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Robert Moulson
Robert Moulson (26 November 1932 - 15 August 2003) was an American classical tenor who had an active international career in operas and concerts from the late 1950s through the 1980s. He became particularly associated with the role of Lenny Small in Carlisle Floyd's ''Of Mice and Men''; a role which he recorded and portrayed in its original production at the Seattle Opera in 1970. Biography Born in Cleveland, Ohio, Moulson studied with Frederick Jagel and Samuel Margolis in New York City before making his professional opera debut in 1958 with the New York City Opera as Sam Polk in Carlisle Floyd's ''Susannah''. ''The New York Times'' stated of his performance that "Moulson's singing was excellent. His voice is a light but brilliant and well focused instrument of the sort that carries well in performance." He returned to that house several times up through 1983 in such roles as Pinkerton in Giacomo Puccini's ''Madama Butterfly'', Alfredo in Giuseppe Verdi's ''La traviata'', and Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WORLD PREMIERE OF CARLISLE FLOYD'S OF MICE AND MEN, SEATTLE OPERA, 1970
In its most general sense, the term "world" refers to the totality of entities, to the whole of reality or to everything that is. The nature of the world has been conceptualized differently in different fields. Some conceptions see the world as unique while others talk of a "plurality of worlds". Some treat the world as one simple object while others analyze the world as a complex made up of many parts. In ''scientific cosmology'' the world or universe is commonly defined as " e totality of all space and time; all that is, has been, and will be". '' Theories of modality'', on the other hand, talk of possible worlds as complete and consistent ways how things could have been. ''Phenomenology'', starting from the horizon of co-given objects present in the periphery of every experience, defines the world as the biggest horizon or the "horizon of all horizons". In ''philosophy of mind'', the world is commonly contrasted with the mind as that which is represented by the mind. ''Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Stark
''Willie Stark'' is an opera in three acts and nine scenes by Carlisle Floyd to his own libretto, after the 1946 novel ''All the King's Men'' by Robert Penn Warren, which in turn was inspired by the life of the Louisiana governor Huey Long. The opera was commissioned by the Houston Grand Opera, which premiered it on April 24, 1981, in a production directed by Harold Prince and conducted by John DeMain. The original production was dedicated to the American radio journalist Lowell Thomas. Floyd made cuts to the score for a television presentation of the opera, and the edited version was shown on US public television in September 1981. The opera was remounted in 2007 by the Louisiana State University Opera. The composer visited the university and advised on the production. The production was recorded and released on DVD, by Newport Classic. The work generated some small controversy among music critics, as it draws upon elements of Broadway musical theater more than Floyd's other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Company Of Boston
The Opera Company of Boston was an American opera company located in Boston, Massachusetts, that was active from the late 1950s through the 1980s. The company was founded by American conductor Sarah Caldwell in 1958 under the name Boston Opera Group. At one time, the touring arm of the company was called Opera New England. Caldwell served as both director and conductor for most of the company's productions throughout its more than three decade-long history. Under her leadership, the company presented a repertoire of more than 75 operas that came from a wide array of musical periods and styles, including many works previously unheard in the United States, and a significant number of contemporary operas. This focus on distinctive repertoire, along with Caldwell's innovative stage direction, garnered the group wide acclaim and earned it a place among the leading opera companies in the U.S. In 1990, after 32 seasons, the company was forced to close due to financial difficulties. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oedipus Rex (opera)
''Oedipus rex'' is an opera-oratorio by Igor Stravinsky, scored for orchestra, speaker, soloists, and male chorus. The libretto, based on Sophocles's tragedy, was written by Jean Cocteau in French and then translated by Abbé Jean Daniélou into Latin; the narration, however, is performed in the language of the audience. ''Oedipus rex'' was written towards the beginning of Stravinsky's neoclassical period, and is considered one of the finest works from this phase of the composer's career. He had considered setting the work in Ancient Greek, but decided ultimately on Latin: in his words "a medium not dead but turned to stone." Performance history ''Oedipus rex'' is sometimes performed in the concert hall as an oratorio, similarly to its original performance in the Théâtre Sarah Bernhardt in Paris on 30 May 1927, and at its American premiere the following year, given by the Boston Symphony Orchestra and the Harvard Glee Club. It has also been presented on stage as an opera, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tales Of Hoffmann
''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in October 1880, four months before the premiere. Composition history and sources Offenbach saw a play, , written by Barbier and Michel Carré and produced at the Odéon Theatre in Paris in 1851. After returning from America in 1876, Offenbach learned that Barbier had adapted the play, which had now set to music at the Opéra. Salomon handed the project to Offenbach. Work proceeded slowly, interrupted by the composition of profitable lighter works. Offenbach had a premonition, like Antonia, the heroine of Act 2, that he would die prior to its completion. Offenbach continued working on the opera throughout 1880, attending some rehearsals. On 5 October 1880, he died with the manuscript in his hand, just four months before the opening. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Carlo
''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedrich Schiller. In addition, several incidents, of which the Forest of Fontainebleau scene and ''auto-da-fé'' were the most substantial, were borrowed from Eugène Cormon's 1846 play ''Philippe II, Roi d'Espagne''. The opera is most often performed in Italian translation, usually under the title ''Don Carlo''. The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–59 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra (Paris Opera) and given its premiere at the Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Favorite
''La favorite'' (''The Favourite'', sometimes referred to by its Italian title: ''La favorita'') is a grand opera in four acts by Gaetano Donizetti to a French-language libretto by Alphonse Royer and Gustave Vaëz, based on the play ''Le comte de Comminges'' by Baculard d'Arnaud with additions by Eugène Scribe based on the story of Leonora de Guzman. The opera concerns the romantic struggles of the King of Castile, Alfonso XI, and his mistress, the "favourite" Leonora, against the backdrop of the political wiles of receding Moorish Spain and the life of the Catholic Church. It premiered on 2 December 1840 at the Académie Royale de Musique (Salle Le Peletier) in Paris. Background Originally, Donizetti had been composing an opera by the name of ''Le Duc d'Albe'' as his second work for the Opéra in Paris. However, the director, Léon Pillet, objected to an opera without a prominent role for his mistress, mezzo-soprano Rosine Stoltz. Donizetti therefore abandoned ''Le Duc d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''. Donizetti wrote ''Lucia di Lammermoor'' in 1835, when he was reaching the peak of his reputation as an opera composer. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of ''Lucia'' leaving Donizetti as "the sole reigning genius of Italian opera".Mackerras, p. 29 Not only were conditions ripe for Donizetti's success as a composer, but there was also a widespread interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Sir Walter Scott dramatized these elements in his novel ''The Bride of Lammermoor'', which inspired several musical works including ''Lucia''.Mackerra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duchy of Mantua, Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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