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Robert Kautsky
Robert Kautsky (26 October 1895 – 18 June 1963) was an Austrian theatre painter, stage and costume designer, who worked for many years at the Vienna State Opera and at the Salzburg Festival. Life and work Born in Vienna, Kautsky came from a family of theatre painters and actors. His grandfather Johann Kautsky (1827–1896) was a painter and stage designer in Prague, his grandmother was the actress and writer Minna Kautsky (1837–1912). His father, Hans Joseph Wilhelm Kautsky (1864–1937), was a royal Austrian and royal Prussian court theatre painter in Vienna and Berlin. His eldest brother (1891–1966) became a famous chemist, and his second brother Fritz worked as a geologist in Sweden. His uncle was the social democratic theorist Karl Kautsky (1854–1938), married to Luise Kautsky. Kautsky graduated from the Gymnasium in Vienna and then went to the academy in Berlin-Charlottenburg. After the end of the First World War, he studied at the Academy of Fine Arts Vienna. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Kautsky
Robert Kautsky (26 October 1895 – 18 June 1963) was an Austrian theatre painter, stage and costume designer, who worked for many years at the Vienna State Opera and at the Salzburg Festival. Life and work Born in Vienna, Kautsky came from a family of theatre painters and actors. His grandfather Johann Kautsky (1827–1896) was a painter and stage designer in Prague, his grandmother was the actress and writer Minna Kautsky (1837–1912). His father, Hans Joseph Wilhelm Kautsky (1864–1937), was a royal Austrian and royal Prussian court theatre painter in Vienna and Berlin. His eldest brother (1891–1966) became a famous chemist, and his second brother Fritz worked as a geologist in Sweden. His uncle was the social democratic theorist Karl Kautsky (1854–1938), married to Luise Kautsky. Kautsky graduated from the Gymnasium in Vienna and then went to the academy in Berlin-Charlottenburg. After the end of the First World War, he studied at the Academy of Fine Arts Vienna. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Roller
Alfred Roller (2 October 1864 – 21 June 1935) was an Austrian painter, graphic designer, and set designer. His wife was Mileva Roller and they were members of the Viennese Secession movement. Life and work Roller was born in Brünn (Brno), Moravia. He at first studied painting at the Academy of Fine Arts in Vienna under Christian Griepenkerl and Eduard Peithner von Lichtenfels, but eventually became disenchanted with the Academy's traditionalism. In 1897 he co-founded the Viennese Secession with Koloman Moser, Joseph Maria Olbrich, Josef Hoffmann, Gustav Klimt, and other artists who rejected the prevalent academic style of art. He became a professor of drawing at the University of Applied Arts Vienna (''Kunstgewerbeschule'') in 1899, and president of the Secession in 1902. In his early career, Roller was very active as a graphic designer and draughtsman. He designed numerous covers and vignettes for the pages of the Secessionist periodical '' Ver Sacrum'', as well as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theater An Der Wien
The is a historic theatre in Vienna located on the Left Wienzeile in the Mariahilf district. Completed in 1801, the theatre has hosted the premieres of many celebrated works of theatre, opera, and symphonic music. Since 2006, it has served primarily as an opera house, hosting its own company. Although "" is German for "Vienna", the "" in the name of the theatre is actually the name of the Wien River, which once flowed by the theatre site; "" means "on the banks of the Wien". In modern times, the river has been covered over in this location and the covered riverbed now houses the Naschmarkt, an open-air market. The theatre is operated in cooperation with Vereinigte Bühnen Wien (VBW) which also operates the Raimund Theater and the . History Early history The theatre was the brainchild of the Viennese theatrical impresario Emanuel Schikaneder, who is best known as Mozart's librettist and collaborator on the opera ''The Magic Flute'' (1791). Schikaneder's troupe had already ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volksoper Wien
The Vienna Volksoper (''Volksoper'' or ''Vienna People's Opera'') is an opera house in Vienna, Austria. It produces three hundred performances of twenty-five German language productions of opera, operetta, musicals, and ballet, during an annual season which runs from September through June. History Foundation The Volksoper was built in 1898 as the ''Kaiserjubiläum-Stadttheater'' (Kaiser's Jubilee Civic Theatre), originally producing only plays. Because of the very brief construction period (10 months) the first director Adam Müller-Gutenbrunn had to start with debts of 160,000 florins. After this inauspicious startup the ''Kaiserjubiläum-Stadttheater'' had to declare bankruptcy five years later in 1903. Music theater from 1903 to 1950s On 1 September 1903, Rainer Simons took over the house and renamed it the ''Kaiserjubiläum-Stadttheater - Volksoper'' (public opera). His intention was to continue the production of plays but also establish series of opera and operetta. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Così Fan Tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. Da P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Fritz Schuh
Oscar Fritz Schuh (15 January 1904 – 22 October 1984) was a German-Austrian opera director, theatre director and opera manager. He is known for directing Mozart operas at the Vienna State Opera and the Salzburg Festival in productions that toured internationally. They focused on the psychology of the characters. Life and career Schuh was born in Munich, the son of a veterinarian. He attended the , achieving the Abitur in 1921. During his schooling, he already had a contract as a theatre critic for the Berlin magazine ''Der Fechter'', and also wrote essays about theatre history and reviews for other papers. He studied art history and philosophy at Munich University. In 1923, he was engaged at the Bayerische Landesbühne in Augsburg. His first theatre direction there was Hauptmann's '' Hanneles Himmelfahrt''. He moved on to Oldenburg, Osnabrück, Staatstheater Darmstadt, (with Walter Bruno Iltz), and Prague. In 1931, he was called by Albert Ruch to work as director and d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die ägyptische Helena
''Die ägyptische Helena'' (''The Egyptian Helen''), Op. 75, is an opera in two acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal. It premiered at the Dresden Semperoper on 6 June 1928. Strauss had written the title role with Maria Jeritza in mind but, creating quite a sensation at the time, the Dresden opera management refused to pay Jeritza's large fee and cast Elisabeth Rethberg instead as Helen of Troy. Jeritza eventually created the part in Vienna and New York City. As inspiration for the story, Hofmannsthal used sources from Euripides (''Helen''). Strauss made changes to the opera in 1933, five years after the premiere, working with the director Lothar Wallenstein and the conductor Clemens Krauss. Performance history and reception Roles It remains the only major opera in the repertory with a role for an omniscient sea-shell., footnote 353 Synopsis Act 1 ''The mythological past'' In her island palace, the sorceress Aithra waits in vain for Pose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Premiere
A première, also spelled premiere, is the debut (first public presentation) of a play, film, dance, or musical composition. A work will often have many premières: a world première (the first time it is shown anywhere in the world), its first presentation in each country, and an online première (the first time it is published on the Internet). When a work originates in a country that speaks a different language from that in which it is receiving its national or international première, it is possible to have two premières for the same work in the same country—for example, the play ''The Maids'' by the French dramatist Jean Genet received its British première (which also happened to be its world première) in 1952, in a production given in the French language. Four years later, it was staged again, this time in English, which was its English-language première in Britain. History Raymond F. Betts attributes the introduction of the film premiere to showman Sid Grauman, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anschluss
The (, or , ), also known as the (, en, Annexation of Austria), was the annexation of the Federal State of Austria into the German Reich on 13 March 1938. The idea of an (a united Austria and Germany that would form a " Greater Germany") began after the unification of Germany excluded Austria and the German Austrians from the Prussian-dominated German Empire in 1871. Following the end of World War I with the fall of the Austro-Hungarian Empire, in 1918, the newly formed Republic of German-Austria attempted to form a union with Germany, but the Treaty of Saint Germain (10 September 1919) and the Treaty of Versailles (28 June 1919) forbade both the union and the continued use of the name "German-Austria" (); and stripped Austria of some of its territories, such as the Sudetenland. Prior to the , there had been strong support in both Austria and Germany for unification of the two countries. In the immediate aftermath of the dissolution of the Habsburg monarchy—with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ständestaat
The Federal State of Austria ( de-AT, Bundesstaat Österreich; colloquially known as the , "Corporate State") was a continuation of the First Austrian Republic between 1934 and 1938 when it was a one-party state led by the clerical fascist Fatherland Front. The concept, derived from the notion of (" estates" or "corporations"), was advocated by leading regime politicians such as Engelbert Dollfuss and Kurt Schuschnigg. The result was an authoritarian government based on a mix of Italian Fascist and conservative Catholic influences. It ended in March 1938 with the Anschluss (the German annexation of Austria). Austria would not become an independent country again until 1955, when the Austrian State Treaty ended the Allied occupation of Austria. History In the 1890s, the founding members of the conservative-clerical Christian Social Party (CS) like Karl von Vogelsang and the Vienna mayor Karl Lueger had already developed anti-liberal views, though primarily from an economic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariadne Auf Naxos
(''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention. First version (1912) The opera was originally conceived as a 30-minute divertissement to be performed at the end of Hofmannsthal's adaptation of Molière's play ''Le Bourgeois gentilhomme.'' Besides the opera, Strauss provided incidental music to be performed during the play. In the end, the opera occupied ninety minutes, and the performance of play plus opera occupied over six hours. It was first performed at the Hoftheater Stuttgart on 25 October 1912, directed by Max Reinhardt. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come to hear the opera resented having to wait until the play finished. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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