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Renaud De Vilbac
(Alphonse Zoé Charles) Renaud de Vilbac (3 June 1829 – 19 March 1884) was a prolific French organist and composer. Biography Vilbac entered the Conservatoire de Paris at age 13 to study the pipe organ with François Benoist and composition with Fromental Halévy. Two years later, in 1844, he won the second "Prix de Rome" with his cantata ''Le Renégat de Tanger'' on a text by Claude-Emmanuel de Pastoret. Returning to Paris after his stay at the Villa Medici in Rome, Vilbac became the holder of the great organ Merklin-Schütz of the église Saint-Eugène-Sainte-Cécile in 1855. Works Lyrical works *1857: ''Au clair de lune'', operetta on a libretto by Antoine de Léris, at the Théâtre des Bouffes-Parisiens. *1858: ''Don Almanzor'', opéra bouffe on a libretto by Eugène Labat and Louis Ulbach, at the Théâtre Lyrique. Music for piano * ''Menuet Louis XV'', Op. 31 * ''Ophélia'', nocturne * ''Petite fantaisie sur la mélodie de Tissot'' * ''Lili-Polka'' * ''Petite poupée c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montpellier
Montpellier (, , ; oc, Montpelhièr ) is a city in southern France near the Mediterranean Sea. One of the largest urban centres in the region of Occitania (administrative region), Occitania, Montpellier is the prefecture of the Departments of France, department of Hérault. In 2018, 290,053 people lived in the city, while its Functional area (France), metropolitan area had a population of 787,705.Comparateur de territoire INSEE, retrieved 20 June 2022. The inhabitants are called Montpelliérains. In the Middle Ages, Montpellier was an important city of the Crown of Aragon (and was the birthplace of James I of Aragon, James I), and then of Kingdom of Majorca, Majorca, before its sale to France in 1349. Established in 1220, the University of Montpellier is one of the List of oldest univ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Bouffe
Opéra bouffe (, plural: ''opéras bouffes'') is a genre of late 19th-century French operetta, closely associated with Jacques Offenbach, who produced many of them at the Théâtre des Bouffes-Parisiens, inspiring the genre's name. Opéras bouffes are known for elements of comedy, satire, parody and farce. The most famous examples are ''La belle Hélène'', '' Barbe-bleue'' (''Bluebeard''), '' La Vie parisienne'', ''La Périchole'' and ''La Grande-Duchesse de Gérolstein ''La Grande-Duchesse de Gérolstein'' (''The Grand Duchess of Gerolstein'') is an opéra bouffe (a form of operetta), in three acts and four tableaux by Jacques Offenbach to an original French libretto by Henri Meilhac and Ludovic Halévy. The s ...''. Sources * Bartlet, M. Elizabeth C.: "Opéra bouffe" Stanley Sadie (ed.), ''The New Grove Dictionary of Opera'' (London, 1992). {{DEFAULTSORT:Opera Bouffe Opera genres Opera terminology ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1829 Births
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper common ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mouriès
Mouriès (; oc, Moriés, ) is a commune in the Bouches-du-Rhône department in southern France. Population Economy Mouriès is known for its olive oil production, calling itself "the olive oil capital of France" (a claim disputed by Nyons, further north). There are still two working olive oil mills in town, including one which allows tours. In December of every year there is a festival celebrating the end of the harvest and the new oil, with a small parade and the benediction of the oil, along with various markets. Wednesday is market day. The small tourism office in town supplies a list of all of the market days in the area. In winter the market here is much larger than in the other towns in the area ( Maussane, Aureille or Eygalières). File:140604-Mouries-Markt-03.jpg, market in Mouriès, Cours Paul Revoil File:140604-Mouries-Markt-01.jpg, market in Mouriès, Cours Paul Revoil File:140604-Mouries-Markt-02.jpg, market in Mouriès, Cours Paul Revoil File:140604-Mouries ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
église De La Madeleine
, other name = , native_name = , native_name_lang = French , image = Madeleine Paris.jpg , landscape = , imagesize = , caption = , imagelink = , imagealt = , pushpin map = , pushpin label position = , pushpin map alt = , relief = , coordinates = , pushpin mapsize = , map caption = , country = France , osgridref = , osgraw = , location = 8th arrondissement of Paris , previous denomination = , churchmanship = , membership = , attendance = , website = , former name = , bull date = , founder = Napoleon (1807) , dedication = Mary Magdalene , dedicated date = , consecrated date = 24 July ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmond Audran
Achille Edmond Audran (12 April 184017 August 1901) was a French composer best known for several internationally successful comic operas and operettas. After beginning his career in Marseille as an organist, Audran composed religious music and began to write works for the stage in the 1860s and 1870s. Among these, '' Le grand mogol'' (1877) was the most popular and was later revived in Paris, London and New York. In 1879 he moved to Paris, where some of his pieces achieved considerable success both in France and abroad, including ''Les noces d'Olivette'' (1879), ''La mascotte'' (1880), ''Gillette de Narbonne'' (1882), ''La cigale et la fourmi'' (1886), '' Miss Helyett'' (1890) and ''La poupée'' (1896). Most of his works are now neglected, but ''La mascotte'' has been revived occasionally and has been recorded for the gramophone. Early life and career Audran was born in Lyon, the son of Marius-Pierre Audran (1816–87), who had a career as a tenor at the Opéra-Comique. Lamb, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Mascotte
''La mascotte'' (''The Mascot'') is a three-act opéra comique with music by Edmond Audran and words by Alfred Duru and Henri Chivot. The story concerns a farm girl who is a "mascotte": someone with the mystic power to bring good luck to all around her, so long as she remains a virgin. The opera opened at the Théâtre des Bouffes Parisiens, Paris, on 28 December 1880, and had an initial run of 301 performances. Productions followed in other continental European countries, the Americas, Britain and Australia. The title of the piece introduced the word "mascotte" into standard French usage, "mascot" into English, and other variants of it into several more languages. Background and first performance In 1880 "mascotte" was a fairly new French slang word derived from the Provençal language, Provençal term ''mascoto'', meaning "spell" or "bewitchment". At the time it was as unknown to standard French dictionaries as to English. According to Audran's son, the inspiration for ''La mas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léo Delibes
Cl̩ment Philibert L̩o Delibes (; 21 February 1836 Р16 January 1891) was a French Romantic composer, best known for his ballets and operas. His works include the ballets ''Copp̩lia'' (1870) and '' Sylvia'' (1876) and the opera ''Lakm̩'' (1883), which includes the well-known "Flower Duet". Born into a musical family, Delibes enrolled at France's foremost music academy, the Conservatoire de Paris, when he was twelve, studying under several professors including Adolphe Adam. After composing light comic op̩rettes in the 1850s and 1860s, while also serving as a church organist, Delibes achieved public recognition for his music for the ballet '' La Source'' in 1866. His later ballets ''Copp̩lia'' and ''Sylvia'' were key works in the development of modern ballet, giving the music much greater importance than previously. He composed a small number of m̩lodies, some of which are still performed frequently. Delibes had several attempts at writing more serious operas, and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coppélia
''Coppélia'' (sometimes subtitled: ''La Fille aux Yeux d'Émail'' (The Girl with the Enamel Eyes)) is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto and mise-en-scène was based upon E. T. A. Hoffmann's short story ''Der Sandmann'' (''The Sandman''). In Greek, ''κοπÎλα'' (or ''κοπελιά'' in some dialects) means ''young woman''. ''Coppélia'' premiered on 25 May 1870 at the Théâtre Impérial de l'Opéra, with the 16-year-old Giuseppina Bozzacchi in the principal role of Swanhilda and ballerina Eugénie Fiocre playing the part of Frantz ''en travesti''. The costumes were designed by Paul Lormier and Alfred Albert, the scenery by Charles-Antoine Cambon (Act I, scene 1; Act II, scene 1), and Édouard Desplechin and Jean-Baptiste Lavastre (Act I, scene 2). The ballet's first flush of success was interrupted by the Franco-Prussian War and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norma (opera)
''Norma'' () is a ''tragedia lirica'' or opera in two acts by Vincenzo Bellini with libretto by Felice Romani after the play ''Norma, ou L'infanticide'' (''Norma, or The Infanticide'') by Alexandre Soumet. It was first produced at La Scala in Milan on 26 December 1831. The opera is regarded as a leading example of the bel canto genre, and the soprano prayer "Casta diva" in act 1 is a famous piece. Among the well known singers of Norma of the first half of the 20th century was Rosa Ponselle who played the role in New York and London. Notable exponents of the title role in the post-war period have been Maria Callas, Leyla Gencer, Joan Sutherland, and Montserrat Caballé. Composition history Crivelli and Company were managing both La Scala and La Fenice in Venice, and as a result, in April–May 1830 Bellini was able to negotiate a contract with them for two operas, one at each theatre. The opera for December 1831 at La Scala became ''Norma'', while the one for the 1832 Carnival ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giuseppe Verdi "praised the broad curves of Bellini's melody: 'there are extremely long melodies as no-one else had ever made before'." A large amount of what is known about Bellini's life and his activities comes from surviving letters—except for a short period—which were written over his lifetime to his friend Francesco Florimo, whom he had met as a fellow student in Naples and with whom he maintained a lifelong friendship. Other sources of information come from correspondence saved by other friends and business acquaintances. Bellini was the quintessential composer of the Italian '' bel canto'' era of the early 19th century, and his work has been summed up by the London critic Tim Ashley as: ... also hugely influential, as much a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Capuleti E I Montecchi
''I Capuleti e i Montecchi'' (''The Capulets and the Montagues'') is an Italian opera (''Tragedia lirica'') in two acts by Vincenzo Bellini. The libretto by Felice Romani was a reworking of the story of ''Romeo and Juliet'' for an opera by Nicola Vaccai called '' Giulietta e Romeo'' and based on the play of the same name by Luigi Scevola written in 1818, thus an Italian source rather than taken directly from William Shakespeare. Bellini was persuaded to write the opera for the 1830 Carnival season at the Teatro La Fenice in Venice, with only a month and a half available for composition. He succeeded by appropriating a large amount of music previously written for his unsuccessful opera '' Zaira''. The first performance of ''I Capuleti e i Montecchi'' took place on 11 March 1830. Composition history After ''Zaira'' Following the poor reception which ''Zaira'' received in Parma, Bellini returned to Milan by the end of June 1829 with no contract for another opera in sight. Gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
