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Robert Suderburg
Robert Charles Suderburg (28 January 1936 in Spencer, Iowa – 22 April 2013 in Williamstown, Massachusetts) was an American composer, conductor, and pianist. Biography The son of a jazz trombonist, Suderburg studied composition with Paul Fetler at the University of Minnesota, where he received a BA in 1957. He did post-graduate studies with Richard Donovan at Yale University (MM 1960), and with George Rochberg at the University of Pennsylvania, where he received his PhD in 1966 with a dissertation, "Tonal Cohesion in Schoenberg's Twelve-tone Music". After teaching at Bryn Mawr College, the Philadelphia Academy of Music, and the University of Pennsylvania, in 1966 he was appointed professor at the University of Washington in Seattle, where he also became associate director of the University of Washington's Contemporary Group, and taught there until 1974. From 1974 to 1984 he was chancellor of the North Carolina School of the Arts, and in 1985 joined the music faculty of William ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spencer, Iowa
Spencer is a city in the state of Iowa, United States, and the county seat of Clay County. It is located at the confluence of the Little Sioux and Ocheyedan rivers. The population was 11,325 in the 2020 census, an increase from 11,317 in 2000. Spencer hosts the Clay County Fair, held annually in September and averaging more than 300,000 visitors. The town's late library cat, Dewey Readmore Books, became known throughout the world before his death in 2006. He was immortalized in the book '' Dewey: The Small-Town Library Cat Who Touched the World'' by Vicki Myron, director of the library, and Bret Witter. History When Clay County was established in 1851, it had no local government and official business was done out of Sergeant's Bluff, nearly 100 miles away on the Missouri River. In 1859, Judge Hubbard of Iowa's 4th Judicial District authorized a committee to find a site for the county seat. This committee selected "Section 20 of Spencer Township", located roughly in the center ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serialism
In music, serialism is a method of Musical composition, composition using series of pitches, rhythms, dynamics, timbres or other elements of music, musical elements. Serialism began primarily with Arnold Schoenberg's twelve-tone technique, though some of his contemporaries were also working to establish serialism as a form of atonality, post-tonal thinking. Twelve-tone technique orders the twelve notes of the chromatic scale, forming a tone row, row or series and providing a unifying basis for a composition's melody, harmony, structural progressions, and variation (music), variations. Other types of serialism also work with set (music), sets, collections of objects, but not necessarily with fixed-order series, and extend the technique to other musical dimensions (often called "parameter (music), parameters"), such as duration (music), duration, Dynamics (music), dynamics, and timbre. The idea of serialism is also applied in various ways in the visual arts, design, and architectu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Hubeau
Jean Hubeau (22 June 191719 August 1992) was a French pianist, composer and pedagogue known especially for his recordings of Gabriel Fauré, Robert Schumann and Paul Dukas, which are recognized as benchmark versions. Biography Admitted at the age of 9 years to the Conservatoire National Supérieur de Musique et de Danse de Paris, he studied composition with Paul Dukas, piano with Lazare Lévy, harmony with Jean Gallon, and counterpoint with Noël Gallon. He received first prizes in piano and in harmony in 1930 at 13 years.Landormy P. ''La Musique Française après Debussy.'' Gallimard, Paris, 1943, p369-70. Aged 14 he won the first prize for accompanists, and in 1934, he received the second Prix de Rome with his cantata ''The legend of Roukmani'' (first prize was awarded to Eugène Bozza). The following year, he was honored by Louis Diémer. With Henry Merckel Hubeau made a highly praised recording of Mozart's violin sonata K454 in 1941. In 1941, when Claude Delvincourt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Summit Records
Summit Records, Inc. is an internationally distributed record label that evolved out of the large brass ensemble Summit Brass in the late 1980s. It was established by David Hickman and Ralph Sauer. Four Summit Records recordings have been nominated for Grammy Awards, including ''The Manhattan Transfer Meets Tubby the Tuba'' in the Best Children's Album category, the Chicago Chamber Musicians were finalists in the Best Chamber Music Performance category, Pete McGuinness in the Best Instrumental Arrangement Accompanying Vocalist for his arrangement of "Smile", and The University of Miami Concert Jazz Bands' recording of "Three Romances" in the category of Best Instrumental Composition. In 2006 Summit Records took over distributorship of MAMA Records, which was founded in 1990 by Gene Czerwinski, who also founded Cerwin-Vega. It has won three Grammy Awards, including Count Basie Orchestra, Bob Florence, and Randy Brecker. Roster * Joseph Alessi * American Brass Quintet * Bill A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Hetzler
Mark Hetzler (born 1968 in Sarasota, Florida) is an American trombonist and former member of the Empire Brass Quintet. Hetzler has performed with the Minnesota Orchestra, Boston Pops, Hartford Symphony Orchestra, Springfield Symphony Orchestra, Florida Orchestra, and the Boston Symphony Orchestra. As a member of the Empire Brass Quintet from 1996–2012, he performed in recital and as a soloist with symphony orchestras in Australia, Taiwan, Korea, China, Venezuela, Brazil, Japan, Hong Kong, Germany, Italy, Austria, Malaysia, Singapore, Switzerland, Bermuda, St. Bartholomew and across the United States. He appeared with the Empire Brass Quintet on live television and radio broadcasts in Asia and the United States. He is on several of the critically acclaimed Empire Brass CDs on the Telarc label, including ''Firedance'', ''The Glory of Gabrieli'', and a recording of Baroque music for Brass and Organ. Hetzler has recorded ten solo albums released on Summit Records; he has also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues, Ballads And Beyond
''Blues, Ballads and Beyond'' is the tenth classical/new music studio album from trombonist Mark Hetzler on the Summit Records label. It was critically acclaimed by ''Classical Musical Sentinel'', "He can shape, flex, caress, torture, stress, accent and animate notes on the fly and bring anything he plays to life. All the pieces on this new CD were well chosen to showcase his command of the instrument, and the range of styles he easily slips into is impressive" Numerous prominent performing artists and composers are featured on the recording to include Michael Colgrass, Enrique Crespo, Daniel Schnyder, Robert Suderburg, John Stevens, and Jack Cooper. Background Blues, Ballads and Beyond features jazz and commercially influenced music by contemporary classical composers. The list of composers for the recording is diverse and to include Michael Colgrass, Enrique Crespo, Daniel Schnyder, Robert Suderburg, John Stevens, and Jack Cooper. American Record Guide is quoted to say ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Improvisation
Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. Sometimes musical ideas in improvisation are spontaneous, but may be based on chord changes in classical music and many other kinds of music. One definition is a "performance given extempore without planning or preparation". Another definition is to "play or sing (music) extemporaneously, by inventing Variation (music), variations on a melody or creating new melodies, rhythms and harmonies". ''Encyclopædia Britannica'' defines it as "the extemporaneous composition or free performance of a musical passage, usually in a manner conforming to certain stylistic norms but unfettered by the prescriptive features of a specific musical text." Improvisation is often done within (or based on) a pre-existing harmonic frame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony ( melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interval (music)
In music theory, an interval is a difference in pitch between two sounds. An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord. In Western music, intervals are most commonly differences between notes of a diatonic scale. Intervals between successive notes of a scale are also known as scale steps. The smallest of these intervals is a semitone. Intervals smaller than a semitone are called microtones. They can be formed using the notes of various kinds of non-diatonic scales. Some of the very smallest ones are called commas, and describe small discrepancies, observed in some tuning systems, between enharmonically equivalent notes such as C and D. Intervals can be arbitrarily small, and even imperceptible to the human ear. In physical terms, an interval is the ratio between two sonic freq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koto (musical Instrument)
The is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese and , and similar to the Mongolian , the Korean and , the Vietnamese , the Sundanese and the Kazakhstan . Koto are roughly in length, and made from Paulownia wood (''Paulownia tomentosa'', known as ). The most common type uses 13 strings strung over movable bridges used for tuning, different pieces possibly requiring different tuning. 17-string koto are also common, and act as bass in ensembles. Koto strings are generally plucked using three fingerpicks (), worn on the first three fingers of the right hand. Names and types The character for ''koto'' is , although is often used. However, (''koto'') is the general term for all string instruments in the Japanese language,(jaKotobank koto/ref> including instruments such as the , , , , , and so on. When read as , it indicates the Chinese instrument . The term is used today in the same way. The term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lydian Mode
The modern Lydian mode is a seven-tone musical scale formed from a rising pattern of pitches comprising three whole tones, a semitone, two more whole tones, and a final semitone. : Because of the importance of the major scale in modern music, the Lydian mode is often described as the scale that begins on the fourth scale degree of the major scale, or alternatively, as the major scale with the fourth scale degree raised half a step. This sequence of pitches roughly describes the scale underlying the fifth of the eight Gregorian (church) modes, known as Mode V or the authentic mode on F, theoretically using B but in practice more commonly featuring B. The use of the B as opposed to B would have made such piece in the modern day F major scale. Ancient Greek Lydian The name Lydian refers to the ancient kingdom of Lydia in Anatolia. In Greek music theory, there was a Lydian scale or "octave species" extending from ''parhypate hypaton'' to ''trite diezeugmenon'', equivalent in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrygian Mode
The Phrygian mode (pronounced ) can refer to three different musical modes: the ancient Greek ''tonos'' or ''harmonia,'' sometimes called Phrygian, formed on a particular set of octave species or scales; the Medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter. Ancient Greek Phrygian The octave species (scale) underlying the ancient-Greek Phrygian ''tonos'' (in its diatonic genus) corresponds to the medieval and modern Dorian mode. The terminology is based on the '' Elements'' by Aristoxenos (fl. c. 335 BC), a disciple of Aristotle. The Phrygian ''tonos'' or ''harmonia'' is named after the ancient kingdom of Phrygia in Anatolia. In Greek music theory, the ''harmonia'' given this name was based on a ''tonos'', in turn based on a scale or octave species built from a tetrachord which, in its diatonic genus, consisted of a series of rising intervals of a whole tone, followed by a semitone, followed by a whole tone. : In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
