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Opera Company Of Boston
The Opera Company of Boston was an American opera company located in Boston, Massachusetts, that was active from the late 1950s through the 1980s. The company was founded by American conductor Sarah Caldwell in 1958 under the name Boston Opera Group. At one time, the touring arm of the company was called Opera New England. Caldwell served as both director and conductor for most of the company's productions throughout its more than three decade-long history. Under her leadership, the company presented a repertoire of more than 75 operas that came from a wide array of musical periods and styles, including many works previously unheard in the United States, and a significant number of contemporary operas. This focus on distinctive repertoire, along with Caldwell's innovative stage direction, garnered the group wide acclaim and earned it a place among the leading opera companies in the U.S. In 1990, after 32 seasons, the company was forced to close due to financial difficulties. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kresge Auditorium
Kresge Auditorium (MIT Building W16) is an auditorium structure at the Massachusetts Institute of Technology, located at 48 Massachusetts Avenue, Cambridge, Massachusetts. It was designed by the Finnish-American architect Eero Saarinen, with ground-breaking in 1953 and dedication in 1955. The building was named for its principal funder, Sebastian S. Kresge, founder of S. S. Kresge Stores (corporate predecessor of Kmart) and the Kresge Foundation. Architectural context Saarinen designed Kresge Auditorium in tandem with his nearby MIT Chapel; the two buildings are separated by a green space called the Kresge Oval. The ensemble is recognized as one of the best examples of mid-century modern architecture in the United States. Though unassuming by today's standards, the buildings were part of an attempt to define MIT's social cohesion. The Auditorium was where MIT students and faculty could gather for formal events, and the Chapel was intended for marriages and memorials; th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donald Gramm
Donald John Gramm (February 26, 1927 – June 2, 1983) was an American bass-baritone whose career was divided between opera and concert performances. His appearances were primarily limited to the United States, which at the time was unusual for an American singer. John Rockwell of '' The New York Times'' described Gramm as follows: "He had an unusually rich, noble tone, and although its volume may not have been large, it penetrated even the biggest theaters easily. Technically, he could handle bel-canto ornamentation fluently. But his real strengths lay in his aristocratic musicianship (impeccable phrasing that he polished by accompanying himself at the piano, and an easy command of five languages) and his instinctive acting."Rockwell, John (3 June 1983)."Donald Gramm is dead at 56; bass-baritone at Met Opera ''The New York Times''. Retrieved 2 January 2010. Among the most notable of his many operatic roles were the title role in Verdi's ''Falstaff'', Leporello in Mozart's ''Don ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plácido Domingo
José Plácido Domingo Embil (born 21 January 1941) is a Spanish opera singer, Conducting, conductor, and arts administrator. He has recorded Plácido Domingo discography, over a hundred complete operas and is well known for his versatility, regularly performing in Italian, French, German, Spanish, English and Russian in the most prestigious opera houses in the world. Although primarily a ''Spinto, lirico-spinto'' tenor for most of his career, especially popular for his Tosca, Cavaradossi, The Tales of Hoffmann, Hoffmann, Carmen, Don José and Pagliacci, Canio, he quickly moved into more dramatic roles, becoming the most acclaimed Otello of his generation. In the early 2010s, he transitioned from the tenor repertory into exclusively baritone parts, most notably Simon Boccanegra. As of 2020, he has performed Repertoire of Plácido Domingo, 151 different roles. Domingo has also achieved significant success as a crossover artist, especially in the genres of Latin music (genre), L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Cassilly
Richard Cassilly (December 14, 1927 – January 30, 1998) was an American operatic tenor who had a major international opera career between 1954–90. Cassilly "was a mainstay in the heldentenor repertory in opera houses around the world for 30 years", and particularly excelled in Wagnerian roles like Tristan, Siegmund and Tannhäuser, and in dramatic parts that required both stamina and vocal weight, such as Giuseppe Verdi's ''Otello'' and Camille Saint-Saëns's ''Samson''. He was an admired Don José in ''Carmen'' and sang almost all of the leading Puccini tenor roles. Standing at 6'3" and possessing a 250-pound frame ''The New York Times'' described him as "a burly tenor with a bright ping on the top notes who had a supple lyric quality o his voice, and "was known to bring a musical intelligence and uncommonly clear diction to his work." Cassilly spent the early years of his opera career singing primarily with the New York City Opera between 1955–1966, often portraying rol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Alexander (tenor)
John Alexander (October 21, 1923 – December 8, 1990) was an American operatic tenor who had a substantial career during the 1950s through the 1980s. He had a longstanding relationship with the Metropolitan Opera in New York City, singing with that company every year between 1961 and 1987 for a total of 379 performances. He also periodically performed at the New York City Opera during his career and was a frequent presence at the Philadelphia Lyric Opera Company during the late 1950s and 1960s. Although he spent most of his career in New York City, Alexander occasionally traveled to perform as a guest artist with many of the world's leading opera houses, both in the United States and Europe. He was also an active concert singer throughout his career. While most of Alexander's career was spent in lyric roles from the Italian and French repertory, Alexander had enough heft in his voice to successfully tackle some of the lighter Heldentenor roles of Richard Wagner and Richard S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eunice Alberts
Eunice Alberts (1927–2012) was an American contralto who had an active career as a concert soloist and opera singer during the 1950s through the 1980s. Early life and education Born in Boston, Alberts attended the Girls' Latin School in her native city during her youth; earning her diploma in 1940. Subsequently, she studied singing with Cleora Wood and Rosalie Miller at the Longy School of Music, earning a certificate in vocal performance. She also studied at the Tanglewood Music Center where she drew the attention of conductor Serge Koussevitzky. In the 1960s, Alberts attended New England Conservatory, obtaining a bachelor's degree in 1967. Career Early career (1946–1950) Alberts career started at the Tanglewood Music Festival in August 1946, where she, aged 19, gave her concert debut with the Boston Symphony Orchestra (BSO) as the contralto soloist in Beethoven's '' Symphony No. 9''. Shortly thereafter she joined a madrigal group led by Nadia Boulang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Billings
James Billings 1932-2022 was an American operatic baritone, librettist, and opera director. He began his career in the late 1950s in Boston and later became a member of the New York City Opera where he performed regularly from the early 1970s through the 1990s. A specialist in the comprimario repertoire, he has portrayed more than 175 opera roles on stage during his long career. Billings has also written librettos for numerous operas for children and since the mid-1990s has directed several opera productions. Career Billings graduated with a bachelor's degree in vocal performance from Wichita State University and then pursued graduate music studies at Boston University. While at BU he also studied at the Berkshire Music Center in the summers and notably conducted the world premiere of Mark Bucci's opera '' Tale for a Deaf Ear'' at the Tanglewood Music Festival in August 1957 with a cast that included Jean Kraft and Edward Purrington. Billings began his professional caree ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joan Sutherland
Dame Joan Alston Sutherland, (7 November 1926 – 10 October 2010) was an Australian dramatic coloratura soprano known for her contribution to the renaissance of the bel canto repertoire from the late 1950s through to the 1980s. She possessed a voice combining agility, accurate intonation, pinpoint staccatos,"Icons of Opera – Dame Joan Sutherland" ''Opera Britannia'' (6 July 2009). Retrieved 27 September 2010. a trill and a strong upper register, although music critics complained about her poor diction. Sutherland was the first Australian to win a , f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beverly Sills
Beverly Sills (May 25, 1929July 2, 2007) was an American operatic soprano whose peak career was between the 1950s and 1970s. Although she sang a repertoire from Handel and Mozart to Puccini, Massenet and Verdi, she was especially renowned for her performances in coloratura soprano roles in live opera and recordings. Sills was largely associated with the operas of Donizetti, of which she performed and recorded many roles. Her signature roles include the title role in Donizetti's ''Lucia di Lammermoor'', the title role in Massenet's '' Manon'', Marie in Donizetti's ''La fille du régiment'', the three heroines in Offenbach's '' Les contes d'Hoffmann'', Rosina in Rossini's ''The Barber of Seville'', Violetta in Verdi's ''La traviata'', and most notably Elisabetta in Donizetti's ''Roberto Devereux''. ''The New York Times'' noted, In her prime her technique was exemplary. She could dispatch coloratura roulades and embellishments, capped by radiant high Ds and E-flats, with se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movie Palace
A movie palace (or picture palace in the United Kingdom) is any of the large, elaborately decorated movie theaters built between the 1910s and the 1940s. The late 1920s saw the peak of the movie palace, with hundreds opening every year between 1925 and 1930. With the advent of television, movie attendance dropped, while the rising popularity of large multiplex chains signaled the obsolescence of single-screen theaters. Many movie palaces were razed or converted into multiple-screen venues or performing arts centers, though some have undergone restoration and reopened to the public as historic buildings. There are three architectural design types of movie palaces: the classical-style movie palace, with opulent, luxurious architecture; the atmospheric theatre, which has an auditorium ceiling that resembles an open sky as a defining feature; and the Art Deco theaters that became popular in the 1930s. Background Paid exhibition of motion pictures began on April 14, 1894, at Andrew M. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boston Opera House (1980)
The Boston Opera House, also known as the Citizens Bank Opera House, is a performing arts and esports venue located at 539 Washington St. in Boston, Massachusetts. It was originally built as the B.F. Keith Memorial Theatre, a movie palace in the Keith-Albee chain. The chain became part of RKO when it was established just before the theater opened on October 29, 1928, and it was also known as the RKO Keith's Theater. After operating for more than 50 years as a movie theater, it was rededicated in 1980 as a home for the Opera Company of Boston, which performed there until the opera company closed down in 1990 due to financial problems. The theater was reopened in 2004 after a major restoration, and it currently serves as the home of the Boston Ballet and also hosts touring Broadway shows. History The Boston Opera House was originally designed as the B.F. Keith Memorial Theatre, a lavish movie theater in the Keith-Albee chain. The Keith's Memorial was one of his most elabor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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