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Rondel (Elgar)
"Rondel" is a song written by the English composer Edward Elgar in 1894 as his Op. 16, No. 3. The words are by Longfellow, a translation of a Rondel by Froissart. The manuscript is dated 4 January 1894. The song was first performed by Charles Phillips in St James's Hall on 7 December 1897. The song was first published in 1896, by Ascherberg. It was re-published in 1907 as one of Elgar's '' Seven Lieder'', with English and German words. Lyrics Love, love, what wilt thou with this heart of mine? Nought see I sure or fixed in thee! I do not know thee, – nor what deeds are thine: Love, love, what wilt thou with this heart of mine? Nought see I fixed or sure in thee! Shall I be mute, or vows with prayers combine? Ye who are blessed in loving, tell it me: Love, love, what wilt thou with this heart of mine? Nought see I fixed or sure in thee! Lieb', Lieb', was willst du mit dem Herzen mein? Nicht kenn' ich dich, noch dein Begehr! Nichts scheint mir fest in dir, noch klar zu sein: L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Elgar
Sir Edward William Elgar, 1st Baronet, (; 2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the ''Enigma Variations'', the ''Pomp and Circumstance Marches'', concertos for Violin Concerto (Elgar), violin and Cello Concerto (Elgar), cello, and two symphony, symphonies. He also composed choral works, including ''The Dream of Gerontius'', chamber music and songs. He was appointed Master of the King's Musick in 1924. Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-consci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Wadsworth Longfellow
Henry Wadsworth Longfellow (February 27, 1807 – March 24, 1882) was an American poet and educator. His original works include "Paul Revere's Ride", ''The Song of Hiawatha'', and ''Evangeline''. He was the first American to completely translate Dante Alighieri's ''Divine Comedy'' and was one of the fireside poets from New England. Longfellow was born in Portland, Maine, which was then still part of Massachusetts. He graduated from Bowdoin College and became a professor there and, later, at Harvard College after studying in Europe. His first major poetry collections were ''Voices of the Night'' (1839) and ''Ballads and Other Poems'' (1841). He retired from teaching in 1854 to focus on his writing, and he lived the remainder of his life in the Revolutionary War headquarters of George Washington in Cambridge, Massachusetts. His first wife, Mary Potter, died in 1835 after a miscarriage. His second wife, Frances Appleton, died in 1861 after sustaining burns when her dress caught ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondel (poem)
A rondel is a verse form originating in French lyrical poetry of the 14th century. It was later used in the verse of other languages as well, such as English and Romanian. It is a variation of the rondeau consisting of two quatrains followed by a quintet (13 lines total) or a sestet (14 lines total). It is not to be confused with the roundel, a similar verse form with repeating refrain. The first two lines of the first stanza are refrains, repeating as the last two lines of the second stanza and the third stanza. (Alternately, only the first line is repeated at the end of the final stanza). For instance, if A and B are the refrains, a rondel will have a rhyme scheme of ABba abAB abbaA(B) The meter is open, but typically has eight syllables. There are several variations of the rondel, and some inconsistencies. For example, sometimes only the first line of the poem is repeated at the end, or the second refrain may return at the end of the last stanza. Henry Austin Dobson provi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Froissart
Jean Froissart ( Old and Middle French: '' Jehan'', – ) (also John Froissart) was a French-speaking medieval author and court historian from the Low Countries who wrote several works, including ''Chronicles'' and ''Meliador'', a long Arthurian romance, and a large body of poetry, both short lyrical forms as well as longer narrative poems. For centuries, Froissart's ''Chronicles'' have been recognised as the chief expression of the chivalric revival of the 14th-century kingdoms of England, France and Scotland. His history is also an important source for the first half of the Hundred Years' War.Michael Jones (2004).Froissart, Jean (1337? – c. 1404). ''Oxford Dictionary of National Biography''. Life What little is known of Froissart's life comes mainly from his historical writings and from archival sources which mention him in the service of aristocrats or receiving gifts from them. Although his poems have also been used in the past to reconstruct aspects of his biography, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St James's Hall
St. James's Hall was a concert hall in London that opened on 25 March 1858, designed by architect and artist Owen Jones, who had decorated the interior of the Crystal Palace. It was situated between the Quadrant in Regent Street and Piccadilly, and Vine Street and George Court. There was a frontage on Regent Street, and another in Piccadilly. Taking the orchestra into account, the main hall had seating for slightly over 2,000 persons. It had a grand hall long and broad, the seating was distributed between ground floor, balcony, gallery and platform and it had excellent acoustics. On the ground floor were two smaller halls, one square; the other by . The Hall was decorated in the 'Florentine' style, with features imitating the great Moorish Palace of the Alhambra. The Piccadilly facade was given a Gothic design, and the complex of two restaurants and three halls was hidden behind Nash's Quadrant.Hobhouse, Hermione. ''History of Regent Street'' (Macdonald and Jane's, L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seven Lieder (Elgar)
''Seven Lieder'' is a set of songs by the English composer Edward Elgar published together in 1907, by Ascherberg, Hopwood & Crew Ltd. The set was published with German words 'by Ed. Sachs', though a wartime reprint of the songs published it as ''Edward Elgar's Album of Seven Songs'' with only the English words. It was also published in different keys, for 'high' and 'low' voice. Songs The songs are, with author of words, opus number (if any) and date of first publication: #"Like to the Damask Rose", Simon Wastell (1892) #"Queen Mary's Song", Alfred, Lord Tennyson (1889) #"A Song of Autumn", Adam Lindsay Gordon (1892) #" The Poet's Life", Ellen Burroughs (1892) #"Through the Long Days", John Hay, Op. 16, No. 2 (1885) #" Rondel", Henry Longfellow from a rondel by Froissart, Op. 16, No. 3 (1894) #" The Shepherd's Song", Barry Pain, Op. 16 No. 1 (1892) RecordingsSongs and Piano Music by Edward Elgarperformed by Amanda Pitt (soprano), Mark Wilde (tenor), Peter Savidge (baritone) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Banfield
Stephen David Banfield (born 1951) is a musicologist, music historian and retired academic. He was Elgar Professor of Music at the University of Birmingham from 1992 to 2003, and then Stanley Hugh Badock Professor of Music at the University of Bristol from 2003 to his retirement at the end of 2012; he has since been an emeritus professor at Bristol."Professor Stephen Banfield" ''University of Bristol''. Retrieved 18 December 2018.''International Who's Who in Classical Music 2009'' (, 2009), p. 49. Banfield was educated at |
Michael Kennedy (music Critic)
George Michael Sinclair Kennedy CBE (19 February 1926 – 31 December 2014) was an English music critic and author who specialized in classical music. For nearly two decades he was the chief classical music critic for both ''The Daily Telegraph'' (1986–2005) and ''The Sunday Telegraph'' (1989–2005). A prolific writer, he was the biographer of many composers and musicians, including Vaughan Williams, Elgar, Barbirolli, Mahler, Strauss, Britten, Boult and Walton. Other notable publications include writings on various musical institutions, the editing of music dictionaries as well as numerous articles for ''The New Grove Dictionary of Music and Musicians'' and the subsequent ''Grove Music Online''. Life and career On 19 February 1926 Kennedy was born in Chorlton-cum-Hardy, Manchester, and attended Berkhamsted School. On 17 November 1941, he joined the Manchester office of ''Daily Telegraph'' at age 15, as a tea boy. In his youth, Kennedy auditioned for a role in the mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felicity Lott
Dame Felicity Ann Emwhyla Lott, (born 8 May 1947) is an English soprano. Education Lott was born in Cheltenham, Gloucestershire. From her earliest years she was musical, having started studying piano at age 5. She also played violin and began singing lessons at 12. She is an alumna of Royal Holloway, University of London, obtaining a BA in French and Latin in 1969. During her year in France as part of her four-year degree course, from 1967–68 she took singing lessons at the conservatory in Grenoble. She graduated from the Royal Academy of Music, winning the Principal's Prize. Career She made her debut in 1975 as Pamina in Mozart's ''The Magic Flute'' at the English National Opera. In 1976 she appeared in the premiere of Henze's ''We Come to the River'' at the Royal Opera House Covent Garden and began a long relationship with the Glyndebourne Festival. In 1977, she recorded for Emi records Ltd, with the Choir of King's College, Cambridge and the Academy of St. Martin-in-the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Middleton
Joseph Middleton (born 10 January 1981) is a British classical pianist and lied accompanist. Biography Middleton was born in Cirencester, Gloucestershire. At school he played piano, violin, flute and organ. He read music at the University of Birmingham where he graduated with the concerto and conducting awards, a first class BMus and MPhil, and went on to study on an EMI Entrance Scholarship at the Royal Academy of Music. At the academy he studied with Malcolm Martineau and Michael Dussek and won all the academy's piano accompaniment awards, in addition to those at the Wigmore Hall International Song Competition., Kathleen Ferrier Awards, Richard Tauber Award, Royal Over-Seas Leaguebr>Competitionand Geoffrey Parsons (pianist) Award. On leaving the Royal Academy his first engagements were with Sir Thomas Allen (baritone) who invited him to tour North America, perform at Wigmore Hall and join him for his 70th Birthday tour of Winterreise, and with Dame Felicity Lott, with whom he r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songs By Edward Elgar
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
