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Rosalie Levasseur
Marie-Rose-(Claude-)Josephe Levasseur (or Le Vasseur), known in her day as Mademoiselle Rosalie, and later commonly referred to as Rosalie Levasseur (8 October 1749 – 6 May 1826) was a French soprano who is best remembered for her work with the composer Christoph Willibald Gluck. Biography Born in Valenciennes in 1749, she first appeared at the Paris Opéra in a revival of Campra's ''L'Europe galante'' in 1766. After an undistinguished beginning to her career, when she appeared only in minor roles, such as Cupid in Berton and Trial's, ''Théonis'' (1767), and La Borde's ''Ismène et Isménias'', (1770) her status in the company rapidly improved following Gluck's arrival in Paris in 1774. The new maestro and the primadonna in office, Sophie Arnould, could not stand each other, while Levasseur was the mistress of the Austrian ambassador and Gluck's countryman Florimond de Mercy-Argenteau, who exerted moreover a strong influence on the Dauphine Marie Antoinette, herself a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosalie Levasseur By Pruneau - Gallica Cropped
Rosalie may refer to: People * Rosalie (given name) * Rosalie Levasseur (1749-1826), French soprano billed as Mademoiselle Rosalie * Rosalie Rendu or Sr. Rosalie (1786–1856), venerated by the Roman Catholic Church Film and theater *Rosalie (musical), ''Rosalie'' (musical), a 1928 musical by the Gershwins and others *Rosalie (film), ''Rosalie'' (film), a 1937 film version of the musical *''Rosalie'', an award-winning 1966 short film by Polish director Walerian Borowczyk Places * Rosalie, a locality of Paddington, Queensland, Australia * Rosalie, Dominica, a town * Rosalie, Nebraska, United States, a village Songs * Rosalie (song), "Rosalie" (song), a 2008 song by Swiss Rapper Bligg from ''0816'' * "Rosalie", a song by Bob Seger from ''Back in '72'', also covered by Thin Lizzy about Rosalie Trombley * "Rosalie", a 1978 song by Carlos (singer), Carlos * "Rosalie", a 2012 song by Concrete Blonde Other uses * Tropical Storm Rosalie (other) * Rosalie Mansion, a National His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kapellmeister
(, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Of Sweden
The monarchy of Sweden is the monarchical head of state of Sweden,See the Instrument of Government, Chapter 1, Article 5. which is a constitutional and hereditary monarchy with a parliamentary system.Parliamentary system: see the Instrument of Government, Chapter 1, Article 1. There have been kings in what now is the Kingdom of Sweden for more than a millennium. Originally an elective monarchy, it became a hereditary monarchy in the 16th century during the reign of Gustav Vasa, though virtually all monarchs before that belonged to a limited and small number of families which are considered to be the royal dynasties of Sweden. Sweden in the present day is a representative democracy in a parliamentary system based on popular sovereignty, as defined in the current Instrument of Government (one of the four Fundamental Laws of the Realm which makes up the written constitution). The monarch and the members of the royal family undertake a variety of official, unofficial and other re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaud
Renaud Pierre Manuel Séchan (), known as Renaud (), born 11 May 1952, is a French singer, songwriter and actor. His characteristically 'broken' voice makes for a very distinctive vocal style. Several of his songs are popular classics in France, including the sea tale "Dès que le vent soufflera", the irreverent "Laisse béton", the ballad "Morgane de toi" and the nostalgic "Mistral gagnant". However, with the exception of a recording of "Miss Maggie" in English and a franglais recording of "It is not because you are", his work is little known outside the French-speaking world. Career Early work Fresh out of school, Renaud was determined to become an actor. By chance he met the actor Patrick Dewaere and was invited to join the company of the comedy theatre Café de la Gare, which had recently been founded by Patrick Dewaere, Coluche, and Miou-Miou. His early work is characterized by a volatile temperament, innovative use of French, and edgy, dark, leftist social and politi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoinette Saint-Huberty
Anne-Antoinette-Cécile Clavel, better known by her stage name Madame Saint-Huberty or Saint-Huberti ( Strasbourg, 15 December 1756 – 22 July 1812, Barnes, London), was a celebrated French operatic soprano whose career extended from until 1790. After her retirement from the stage and the publicising of her second marriage, she was also known as the Comtesse d'Antraigues from around 1797. She and her husband were murdered in England. Early life and musical career Antoinette Clavel (later known professionally as Madame Saint-Huberty) was the daughter of Jean-Pierre Clavel, a musician employed as a répétiteur in the private opera troupe of Charles IV Theodore, Elector Palatine. Her mother was Claude-Antoinette Pariset, the daughter of a grocer from Sélestat.Dorlan (1932), p. 25. Her biographers have often disagreed about her place of birth. Renwick, for example, found instances of it being indicated as Toul, Thionville, or Mannheim, and Clayton gives it as Toulouse – pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Sacchini
Antonio Maria Gasparo Gioacchino Sacchini (14 June 1730 – 6 October 1786) was an Italian composer, best known for his operas. Sacchini was born in Florence, but raised in Naples, where he received his musical education. He made a name for himself as a composer of serious and comic opera in Italy before moving to London, where he produced works for the King's Theatre. He spent his final years in Paris, becoming embroiled in the musical dispute between the followers of the composers Gluck and Niccolò Piccinni. His early death in 1786 was blamed on his disappointment over the apparent failure of his opera '' Œdipe à Colone''. However, when the work was revived the following year, it quickly became one of the most popular in the 18th-century French repertoire. Life Childhood and education Sacchini was the son of a humble Florentine cook (or coachman), Gaetano Sacchini. At the age of four, he moved with his family to Naples as part of the entourage of the infante Charles of B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Grétry
André Ernest Modeste Grétry (; baptised 11 February 1741; died 24 September 1813) was a composer from the Prince-Bishopric of Liège (present-day Belgium), who worked from 1767 onwards in France and took French nationality. He is most famous for his '' opéras comiques''. Biography He was born at Liège, his father being a poor musician. He was a choirboy at the church of St. Denis (Liège). In 1753 he became a pupil of Jean-Pantaléon Leclerc and later of the organist at St-Pierre de Liège, Nicolas Rennekin, for keyboard and composition and of Henri Moreau, music master at the collegiate church of St. Paul. But of greater importance was the practical tuition he received by attending the performance of an Italian opera company. Here he heard the operas of Baldassarre Galuppi, Giovanni Battista Pergolesi, and other masters; and the desire of completing his own studies in Italy was the immediate result. To find the necessary means he composed in 1759 a mass which he dedicat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Christian Bach
Johann Christian Bach (September 5, 1735 – January 1, 1782) was a German composer of the Classical period (music), Classical era, the eighteenth child of Johann Sebastian Bach, and the youngest of his eleven sons. After living in Italy for several years, Bach moved to London in 1762, where he became known as "the London Bach". He is also sometimes known as "the English Bach", and during his time spent living in the British capital, he came to be known as John Bach. He is noted for playing a role in influencing the concerto styles of Joseph Haydn, Haydn and Wolfgang Amadeus Mozart, Mozart. He contributed significantly to the development of the new sonata principle. Life Johann Christian Bach was born to Johann Sebastian Bach, Johann Sebastian and Anna Magdalena Bach in Leipzig, Germany. His distinguished father was already 50 at the time of his birth—an age gap exemplified by the sharp differences in the musical styles of father and son. Even so, father Bach instructed Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Piccinni
Niccolò Piccinni (; 16 January 1728 – 7 May 1800) was an Italian composer of symphonies, sacred music, chamber music, and opera. Although he is somewhat obscure today, Piccinni was one of the most popular composers of opera—particularly the Neapolitan opera buffa—of the Classical period. Life Piccinni was born in Bari, in the Apulia region. From the age of fourteen, he was educated at the S. Onofrio Conservatory by Leonardo Leo and Francesco Durante,. thanks to the intervention of the Bishop of Bari (his father, although himself a musician, was opposed to his son following the same career). Piccinni's first opera, ''Le donne dispettose'', was produced in 1755 with the patronage of Prince Vintimille. In 1760 he composed, at Rome, the ''chef d'œuvre'' of his early life, '' La Cecchina, ossia la buona Figliuola'', an ''opera buffa'' with a libretto by Goldoni, which "enjoyed a two-year run in Rome and was played in all the important European capitals. It can probably ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iphigénie En Tauride (Gluck)
''Iphigénie'' is a dramatic tragedy in five acts written in alexandrine verse by the French playwright Jean Racine. It was first performed in the Orangerie in Versailles on August 18, 1674, as part of the fifth of the royal ''Divertissements de Versailles'' of Louis XIV to celebrate the conquest of Franche-Comté. Later in December it was triumphantly revived at the Hôtel de Bourgogne, home of the royal troupe of actors in Paris. With Iphigénie, Racine returned once again to a mythological subject, following a series of historical plays ('' Britannicus'', ''Bérénice'', '' Bajazet'', ''Mithridate''). On the shores at Aulis, the Greeks prepare their departure for an attack on Troy. The gods quell the winds for their journey and demand the sacrifice of Iphigénie, daughter of Agamemnon, King of the Greeks. As in the original version of the play by Euripides, ''Iphigenia in Aulis'', the morally strongest character in the play is not Agamemnon, a pusillanimous leader, but Iph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armide (Gluck)
''Armide'' is an opera by Christoph Willibald Gluck, set to a libretto by Philippe Quinault. Gluck's fifth production for the Parisian stage and the composer's own favourite among his works, it was first performed on 23 September 1777 by the Académie Royale de Musique in the second Salle du Palais-Royal in Paris. Background and performance history Gluck set the same libretto Philippe Quinault had written for Lully in 1686, based on Torquato Tasso's ''Gerusalemme liberata'' (''Jerusalem Delivered''). Gluck seemed at ease in facing French traditions head-on when he composed ''Armide''. Lully and Quinault were the very founders of serious opera in France and ''Armide'' was generally recognized as their masterpiece, so it was a bold move on Gluck's part to write new music to Quinault's words. A similar attempt to write a new opera to the libretto of ''Thésée'' by Jean-Joseph de Mondonville in 1765 had ended in disaster, with audiences demanding it be replaced by Lully's original. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alceste (Gluck)
''Alceste'', Wq. 37 (the later French version is Wq. 44), is an opera by Christoph Willibald Gluck from 1767. The libretto (in Italian) was written by Ranieri de' Calzabigi and based on the play ''Alcestis'' by Euripides. The premiere took place on 26 December 1767 at the Burgtheater in Vienna. The famous preface When Gluck published the score of ''Alceste'' in Vienna in 1769, he added a famous preface in Italian almost certainly written by Calzabigi, which set out their ideals for operatic reform, whose programmatic points follow those exposed by Francesco Algarotti in his ''Saggio sopra l'opera in musica'' (''Essay on opera in music'', 1755), namely: * no da capo arias, * no opportunity for vocal improvisation or virtuosic displays of vocal agility or power, * no long melismas, * a more predominantly syllabic setting of the text to make the words more intelligible, * far less repetition of text within an aria, * a blurring of the distinction between recitative and aria, decla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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