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Rochelle Goldberg
Rochelle Goldberg (born 1984 in Vancouver, Canada) is a contemporary artist who lives and works in Vancouver and Berlin. Goldberg is best known for her sculptural works that challenge the fixity of the art object. Composed of living, ephemeral, and synthetic materials, ranging from chia seeds, oil, to ceramic, Goldberg's works are structured by "the logic of intraction," the artist's phrase for "an unruly set of relations in which the boundary between one entity is another is continually undermined." In her practice, intraction unfolds on both levels of form and content, rendering her sculptures "ontologically unreliable" and questioning "the distinction between living form and inert matter" through contact and permeation. At the same time, vision as "the privileged mode of access to knowledge" is cast into crisis. Education Goldberg received her B.A. from McGill University in 2006, followed by a M.F.A. from Bard College in 2014. She has been the recipient of numerous gran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vancouver
Vancouver ( ) is a major city in western Canada, located in the Lower Mainland region of British Columbia. As the List of cities in British Columbia, most populous city in the province, the 2021 Canadian census recorded 662,248 people in the city, up from 631,486 in 2016. The Greater Vancouver, Greater Vancouver area had a population of 2.6million in 2021, making it the List of census metropolitan areas and agglomerations in Canada#List, third-largest metropolitan area in Canada. Greater Vancouver, along with the Fraser Valley Regional District, Fraser Valley, comprises the Lower Mainland with a regional population of over 3 million. Vancouver has the highest population density in Canada, with over 5,700 people per square kilometre, and fourth highest in North America (after New York City, San Francisco, and Mexico City). Vancouver is one of the most Ethnic origins of people in Canada, ethnically and Languages of Canada, linguistically diverse cities in Canada: 49.3 percent of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magic 8 Ball
The Magic 8 Ball is a plastic sphere, made to look like an oversized , that is used for fortune-telling or seeking advice. It was invented in 1946 by Albert C. Carter and Abe Bookman and is currently manufactured by Mattel. The user asks a yes–no question to the ball, then turns it over to reveal an answer in a window on the ball. Origin The functional component of the Magic 8 Ball was invented by Albert C. Carter, who was inspired by a spirit writing device used by his mother Mary, a Cincinnati clairvoyant. When Carter approached store owner Max Levinson about stocking the device, Levinson called in Abe Bookman, Levinson's brother-in-law, and graduate of Ohio Mechanics Institute. In 1944, Carter filed for a patent for the cylindrical device, assigning it in 1946 to Bookman, Levinson and another partner in what came to be Alabe Crafts, Inc., combining the founder's names, Albert and Abe. Alabe marketed and sold the cylinder as The Syco-Slate. Carter died sometime before the pate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jane Panetta
Jane Panetta is a New York-based curator and art historian. Panetta is currently an Associate Curator at the Whitney Museum of American Art. Career Curating Before working at the Whitney, Panetta spent five years in the Painting and Sculpture Department of the Museum of Modern Art, New York as a curatorial assistant, where she was involved with MoMA's 2007 Richard Serra retrospective and the 2009 retrospective on the Belgian artist James Ensor. The Whitney Museum hired Panetta in 2010 as a Curatorial Researcher. She worked her way up to Assistant Curator followed by an appointment as Associate Curator in 2015. At the Whitney, she was part of the curatorial team that curated the 2015 show: “America Is Hard to See,” the museum's first collection show at its new home in the Meatpacking District. Also with the Whitney, Panetta organized “Fast Forward: Painting from the 1980s (2017)” and “Mirror Cells,” with Christopher Y. Lew, the co-curator of the 2017 Whitney Biennia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vanitas
A ''vanitas'' (Latin for 'vanity') is a symbolic work of art showing the transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-known are ''vanitas'' still lifes, a common genre in the Low Countries of the 16th and 17th centuries; they have also been created at other times and in other media and genres. Etymology The Latin noun ''vanitas'' (from the Latin adjective ''vanus'' 'empty') means "emptiness", "futility", or "worthlessness", the traditional Christian view being that earthly goods and pursuits are transient and worthless. It alludes to Ecclesiastes , where ''vanitas'' translates the Hebrew word ''hevel'', which also includes the concept of transitoriness. Themes Vanitas themes were common in medieval funerary art, with most surviving examples in sculpture. By the 15th century, these could be extremely morbid and explicit, reflecting an increased obsession with de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postmodernism
Postmodernism is an intellectual stance or Rhetorical modes, mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by philosophical skepticism, skepticism toward the "meta-narrative, grand narratives" of modernism, opposition to epistemological, epistemic certainty or stability of meaning (semiotics), meaning, and emphasis on ideology as a means of maintaining political power. Claims to objective fact are dismissed as naïve realism, with attention drawn to the instrumental conditionality, conditional nature of knowledge claims within particular historical, political, and cultural discourses. The postmodern outlook is characterized by self-reference, self-referentiality, epistemological relativism, moral relativism, pluralism (philosophy), pluralism, irony, irreverence, and eclecticism; it rejects the "universal validity" of binary oppositions, stable identity (philosophy), identity, hierar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Craig Owens (critic)
Craig Owens (1950–1990) was an American post-modernist art critic, gay activist and feminist. Biography Craig Owens was a senior editor of ''Art in America'', a contributor to such scholarly journals as ''Skyline'' and ''October'', a graduate of Haverford College, and a professor of art history at Yale University and Barnard College. He wrote many essays on such diverse topics as photography, feminism, gay politics, art in the marketplace, serial art, and psychoanalysis, as well as a number of seminal essays on individual contemporary individual artists, including Allan McCollum, William Wegman, and Barbara Kruger. According to his colleague Douglas Crimp, Owens's great interest in ballet was important to his critical work. According to the critic Thomas Lawson, Owens was "on the one hand... this very high-minded, very abstract thinker, but he also had this mischievous, playful side that was a little cruel, maybe." One of Owens's most influential essays was ''The Allegorical I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artforum
''Artforum'' is an international monthly magazine specializing in contemporary art. The magazine is distinguished from other magazines by its unique 10½ x 10½ inch square format, with each cover often devoted to the work of an artist. Notably, the ''Artforum'' logo is a bold and condensed iteration of the Akzidenz-Grotesk font, a feat for an American publication to have considering how challenging it was to obtain fonts favored by the Swiss school via local European foundries in the 1960s. John P. Irwin, Jr named the magazine after the ancient Roman word ''forum'' hoping to capture the similarity of the Roman marketplace to the art world's lively engagement with public debate and commercial exchange. The magazine features in-depth articles and reviews of contemporary art, as well as book reviews, columns on cinema and popular culture, personal essays, commissioned artworks and essays, and numerous full-page advertisements from prominent galleries around the world. History ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Commune
The Paris Commune (french: Commune de Paris, ) was a revolutionary government that seized power in Paris, the capital of France, from 18 March to 28 May 1871. During the Franco-Prussian War of 1870–71, the French National Guard had defended Paris, and working-class radicalism grew among its soldiers. Following the establishment of the Third Republic in September 1870 (under French chief executive Adolphe Thiers from February 1871) and the complete defeat of the French Army by the Germans by March 1871, soldiers of the National Guard seized control of the city on March 18. They killed two French army generals and refused to accept the authority of the Third Republic, instead attempting to establish an independent government. The Commune governed Paris for two months, establishing policies that tended toward a progressive, anti-religious system of social democracy, including the separation of church and state, self-policing, the remission of rent, the abolition of child l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pétroleuses
''Pétroleuses'' were, according to popular rumours at the time, female supporters of the Paris Commune, accused of burning down much of Paris during the last days of the Commune in May 1871. During May, when Paris was being recaptured by loyalist Versaillais troops, rumours circulated that lower-class women were committing arson against private property and public buildings, using bottles full of petroleum or paraffin (similar to modern-day Molotov cocktails) which they threw into cellar windows, in a deliberate act of spite against the government. Many Parisian buildings, including the Hôtel de Ville, the Tuileries Palace, the Palais de Justice and many other government buildings were in fact set afire by the soldiers of the Commune during the last days of the Commune, prompting the press and Parisian public opinion to blame the . Background During the Bloody Week at the end of the Commune, many Paris landmarks were set on fire by the Communards, most notably the Hotel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donatello
Donato di Niccolò di Betto Bardi ( – 13 December 1466), better known as Donatello ( ), was a Republic of Florence, Florentine sculptor of the Renaissance period. Born in Republic of Florence, Florence, he studied classical sculpture and used this to develop a complete Renaissance style in sculpture. He spent time in other cities, and while there he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy his techniques, developed in the course of a long and productive career. Financed by Cosimo de' Medici, Donatello's ''David (Donatello), David'' was the first freestanding Nude (art), nude male sculpture since antiquity. He worked with stone, bronze, wood, clay, stucco, and wax, and had several assistants, with four perhaps being a typical number. Although his best-known works mostly were statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Magdalene
Mary Magdalene (sometimes called Mary of Magdala, or simply the Magdalene or the Madeleine) was a woman who, according to the four canonical gospels, traveled with Jesus as one of his followers and was a witness to crucifixion of Jesus, his crucifixion and Resurrection of Jesus, resurrection. She is mentioned by name twelve times in the canonical gospels, more than most of the Apostles in the New Testament, apostles and more than any other woman in the gospels, other than Jesus' family. Mary's epithet ''Magdalene'' may mean that she came from the town of Magdala, a fishing town on the western shore of the Sea of Galilee in Roman Judea. The Gospel of Luke Luke 8, chapter 8 lists Mary Magdalene as one of the women who traveled with Jesus and helped support his ministry "out of their resources", indicating that she was probably wealthy. The same passage also states that seven demons Exorcism, had been driven out of her, a statement which is repeated in Mark 16. In all the four can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary, Mother Of Jesus
Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jews, Jewish woman of Nazareth, the wife of Saint Joseph, Joseph and the mother of Jesus. She is a central figure of Christianity, venerated under titles of Mary, various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern Orthodox Church, Eastern and Oriental Orthodox, Church of the East, Catholic, Anglican, and Lutheran churches believe that Mary, as mother of Jesus, is the Theotokos, Mother of God. Other Protestant views on Mary vary, with some holding her to have considerably lesser status. The New Testament of the Holy Bible, Bible provides the earliest documented references to Mary by name, mainly in the canonical Gospels. She is described as a young virgin who was chosen by God in Christianity, God to annunciation, conceive Jesus through the Holy Spirit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
