Seven Lieder (Elgar)
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Seven Lieder (Elgar)
''Seven Lieder'' is a set of songs by the English composer Edward Elgar published together in 1907, by Ascherberg, Hopwood & Crew Ltd. The set was published with German words 'by Ed. Sachs', though a wartime reprint of the songs published it as ''Edward Elgar's Album of Seven Songs'' with only the English words. It was also published in different keys, for 'high' and 'low' voice. Songs The songs are, with author of words, opus number (if any) and date of first publication: #"Like to the Damask Rose", Simon Wastell (1892) #"Queen Mary's Song", Alfred, Lord Tennyson (1889) #"A Song of Autumn", Adam Lindsay Gordon (1892) #" The Poet's Life", Ellen Burroughs (1892) #"Through the Long Days", John Hay, Op. 16, No. 2 (1885) #" Rondel", Henry Longfellow from a rondel by Froissart, Op. 16, No. 3 (1894) #" The Shepherd's Song", Barry Pain, Op. 16 No. 1 (1892) RecordingsSongs and Piano Music by Edward Elgarperformed by Amanda Pitt (soprano), Mark Wilde (tenor), Peter Savidge (baritone) ...
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Seven Lieder Of Elgar 1907 Cover
7 is a number, numeral, and glyph. 7 or seven may also refer to: * AD 7, the seventh year of the AD era * 7 BC, the seventh year before the AD era * The month of July Music Artists * Seven (Swiss singer) (born 1978), a Swiss recording artist * Seven (Korean singer) (born 1984), a South Korean recording artist * Se7en (American singer) (born 1986), the former stage name of Sevyn Streeter * Mick Thomson or #7, an American recording artist * Seven (band), a British AOR band * The Seven (band) a late 1960s rock band from Syracuse, New York * Seven (record producer) (born 1980), an American producer * S Club 7, a British pop band * SVN, a British pop band featuring Aimie Atkinson and Jarnéia Richard-Noel from the cast of ''SIX'' * Sevendust, a hard rock band from Atlanta, Georgia Albums * 7 (Apoptygma Berzerk album), ''7'' (Apoptygma Berzerk album), 1996 * 7 (Beach House album), ''7'' (Beach House album), 2018 * 7 (Bushido album), ''7'' (Bushido album), 2007 * 7 (Con Funk Shun albu ...
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Rondel (Elgar)
"Rondel" is a song written by the English composer Edward Elgar in 1894 as his Op. 16, No. 3. The words are by Longfellow, a translation of a Rondel by Froissart. The manuscript is dated 4 January 1894. The song was first performed by Charles Phillips in St James's Hall on 7 December 1897. The song was first published in 1896, by Ascherberg. It was re-published in 1907 as one of Elgar's '' Seven Lieder'', with English and German words. Lyrics Love, love, what wilt thou with this heart of mine? Nought see I sure or fixed in thee! I do not know thee, – nor what deeds are thine: Love, love, what wilt thou with this heart of mine? Nought see I fixed or sure in thee! Shall I be mute, or vows with prayers combine? Ye who are blessed in loving, tell it me: Love, love, what wilt thou with this heart of mine? Nought see I fixed or sure in thee! Lieb', Lieb', was willst du mit dem Herzen mein? Nicht kenn' ich dich, noch dein Begehr! Nichts scheint mir fest in dir, noch klar zu sein: L ...
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Songs By Edward Elgar
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers f ...
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Square Piano
The square piano is a type of piano that has horizontal strings arranged diagonally across the rectangular case above the hammers and with the keyboard set in the long side, with the sounding board above a cavity in the short side. It is variously attributed to Silbermann and Frederici and was improved by Petzold and Babcock. The English and Viennese square pianos were built in many different designs, including within the action as well as general appearance, from roughly 1760. Because of the competitive industry and relative youth of the instrument design itself, experimentation ensued in the early years, creating a range of moderators (sound-altering effects) and other technical devices (knee levers; hand stops) not seen today. In London, the explosion of the trade is generally attributed to the maker Zumpe. The overwhelming popularity of his instruments was due to inexpensive construction and price. Over time, square pianos were built in larger sizes with more keys and a wi ...
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John Broadwood & Sons
John Broadwood & Sons is an English piano manufacturer, founded in 1728 by Burkat Shudi and continued after his death in 1773 by John Broadwood. Early history John Broadwood (1732–1812), a Scottish joiner and cabinetmaker, came to London in 1761 and began to work for the Swiss harpsichord manufacturer Burkat Shudi. He married Shudi's daughter eight years later and became a partner in the firm in 1770. As the popularity of the harpsichord declined, the firm concentrated increasingly on the manufacture of pianos, abandoning the harpsichord altogether in 1793. Broadwood's son, James Shudi Broadwood, had worked for the firm since 1785, and, in 1795, the firm began to trade as John Broadwood & Son. When Broadwood's third son, Thomas Broadwood, became a partner in 1808, the firm assumed the name of John Broadwood & Sons Ltd, which it retains to this day. The firm's busiest time period was during the 1850s, when approximately 2,500 instruments were produced annually. Innovatio ...
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David Owen Norris
David Owen Norris, (born 1953) is a British pianist, composer, academic, and broadcaster. Early life Norris was born in 1953 in Long Buckby in Northamptonshire, England, later attending Daventry Grammar School. He took lessons locally from composer Trevor Hold before going on to study music at Keble College, Oxford where he was organ scholar; he is now an Honorary Fellow of the college. Career After leaving Oxford, he studied composition and worked at the Royal Opera House as a repetiteur. As a pianist, he has accompanied soloists such as Dame Janet Baker, Larry Adler and John Tomlinson, and his solo career has included appearances at the Proms and performances with the Chicago Symphony Orchestra and Detroit Symphony Orchestra. He has also presented several radio series – his Playlist Series for BBC Radio 4 has recently finished its second series – presented for television, and appeared in a number of television documentaries. He is a professor at the Roy ...
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Barry Pain
Barry Eric Odell Pain (28 September 18645 May 1928) was an English journalist, poet, humorist and writer. Biography Born in Cambridge, Barry Pain was educated at Sedbergh School and Corpus Christi College, Cambridge. He became a prominent contributor to '' The Granta''. He was known as a writer of parody and lightly humorous stories. In 1889, ''Cornhill Magazines editor, James Payn, published his story "The Hundred Gates", and shortly afterwards Pain became a contributor to ''Punch'' and '' The Speaker'', and joined the staffs of the ''Daily Chronicle'' and ''Black and White''. Pain supposedly "owes his discovery to Robert Louis Stevenson, who compares him to De Maupassant". From 1896 to 1928 he was a regular contributor to ''The Windsor Magazine''. He died in Bushey, in Hertfordshire and is buried in Bushey churchyard. Pain's works include : * ''In a Canadian Canoe'' (1891), papers reprinted from ''The Granta''; * ''Playthings and Parodies'' (1892); * ''The Redemption of Ger ...
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The Shepherd's Song
”The Shepherd’s Song” is a song written by the English composer Edward Elgar in 1892. The words are by Barry Pain. History The manuscript is dated 22 August 1892. The song was first published in 1895 by Tuckwood as his Op. 16 No.1, then in 1896 by Ascherberg. It was re-published in 1907 by Ascherberg, Hopwood & Crew, as the last of the ''Seven Lieder of Edward Elgar ''Seven Lieder'' is a set of songs by the English composer Edward Elgar published together in 1907, by Ascherberg, Hopwood & Crew Ltd. The set was published with German words 'by Ed. Sachs', though a wartime reprint of the songs published it as ...'' (with English and German words). The song may be the same as that called ''Muleteer's Song'' for which permission was obtained from Barry Pain to use the words on 3 March 1894.Moore, p.177 Lyrics ''German words by Ed. Sachs.'' Recordings Songs and Piano Music by Edward Elgarhas "The Shepherd's Song" performed by Mark Wilde (tenor), with David Owen Norri ...
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Froissart
Jean Froissart (Old and Middle French: ''Jehan'', – ) (also John Froissart) was a French-speaking medieval author and court historian from the Low Countries who wrote several works, including ''Chronicles'' and ''Meliador'', a long Arthurian romance, and a large body of poetry, both short lyrical forms as well as longer narrative poems. For centuries, Froissart's ''Chronicles'' have been recognised as the chief expression of the chivalric revival of the 14th-century kingdoms of England, France and Scotland. His history is also an important source for the first half of the Hundred Years' War.Michael Jones (2004).Froissart, Jean (1337? – c. 1404). ''Oxford Dictionary of National Biography''. Life What little is known of Froissart's life comes mainly from his historical writings and from archival sources which mention him in the service of aristocrats or receiving gifts from them. Although his poems have also been used in the past to reconstruct aspects of his biography, this ...
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Rondel (poem)
A rondel is a verse form originating in French lyrical poetry of the 14th century. It was later used in the verse of other languages as well, such as English and Romanian. It is a variation of the rondeau consisting of two quatrains followed by a quintet (13 lines total) or a sestet (14 lines total). It is not to be confused with the roundel, a similar verse form with repeating refrain. The first two lines of the first stanza are refrains, repeating as the last two lines of the second stanza and the third stanza. (Alternately, only the first line is repeated at the end of the final stanza). For instance, if A and B are the refrains, a rondel will have a rhyme scheme of ABba abAB abbaA(B) The meter is open, but typically has eight syllables. There are several variations of the rondel, and some inconsistencies. For example, sometimes only the first line of the poem is repeated at the end, or the second refrain may return at the end of the last stanza. Henry Austin Dobson provi ...
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Henry Longfellow
Henry Wadsworth Longfellow (February 27, 1807 – March 24, 1882) was an American poet and educator. His original works include "Paul Revere's Ride", ''The Song of Hiawatha'', and ''Evangeline''. He was the first American to completely translate Dante Alighieri's ''Divine Comedy'' and was one of the fireside poets from New England. Longfellow was born in Portland, Maine, which was then still part of Massachusetts. He graduated from Bowdoin College and became a professor there and, later, at Harvard College after studying in Europe. His first major poetry collections were ''Voices of the Night'' (1839) and ''Ballads and Other Poems'' (1841). He retired from teaching in 1854 to focus on his writing, and he lived the remainder of his life in the Longfellow House–Washington's Headquarters National Historic Site, Revolutionary War headquarters of George Washington in Cambridge, Massachusetts. His first wife, Mary Potter, died in 1835 after a miscarriage. His second wife, Frances ...
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