacritic was created by Jason Dietz, Marc Doyle, and Julie Doyle Roberts in 1999. The site provides an excerpt from each review and hyperlinks to its source. A color of green, yellow or red summarizes the critics' recommendations. It is regarded as the foremost online review aggregation site for the video game industry. Metacritic's scoring converts each review into a percentage, either mathematically from the mark given, or what the site decides subjectively from a qualitative review. Before being averaged, the scores are weighted according to a critic's popularity, stature, and volume of reviews. The website won two Webby Awards for excellence as an aggregation website. Criticism of the site has focused on the assessment system, the ass ...
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Twitter
Twitter is an online social media and social networking service owned and operated by American company Twitter, Inc., on which users post and interact with 280-character-long messages known as "tweets". Registered users can post, like, and 'Reblogging, retweet' tweets, while unregistered users only have the ability to read public tweets. Users interact with Twitter through browser or mobile Frontend and backend, frontend software, or programmatically via its APIs. Twitter was created by Jack Dorsey, Noah Glass, Biz Stone, and Evan Williams (Internet entrepreneur), Evan Williams in March 2006 and launched in July of that year. Twitter, Inc. is based in San Francisco, California and has more than 25 offices around the world. , more than 100 million users posted 340 million tweets a day, and the service handled an average of 1.6 billion Web search query, search queries per day. In 2013, it was one of the ten List of most popular websites, most-visited websites and has been de ...
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Pentangle (band)
Pentangle are a British folk band, formed in London in 1967. The original band was active in the late 1960s and early 1970s, and a later version has been active since the early 1980s. The original line-up, which was unchanged throughout the band's first incarnation (1967–1973), was Jacqui McShee (vocals); John Renbourn (vocals and guitar); Bert Jansch (vocals and guitar); Danny Thompson (double bass); and Terry Cox (drums). The name ''Pentangle'' was chosen to represent the five members of the band, and is also the device on Sir Gawain's shield in the Middle English poem ''Sir Gawain and the Green Knight'', which held a fascination for Renbourn. In 2007, the original members of the band were reunited to receive a Lifetime Achievement award at the BBC Radio 2 Folk Awards and to record a short concert that was broadcast on BBC radio. The following June, all five original members embarked on a twelve-date UK tour. History Formation The original group formed in 1967. Renbourn an ...
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Pitchfork Media
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously reviewed ...
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Psychedelic Folk
Psychedelic folk (sometimes acid folk or freak folk) is a loosely defined form of psychedelia that originated in the 1960s. It retains the largely acoustic instrumentation of folk, but adds musical elements common to psychedelic music. Characteristics Psychedelic folk generally favors acoustic instrumentation although it often incorporates other instrumentation. Chanting, early music and various non-Western folk music influences are often found in psych folk. Much like its rock counterpart, psychedelic folk is often known for a peculiar, trance-like, and atmospheric sound, often drawing on musical improvisation and Asian influences. History 1960s: Peak years The first musical use of the term psychedelic is thought to have been by the New York-based folk group The Holy Modal Rounders on their version of Lead Belly's ' Hesitation Blues' in 1964. Folk/avant-garde guitarist John Fahey recorded several songs in the early 1960s that experimented with unusual recording ...
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Power Pop
Power pop (also typeset as powerpop) is a form of pop rock based on the early music of bands such as the Who, the Beatles, the Beach Boys, and the Byrds. It typically incorporates melodic hooks, vocal harmonies, an energetic performance, and cheerful sounding music underpinned by a sense of yearning, longing, or despair. The sound is primarily rooted in pop and rock traditions of the early to mid-1960s, although some acts have occasionally drawn from later styles such as punk, new wave, glam rock, pub rock, college rock, and neo-psychedelia. Originating in the 1960s, power pop developed mainly among American musicians who came of age during the British Invasion. Many of these young musicians wished to retain the "teenage innocence" of pop and rebelled against newer forms of rock music that were thought to be pretentious and inaccessible. The term was coined in 1967 by the Who guitarist and songwriter Pete Townshend to describe his band's style of music. However, power pop bec ...
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Art Pop
Art pop (also typeset art-pop or artpop) is a loosely defined style of pop music influenced by art theories as well as ideas from other art mediums, such as fashion, fine art, cinema, and avant-garde literature. The genre draws on pop art's integration of high and low culture, and emphasizes signs, style, and gesture over personal expression. Art pop musicians may deviate from traditional pop audiences and rock music conventions, instead exploring postmodern approaches and ideas such as pop's status as commercial art, notions of artifice and the self, and questions of historical authenticity. Starting in the mid-1960s, British and American pop musicians such as Brian Wilson, Phil Spector, and the Beatles began incorporating the ideas of the pop art movement into their recordings. English art pop musicians drew from their art school studies, while in America the style drew on the influence of pop artist Andy Warhol and affiliated band the Velvet Underground. The style woul ...
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Crossover Thrash
Crossover thrash (often abbreviated to crossover) is a fusion genre of thrash metal and hardcore punk. The genre lies on a continuum between heavy metal and hardcore punk. Other genres on the same continuum, such as metalcore and grindcore, may overlap with crossover thrash. Terminological ambiguity The genre is often confused with thrashcore, which is essentially a faster hardcore punk rather than a more punk-oriented form of metal."Powerviolence: The Dysfunctional Family of Bllleeeeaaauuurrrgghhh!!". ''Terrorizer'' no. 172. July 2008. p. 36-37. Throughout the early and mid 1980s, the term "thrash" was often used as a synonym for hardcore punk (as in the ''New York Thrash'' compilation of 1982). The term "thrashcore" to distinguish acts of the genre from others was not coined until at least 1993. Many crossover bands, such as D.R.I., began as influential thrashcore bands. The "-core" suffix of "thrashcore" is sometimes used to distinguish it from crossover thrash and thrash ...
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Alchemy
Alchemy (from Arabic: ''al-kīmiyā''; from Ancient Greek: χυμεία, ''khumeía'') is an ancient branch of natural philosophy, a philosophical and protoscientific tradition that was historically practiced in China, India, the Muslim world, and Europe. In its Western form, alchemy is first attested in a number of pseudepigraphical texts written in Greco-Roman Egypt during the first few centuries AD.Principe, Lawrence M. The secrets of alchemy'. University of Chicago Press, 2012, pp. 9–14. Alchemists attempted to purify, mature, and perfect certain materials. Common aims were chrysopoeia, the transmutation of "base metals" (e.g., lead) into "noble metals" (particularly gold); the creation of an elixir of immortality; and the creation of panaceas able to cure any disease. The perfection of the human body and soul was thought to result from the alchemical ''magnum opus'' ("Great Work"). The concept of creating the philosophers' stone was variously connected with all of the ...
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Jannis Kounellis
Jannis Kounellis ( el, Γιάννης Κουνέλλης; 23 March 1936 – 16 February 2017) was a Greek Italian artist based in Rome. A key figure associated with Arte Povera, he studied at the Accademia di Belle Arti in Rome. Life and work Kounellis was born in Piraeus, Greece in 1936. He lived in Greece during the Second World War and Greek Civil War before he moved to Rome in 1956. From 1960 to 1966, Kounellis went through a period of only exhibiting paintings. In some of his first exhibitions, Kounellis began stenciling numbers, letters, and words onto his canvases, often reflecting advertisements and signs seen on the street. In 1960 he began to introduce found sculptural objects such as actual street signs into his work, exhibiting at Galleria La Tartaruga. This same year he donned one of his stencil paintings as a garment and created a performance in his studio to demonstrate himself literally becoming one with his painting. This newfound convergence of painting, sculpt ...
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