Ryūkōsai Jokei
Ryūkōsai Jokei ( ja, 流光斎 如圭) was a painter, illustrator, and designer of ukiyo-e-style Japanese woodblock prints in Osaka, who was active from about 1777 to 1809. He was a student of Shitomi Kangetsu (1747–1797), who in turn was the son and pupil of Tsukioka Settei (1710–1786). Ryūkōsai is considered to be either the founderNewland, 2005, p. 482 or one of the foundersRoberts, 1976, p. 134 of the Osaka school of ukiyo-e. He is best known for his portraits of actors. His prints are mostly in the hosoban format. Pupils of Ryūkōsai include Shōkōsai Hanbei and Urakusai Nagahide. Gallery File:Woodblock print by Ryûkôsai Jokei of kabuki actor Yoshizawa Iroha in the role of Ariwara no Narihira.jpg, Woodblock print by Ryūkōsai Jokei of kabuki actor Yoshizawa Iroha in the role of Ariwara no Narihira was a Japanese courtier and ''waka'' poet of the early Heian period. He was named one of both the Six Poetic Geniuses and the Thirty-Six Poetic Gen ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Examples Of The Signature Of Ryûkôsai Jokei
Example may refer to: * '' exempli gratia'' (e.g.), usually read out in English as "for example" * .example, reserved as a domain name that may not be installed as a top-level domain of the Internet ** example.com, example.net, example.org, example.edu, second-level domain names reserved for use in documentation as examples * HMS ''Example'' (P165), an Archer-class patrol and training vessel of the Royal Navy Arts * '' The Example'', a 1634 play by James Shirley * ''The Example'' (comics), a 2009 graphic novel by Tom Taylor and Colin Wilson * Example (musician) Elliot John Gleave (born 20 June 1982), better known by his stage name Example, is an English musician, singer, songwriter, rapper and record producer. His name arose due to his initials being E.G., which is an abbreviation of the Latin phrase ..., the British dance musician Elliot John Gleave (born 1982) * ''Example'' (album), a 1995 album by American rock band For Squirrels See also * * Exemplar (disambi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Woodblock Printing In Japan
Woodblock printing in Japan (, ''mokuhanga'') is a technique best known for its use in the ''ukiyo-e'' artistic genre of single sheets, but it was also used for printing books in the same period. Widely adopted in Japan during the Edo period (1603–1868) and similar to woodcut in Western printmaking in some regards, the mokuhanga technique differs in that it uses water-based inks—as opposed to western woodcut, which typically uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency. History Early, to 13th century In 764 the Empress Kōken commissioned one million small wooden pagodas, each containing a small woodblock scroll printed with a Buddhist text (''Hyakumantō Darani''). These were distributed to temples around the country as thanks for the suppression of the Emi Rebellion of 764. These are the earliest examples of woodblock printing known, or documented, from Japan. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Osaka
is a designated city in the Kansai region of Honshu in Japan. It is the capital of and most populous city in Osaka Prefecture, and the third most populous city in Japan, following Special wards of Tokyo and Yokohama. With a population of 2.7 million in the 2020 census, it is also the largest component of the Keihanshin Metropolitan Area, which is the second-largest metropolitan area in Japan and the 10th largest urban area in the world with more than 19 million inhabitants. Osaka was traditionally considered Japan's economic hub. By the Kofun period (300–538) it had developed into an important regional port, and in the 7th and 8th centuries, it served briefly as the imperial capital. Osaka continued to flourish during the Edo period (1603–1867) and became known as a center of Japanese culture. Following the Meiji Restoration, Osaka greatly expanded in size and underwent rapid industrialization. In 1889, Osaka was officially established as a municipality. The construc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Shitomi Kangetsu
''Shitomi'' (蔀), also called hajitomi (半蔀) are square-lattice shutters or doors found on older-style Japanese buildings. They are characteristic of the Shinden style, and the Heian Period (794-1185). They were used in aristocrats' palaces, and more rarely occur in temple buildings. They were replaced by sliding panels in the Shoin style. They are usually split and hinged horizontally; when open, the upper shutter was held up at 90 degrees to the wall with hooks, and the lower half could either be lifted out or folded parallel to the upper shutter. This allows the entire wall to be removed, leaving only the pillars. They are occasionally referenced in modern architecture. Extant examples *Ujigami Shrine *Osaka Temmangu Shrine *Kinkaku-ji *Ninna-ji *Hōryū-ji Gallery File:G323-HR07-sd2.jpg, Hook for suspending upper half. File:G353-41JR-08.jpg, Shitomi, with only the top half opened. There are shōji behind. File:G322-HR07-14.jpg, Hajitomi are split, and hinged, horizontall ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Tsukioka Settei
Tsukioka Settei (, 1710 – 22 January 1787) was a Japanese ukiyo-e artist. Settei was born in Ōmi Province and studied painting in Osaka in the style of the Kanō school under . He was strongly influenced by the work of the ukiyo-e artist Nishikawa Sukenobu. Settei's produced a number of printed works, but his ''bijin-ga is a generic term for pictures of beautiful women () in Japanese art, especially in woodblock printing of the ukiyo-e genre. Definition defines as a picture that simply "emphasizes the beauty of women", and the ''Shincho Encyclopedia of W ...'' paintings of female beauties are considered his most representative works. Tsukioka Settei.jpg Style of Tsukioka Settei Erotic Book, late 18th century-early 19th century.jpg Tsukioka Settei, The Treasure Chest of Erotic Women in Ecstasy (Iroonna dairaku takara-beki), 1751.jpg Tsukioka Masanobu Settei - Beautiful woman playing with cat - Google Art Project.jpg Beauty Admiring a Warbler on a Plum Tree LACMA ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Osaka School
Kamigata (上方) was the colloquial term for a region today called Kansai (''kan'', barrier; ''sai'', west) in Japan. This large area encompasses the cities of Kyoto, Osaka, and Kobe. The term is used particularly when discussing elements of Edo period urban culture such as ukiyo-e and kabuki, and when making a comparison to the urban culture of the Edo/Tokyo region. The term was no longer used as name for the Kansai provinces when Emperor Meiji moved to Edo in 1868. An account described Kamigata suji as one of the two regions that emerged from the division of Japan for the purpose of taxation with the other being Kwanto-suji. Kabuki, ukiyo-e, and many of the other related fields of popular and urban culture of the Edo period in fact originated in Kamigata before being transmitted to Edo. The vast majority of scholarship on the urban culture of the Edo period (1603–1867), even today, focuses on culture in Edo; Kamigata culture, though it is beginning to be studied more and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Hosoban
Woodblock printing in Japan (, ''mokuhanga'') is a technique best known for its use in the ''ukiyo-e'' artistic genre of single sheets, but it was also used for printing books in the same period. Widely adopted in Japan during the Edo period (1603–1868) and similar to woodcut in Western printmaking in some regards, the mokuhanga technique differs in that it uses water-based inks—as opposed to western woodcut, which typically uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency. History Early, to 13th century In 764 the Empress Kōken commissioned one million small wooden pagodas, each containing a small woodblock scroll printed with a Buddhist text (''Hyakumantō Darani''). These were distributed to temples around the country as thanks for the suppression of the Emi Rebellion of 764. These are the earliest examples of woodblock printing known, or documented, from Japan. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Urakusai Nagahide
Urakusai Nagahide (Japanese: 有楽斎 長秀), was a designer of ukiyo-e style Japanese woodblock prints who was active from about 1804 to about 1848. He is also known as Yūrakusai Nagahide (有楽斎 長秀), Nakamura Nagahide (中邑 長秀 or 中村 長秀), Chōshū (長秀), and as Chōshūsai (長秀斎). “Nagahide” and “Chōshū” are written with the same kanji. The ending “sai” means studio or hall, and is added or omitted at will by many Japanese artists. Nagahide worked in both Kyoto and Osaka. His early prints resemble those of his teacher Ryūkōsai Jokei, but were also influenced by Shōkōsai Hanbei.Newland, Amy Reigle. (2005). ''Hotei Encyclopedia of Japanese Woodblock Prints,'' p. 482. Such a radical change occurred in Nagahide’s style that some scholars believe that the body of works signed “Nagahide” may actually have been created by two different artists.Roberts, p. 115 From the 1810s to the 1830s, Nagahide was the most prolifi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Woodblock Print
Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later paper. Each page or image is created by carving a wooden block to leave only some areas and lines at the original level; it is these that are inked and show in the print, in a relief printing process. Carving the blocks is skilled and laborious work, but a large number of impressions can then be printed. As a method of printing on cloth, the earliest surviving examples from China date to before 220 AD. Woodblock printing existed in Tang China by the 7th century AD and remained the most common East Asian method of printing books and other texts, as well as images, until the 19th century. ''Ukiyo-e'' is the best-known type of Japanese woodblock art print. Most European uses of the technique for printing images on paper are covered by the art term woodcut, except for the bl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |