''Armide'' is an

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librett ...

Christoph Willibald Gluck Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he g ...

, set to a

libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...

Philippe Quinault Philippe Quinault (; 3 June 1635 – 26 November 1688), French dramatist and librettist, was born in Paris. Biography Quinault was educated by the liberality of François Tristan l'Hermite, the author of ''Marianne''. Quinault's first play w ...

. Gluck's fifth production for the Parisian stage and the composer's own favourite among his works, it was first performed on 23 September 1777 by the

Académie Royale de Musique The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be k ...

in the second

Salle du Palais-Royal Salle is the French word for 'hall', 'room' or 'auditorium', as in: *Salle des Concerts Herz, a former Paris concert hall *Salle Favart, theatre of the Paris Opéra-Comique *Salle Le Peletier, former home of the Paris Opéra *Salle Pleyel, a Paris ...

in Paris.

Background and performance history

Gluck set the same libretto

had written for

Lully Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he ...

in 1686, based on

Torquato Tasso Torquato Tasso ( , also , ; 11 March 154425 April 1595) was an Italian poet of the 16th century, known for his 1591 poem ''Gerusalemme liberata'' (Jerusalem Delivered), in which he depicts a highly imaginative version of the combats between ...

's ''Gerusalemme liberata'' (''

Jerusalem Delivered ''Jerusalem Delivered'', also known as ''The Liberation of Jerusalem'' ( it, La Gerusalemme liberata ; ), is an epic poem by the Italian poet Torquato Tasso, first published in 1581, that tells a largely mythified version of the First Crusade i ...

''). Gluck seemed at ease in facing French traditions head-on when he composed ''Armide''. Lully and Quinault were the very founders of serious opera in France and ''Armide'' was generally recognized as their masterpiece, so it was a bold move on Gluck's part to write new music to Quinault's words. A similar attempt to write a new opera to the libretto of ''

Thésée ''Thésée'' (; ) is a ''tragédie en musique'', an early type of French opera, in a prologue and five acts with music by Jean-Baptiste Lully and a libretto by Philippe Quinault based on Ovid's ''Metamorphoses''. It was first performed on 11 ...

'' by

Jean-Joseph de Mondonville Jean-Joseph de Mondonville (, 25 December 1711 (baptised) – 8 October 1772), also known as Jean-Joseph Cassanéa de Mondonville, was a French violinist and composer. He was a younger contemporary of Jean-Philippe Rameau and enjoyed great succes ...

in 1765 had ended in disaster, with audiences demanding it be replaced by Lully's original. By utilizing ''Armide'', Gluck challenged the long-standing and apparently inviolable ideals of French practice, and in the process he revealed these values capable of renewal through "modern" compositional sensitivities. Critical response and resultant polemic resulted in one of those grand imbroglios common to French intellectual life. Gluck struck a nerve in French sensitivities, and whereas ''Armide'' was not one of his more popular works, it remained a critical touchstone in the French operatic tradition and was warmly praised by Berlioz in his ''Memoirs''. Gluck also set a minor fashion for resetting Lully/Quinault operas: Gluck's rival Piccinni followed his example with ''

Roland Roland (; frk, *Hrōþiland; lat-med, Hruodlandus or ''Rotholandus''; it, Orlando or ''Rolando''; died 15 August 778) was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the ...

'' in 1778 and '' Atys'' in 1780; in the same year,

Philidor Philidor (''Filidor'') or Danican Philidor was a family of musicians that served as court musicians to the French kings. The original name of the family was Danican (D'Anican) and was of Scottish origin (Duncan). Philidor was a later addition to t ...

produced a new ''

Persée ''Persée'' (''Perseus'') is a tragédie lyrique with music by Jean-Baptiste Lully and a libretto by Philippe Quinault, first performed on 18 April 1682 by the Opéra at the Théâtre du Palais-Royal in Paris. Roles Synopsis ACT I: The Pal ...

''; and Gossec offered his version of ''

'' in 1782. Gluck himself is said to have been working on an opera based on ''

'', but he abandoned it when he heard Piccinni had taken on the same libretto. ''Armide'' remained on the repertoire of the Parisian Académie Nationale de Musique throughout the late eighteenth and early nineteenth century, with revivals held in 1805, 1811, 1818, 1819 and 1825. A new production directed by Émile Perrin in 1866 featured sets by

Édouard Desplechin Édouard Desplechin His name is often spelt "Despléchin" » with an acute accent. (12 April 1802 – 10 December 1871), was a 19th-century French scenic designer, one of the most famous of his time. Biography He created numerous settings for ...

(Act II),

Auguste Alfred Rubé Auguste Alfred Rubé (20 June 1817 – 13 April 1899) was a French painter. Biography Born in the 9th arrondissement of Paris, Rubé was an innovator in the field of theatrical set design. This "decorator of rare ingenuity", focused on a local ...

and

Philippe Chaperon Philippe Chaperon (2 February 1823 – 21 December 1906) was a French painter and scenic designer, particularly known for his work at the Paris Opera. He produced stage designs for the premieres of numerous 19th-century operas, including Verdi's ...

(Act III), and Charles-Antoine Cambon (Acts IV and V). Another big-budget production was staged at the Opéra on 12 April 1905, starring

Lucienne Bréval Lucienne Bréval (4 November 1869 – 15 August 1935) was a Swiss dramatic soprano who had a major international opera career from 1892 to 1918. Although she appeared throughout Europe and in the United States, Bréval spent most of her career p ...

in the title role,

Alice Verlet Alice Verlet (1873–1934) was a Belgian-born operatic coloratura soprano active primarily in France. She sang principal roles at the operas in Lyon, Nice, and Monte Carlo; at His Majesty's Theater in London; at La Monnaie in Brussels; and at t ...

Agustarello Affre Agustarello Affre (23 October 1858 - 27 December 1931) was a French operatic tenor. He possessed a powerful, firm and exceptionally beautiful voice which garnered him the nickname the "French Tamagno" in comparison to the great Italian tenor. He ...

Dinh Gilly Dinh Gilly (19 July 1877 – 19 May 1940) was a French-Algerian operatic baritone and teacher. Biography He studied in Toulouse, Rome (with Antonio Cotogni), and at the Conservatoire de Paris, where he won a first prize in 1902. That same year ...

, and

Geneviève Vix Geneviève Vix (née Brouwer, December 31, 1879 – August 25, 1939) was a French soprano. She was a descendant of the Dutch painter Adriaen Brouwer.Gourret J. ''Dictionnaire des cantatrices de l'Opéra de Paris.'' Editions Albatros, Paris ...

.Giroud, Vincent, liner notes for Marston 52059-2, ''Early French Tenors, Volume 1: Émile Scaramberg, Pierre Cornubert, and Julien Leprestre'', accessed December 3, 2009
The costumes were designed by Charles Bianchini and Charles Bétout; the sets were by Cambon's student

Eugène Carpezat Eugène Louis Carpezat (Paris, 4 November 1833 – Paris, 26 February 1912) was an acclaimed French scenographer in the Belle Époque. Career Carpezat was the son of lemonade makers Claude François Carpezat and Jacqueline Caniou. After conside ...

(Act I), Amable (Acts II and V), and Marcel Jambon and Alexandre Bailly (Acts III and IV). The Opéra's 1905 production was followed on 7 November 1905 by a big-budget staging at the

Théâtre de la Monnaie The Royal Theatre of La Monnaie (french: Théâtre Royal de la Monnaie, italic=no, ; nl, Koninklijke Muntschouwburg, italic=no; both translating as the "Royal Theatre of the Mint") is an opera house in central Brussels, Belgium. The National O ...

in Brussels. Overviewed by Gluck connoisseur

François-Auguste Gevaert François-Auguste Gevaert (31 July 1828 in Huysse, near Oudenaarde – 24 December 1908 in Brussels) was a Belgian musicologist and composer.N. Slonimsky, Ed., ''Baker's Biographical Dictionary of Musicians'', 8th ed., Schirmer Books, NY Li ...

, it featured

Félia Litvinne Félia Litvinne (11 October 1860, Saint Petersburg – 12 October 1936, Paris) was a Russian-born, French-based dramatic soprano. She was particularly associated with Wagnerian roles, although she also sang a wide range of parts by other opera co ...

in the title role, costumes by the symbolist artist

Fernand Khnopff Fernand Edmond Jean Marie Khnopff (12 September 1858 – 12 November 1921) was a Belgian symbolist painter. Life Youth and training Fernand Khnopff was born to a wealthy family that was part of the high bourgeoisie for generations. Khnopf ...

, and eight sets by Albert Dubosq. Hugely successful, this sumptuous production enjoyed a first run of forty performances, with subsequent revivals in 1909, 1924 and 1948. The

Metropolitan Opera The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operat ...

staged the work for the opening of its 1910–1911 season.

Toscanini Arturo Toscanini (; ; March 25, 1867January 16, 1957) was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orch ...

conducted a cast led by

Olive Fremstad Olive Fremstad (14 March 1871 – 21 April 1951) was the stage name of Anna Olivia Rundquist, a celebrated Swedish-American opera diva who sang in both the mezzo-soprano and soprano ranges.Rosenthal and Warrack (1979) p. 180 Background Born ...

Louise Homer Louise Beatty Homer (April 30, 1871May 6, 1947) was an American operatic contralto who had an active international career in concert halls and opera houses from 1895 until her retirement in 1932. After a brief stint as a vaudeville entertainer ...

and

Enrico Caruso Enrico Caruso (, , ; 25 February 1873 – 2 August 1921) was an Italian operatic first lyrical tenor then dramatic tenor. He sang to great acclaim at the major opera houses of Europe and the Americas, appearing in a wide variety of roles (74) ...

Roles

Synopsis

For the storyline, see '' Armide'' by

. Gluck kept the libretto unchanged, although he cut the allegorical prologue and added a few lines of his own devising to the end of Act Three. Similarly, the roles and the disposition of the voices are the same as in Lully's opera. Ubalde_et_le_chevalier_Danois_-_Louis_Jean_Francois_Lagrenée

Ubalde_et_le_chevalier_Danois_-_Louis_Jean_Francois_Lagrenée

Recordings

*Audio conducted by Rossi, with McKnight/Gardino/Picchi/Mollet (Melodram, recorded live in Torino in 1958) *Armide ( Felicity Palmer), Renaud (

Anthony Rolfe Johnson Anthony Rolfe Johnson (5 November 1940 – 21 July 2010) was an English operatic tenor. Early life Anthony Rolfe Johnson was born in Tackley in Oxfordshire. As a boy, he demonstrated musical ability and sang as a boy soprano, making a record ...

), La Haine (

Linda Finnie Linda Finnie (born 9 May 1952) is a Scottish mezzo-soprano. She made her debut in 1976 with Scottish Opera, and has since made appearances all over Europe Europe is a large peninsula conventionally considered a continent in its own right ...

), Hidraot (

Raimund Herincx Raimund Frederick Herincx (23 August 1927 in LondonGrove, ''Herincx, Raimund'' – 10 February 2018), was a British operatic bass-baritone. Through a varied international career, Herincx performed in most of the world's great opera houses and with ...

); City of London Sinfonia,

Richard Hickox Richard Sidney Hickox (5 March 1948 – 23 November 2008) was an English conductor of choral, orchestral and operatic music. Early life Hickox was born in Stokenchurch in Buckinghamshire into a musical family. After attending the Royal Gram ...

(EMI, recorded live in London in June 1982) *Video conducted by Ramin, with Caballé/Szirmay/Lindroos/Baquerizo (YouTube, filmed in Madrid on April 16, 1985) *Armide (

Mireille Delunsch Mireille Delunsch (born 2 November 1962) is a French soprano. She was born in Mulhouse, and studied musicology and voice at the Conservatoire de Strasbourg. Her debut was at the Opéra national du Rhin in Mulhouse, in Mussorgsky's '' Boris Godun ...

), Renaud ( Charles Workman), La Haine (

Ewa Podleś Ewa Podleś (; born April 26, 1952) is a Polish coloratura contralto singer who has had an active international career both on the opera stage and in recital. She is known for the agility of her voice and a vocal range which spans more than three ...

), Hidraot (

Laurent Naouri Laurent Naouri, Chevalier L.H. (born May 23, 1964) is a French bass-baritone. Initially beginning his education at the École Centrale de Lyon, Naouri decided to concentrate on opera in 1986 and continued his musical studies at the Guildhall S ...

);

Les Musiciens du Louvre Les Musiciens du Louvre (literally ''The Musicians of the Louvre'') is a French period instrument ensemble, formed in 1982. Originally based in Paris, since 1996 it has been based in the Couvent des Minimes in Grenoble. ''The Guardian'' considers ...

, Marc Minkowski (Archiv, recorded live in Paris in November and December 1996) *Audio conducted by

Muti Muthi is a traditional medicine practice in Southern Africa as far north as Lake Tanganyika. Name In South African English, the word ''muti'' is derived from the Zulu/Xhosa/ Northern Ndebele ''umuthi'', meaning 'tree', whose root is ''-thi''. ...

, with Antonacci/Urmana/Cole/

Albert Albert may refer to: Companies * Albert (supermarket), a supermarket chain in the Czech Republic * Albert Heijn, a supermarket chain in the Netherlands * Albert Market, a street market in The Gambia * Albert Productions, a record label * Alber ...

(House of Opera, recorded live in Milan on December 7, 1996)

References

Notes Sources * George Lascelles and

Antony Peattie Antony Peattie is a British music writer. He co-edited the 1997 revision of ''The New Kobbé's Opera Book'', with Lord Harewood. Career Peattie was publications editor at Welsh National Opera, before leaving to help launch '' Opera Now'' magazine ...

, eds., ''The New Kobbés Opera Book'', G. P. Putnam's Sons, New York, 1997 () * Théodore de Lajarte, ''Bibliothèque Musicale du Théatre de l'Opéra. Catalogue Historique, Chronologique, Anecdotique'', Parigi, Librairie des bibliophiles, 1878, Tome I, ''ad nomen'', pp. 290–293 (accessible online a
Internet Archive
* Spire Pitou, ''The Paris Opéra. An Encyclopedia of Operas, Ballets, Composers, and Performers – Rococo and Romantic, 1715–1815'', Greenwood Press, Westport/London, 1985 () *

Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was publ ...

(ed.), ''

The New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volu ...

'', Grove (Oxford University Press), New York, 1997 ()

External links

* (French)
Original libretto at Gallica, Bibliothéque Nationale de France

Original printed score at Gallica, Bibliothéque Nationale de France
{{Authority control Operas by Christoph Willibald Gluck French-language operas Operas 1777 operas Operas based on works by Torquato Tasso Opera world premieres at the Paris Opera