Ravana Rajya
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Ravana Rajya
Ravana (; , , ) is a rakshasa king of the island of Lanka, and the chief antagonist of the Hindu epic '' Ramayana'' and its adaptations. In the ''Ramayana'', Ravana is described to be the eldest son of sage Vishrava and rakshasi Kaikesi. He abducted Prince Rama's wife Sita and took her to his kingdom of Lanka, where he held her in the Ashoka Vatika. Later, Rama, with the support of vanara King Sugriva and his army of vanaras, launched an invasion against Ravana in Lanka. Ravana was subsequently slain and Rama rescued his beloved wife Sita. Ravana is widely portrayed to be an evil character, though he also has many qualities that make him a learned scholar. He was well-versed in the six shastras and the four Vedas. Ravana is also considered to be the most revered devotee of Shiva. Images of Ravana are seen associated with Shiva at some temples. He also appears in the Buddhist Mahayana text ''Laṅkāvatāra Sūtra'', in Buddhist Ramayanas and Jatakas, as well as in Ja ...
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Vibhishana
Vibhishana () is the younger brother of Ravana, the King of Lanka, in the ancient Indian epic Ramayana. Though a rakshasa himself, Vibhishana turned his back on Ravana, and defected to Rama's side, owing to his dharma. After Rama defeated Ravana, the former crowned Prince Vibhishana as the King of Lanka before returning to Ayodhya. Ramayana Prince Vibhishana is portrayed as a pious and pure of heart in the epic. After performing a penance to invoke a boon from Brahma, he begged the deity to always set his mind on the path to righteousness, and nothing more. Vibhishana was the youngest son of the rakshasi Kaikesi and the sage Vishrava, who was himself a son of the sage Pulastya, one of the Prajapati. Vibhishana was the younger brother of the King of Lanka, Ravana, and also the sibling of Kumbakarna. Even though he was born as a rakshasa, he was pious and considered himself a Brahmin, since his father was a sage. Due to Vibhishana's differences with Ravana, and because he ...
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Pushpaka Chariot
Vimāna are mythological flying palaces or chariots described in Hindu texts and Sanskrit epics. The "Pushpaka Vimana" of Ravana (who took it from Kubera; Rama returned it to Kubera) is the most quoted example of a vimana. Vimanas are also mentioned in Jain texts. Etymology The Sanskrit word ''vimāna'' (विमान) literally means "measuring out, traversing" or "having been measured out". Monier Monier-Williams defines ''vimāna'' as "a car or a chariot of the gods, any self-moving aerial car sometimes serving as a seat or throne, sometimes self-moving and carrying its occupant through the air; other descriptions make the Vimana more like a house or palace, and one kind is said to be seven stories high", and quotes the Pushpaka Vimana of Ravana as an example. It may denote any car or vehicle, especially a bier or a ship as well as a palace of an emperor, especially with seven stories. Nowadays, ''vimāna, vimān'' or ''biman'' means "aircraft" in Languages of India, Indian ...
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Shastra
''Shastra'' (, IAST: , ) is a Sanskrit word that means "precept, rules, manual, compendium, book or treatise" in a general sense.Monier Williams, Monier Williams' Sanskrit-English Dictionary, Oxford University Press, Article on 'zAstra'' The word is generally used as a suffix in the Indian literature context, for technical or specialized knowledge in a defined area of practice. ''Shastra'' has a similar meaning to English ''-logy'', e.g. ecology, psychology, meaning scientific and basic knowledge on a particular subject. Examples in terms of modern neologisms include # 'physics', # 'chemistry', # 'biology', # 'architectural science', # 'science of mechanical arts and sculpture', # 'science of politics and economics', and # 'compendium of ethics or right policy'. In Western literature, ''Shastra'' is sometimes spelled as Sastra, reflecting a misunderstanding of the IAST symbol 'ś', which corresponds to the English 'sh'. Etymology The word ''Śāstra'' literally ...
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Encyclopædia Britannica
The (Latin for "British Encyclopædia") is a general knowledge English-language encyclopaedia. It is published by Encyclopædia Britannica, Inc.; the company has existed since the 18th century, although it has changed ownership various times through the centuries. The encyclopaedia is maintained by about 100 full-time editors and more than 4,000 contributors. The 2010 version of the 15th edition, which spans 32 volumes and 32,640 pages, was the last printed edition. Since 2016, it has been published exclusively as an online encyclopaedia. Printed for 244 years, the ''Britannica'' was the longest running in-print encyclopaedia in the English language. It was first published between 1768 and 1771 in the Scottish capital of Edinburgh, as three volumes. The encyclopaedia grew in size: the second edition was 10 volumes, and by its fourth edition (1801–1810) it had expanded to 20 volumes. Its rising stature as a scholarly work helped recruit eminent con ...
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Sugriva
''This character is about the vanara, in the Ramayana.'' Sugriva ( sa, सुग्रीव, , ) is a character In the ancient Indian epic Ramayana. He is the younger brother of Vali, whom he succeeded as ruler of the vanara kingdom of Kishkindha. Rumā is his wife. He is a son of Surya, the Hindu deity of the sun. As the king of the vanaras, Sugriva aided Rama in his quest to liberate his wife Sita from captivity at the hands of the rakshasa king Ravana. Nomenclature He is also known as jv, Sugriwa, th, Su-khrip, lo, Sugeep, km, Sukhreeb, Creole: ''Soogrim'', lo, Sangkip, ta, Cukkirivan, my, Thugyeik, Sugreeva or Sugreev. Legend The story of Sugriva is part of Ramayana and in an abbreviated version, is also present in the Mahabharata. The king of Kishkindha, Vrikshraja, was a divine creature born from Brahma’s tilaka. He had the body of a human and face and tail of a monkey. He was instructed to roam the forests and kill demons. One day, Vriksharaja entered a ...
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Vanara
In Hindu, Vanara ( sa, वानर, , forest-dwellers) are either monkeys, apes, or a race of forest-dwelling people. In the epic the ''Ramayana'', the Vanaras help Rama defeat Ravana. They are generally depicted as humanoid apes, or human-like beings. Etymology There are three main theories about the etymology of the word "Vanara": * Aiyanar suggests that ''vanara'' means "monkey" derived from the word ''vana'' ("forest"), Literally meaning "belonging to the forest" Monier-Williams says it is probably derived from ''vanar'' (lit. "wandering in the forest") and means "forest-animal" or monkey. * Devdutt Pattanaik suggests that it derives from the words ''vana'' ("forest"), and ''nara'' ("man"), thus meaning "forest man" and suggests that they may not be monkeys, which is the general meaning. * It may be derived from the words ''vav'' and ''nara'', meaning "is it a man?" (meaning "monkey") or "perhaps he is man". Identification Although the word Vanara has come to mean ...
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Ashok Vatika
Ashoka Vatika was a grove in Lanka that was located in the kingdom of the Rakshasa king Ravana, as mentioned in the Vishnu Purana and the Hindu epic ''Ramayana'' of Valmiki, and all subsequent versions, including the ''Ramacharitamanas'' written by Tulsidas, where it finds mention in the Sundara Kanda. The Vatika has garden houses around it, built by Vishwakarma himself.''Historic Rama of Valmiki: Shastragrahi Rama'', by Visvanath Limaye. Published by Gyan Ganga Prakashan, 1985. ''Page 142, 189''. It was the location where Sita, the wife of Rama, was held captive by Ravana after her abduction, also because she refused to stay in Ravana's palace and preferred to stay under ''shimshapa'' tree in Ashoka Vatika. It was here that Ravana's wife Mandodari came to meet her and also where Hanuman met her for the first time, and identified himself with the finger ring of Rama. Sita stayed at Ashoka Vatika until the end of the epic battle between Rama and Ravana, which resulted in the des ...
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Sita
Sita (; ) also called as Janaki and Vaidehi is a Hindu goddess and the female protagonist of the Hindu epic, ''Ramayana''. She is the consort of Rama, the avatar of the god Vishnu, and is regarded as a form of Vishnu's consort, Lakshmi. She is also the chief goddess of Rama-centric Hindu traditions. Sita is known for her dedication, self-sacrifice, courage, and purity. She is one of the seventeen national heroes (r''astriya bibhuti'') of Nepal. Described as the daughter of Bhūmi (the earth), Sita is brought up as the adopted daughter of King Janaka of Videha. Sita, in her youth, chooses Rama, the prince of Ayodhya as her husband in a swayamvara. After the swayamvara, she accompanies her husband to his kingdom, but later chooses to accompany her husband, along with her brother-in-law Lakshmana, in his exile. While in exile, the trio settles in the Dandaka forest from where she is abducted by Ravana, the Rakshasa king of Lanka. She is imprisoned in the garden of Ashoka Vatik ...
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Kaikesi
''Ramayana'' is one of the two major Sanskrit ancient epics (''Itihasa''s) of Hindu literature. It was composed by sage Valmiki. This is a list of important characters that appear in the epic. A Agastya Agastya was a son of sage Pulastya and brother of sage Vishrava. He was an uncle of Ravana. Agastya and his wife Lopamudra met Rama, Sita, and Lakshmana during their exile and gave them a divine bow and arrow. Ahalya Ahalya is the wife of the sage Gautama Maharishi. Many Hindu scriptures say that she was seduced by Indra (the king of gods), cursed by her husband for infidelity, and liberated from the curse by Rama (an avatar of the god Vishnu). Akampana Akampan was a maternal uncle of Ravana. He was one of ten sons of Sumali and Ketumathi. He also had four sisters. He was one of the survivors of the battle between Khara and Dushana along with Shurpanakha. After escaping the deadly carnage, he instigated Ravana to kidnap Sita, thus indirectly making him one of the mast ...
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Hindu Epic
Mahākāvya (lit. great kāvya, court epic), also known as ''sargabandha'', is a genre of Indian epic poetry in Classical Sanskrit. The genre is characterised by ornate and elaborate descriptions of scenery, love, battles and so on — in short, everything that tests a poet's skill at description. Typical examples of ''mahākāvya'' are the ''Kumarasambhava'' and the '' Kiratarjuniya.'' It is considered the most prestigious form in the Sanskrit literature. The genre evolved from the earlier epics, the Mahabharata and the Ramayana. Despite the length of ''mahākāvya''s (15-30 cantos, a total of about 1500-3000 verses), they are still much shorter than the Ramayana (500 cantos, 24000 verses) and the Mahabharata (about 100000 verses). Classical examples The Buddhist poet and philosopher Aśvaghoṣa (c. 80 – c. 150 CE) is one of the earliest Sanskrit poets with surviving Kāvya literature. His ''Buddhacarita'' (''Acts of the Buddha'') calls itself a ''mahākāvya'' and wa ...
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World History Encyclopedia
World History Encyclopedia (formerly Ancient History Encyclopedia) is a nonprofit educational company created in 2009 by Jan van der Crabben. The organization publishes and maintains articles, images, videos, podcasts, and interactive educational tools related to history. All users may contribute content to the site, although submissions are reviewed by an editorial team before publication. In 2021, the organization was renamed from the Ancient History Encyclopedia to World History Encyclopedia to reflect its broadened scope, covering world history from all time periods, as opposed to just ancient history. Original articles are written in English and later translated into other languages, mainly French and Spanish. Organization history The Ancient History Encyclopedia was founded in 2009 by van der Crabben with the stated goal of improving history education worldwide by creating a freely accessible and reliable history source. The nonprofit organization is based in Godalming, Unit ...
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Rakshasa
Rakshasas ( sa, राक्षस, IAST: : Pali: ''rakkhaso'') lit. 'preservers' are a race of usually malevolent demigods prominently featured in Hindu mythology. According to the Brahmanda Purana, the rakshasas were created by Brahma when he assumed a body of ''tamas'' (darkness), the beings springing forth and promising to protect the waters of creation. They are often depicted to be man-eaters (''nri-chakshas'', ''kravyads''), acting as embodiments of the powers of evil in the Vedic scriptures. They are offered a distinction from yakshas, their cousins who are depicted to be forces of destruction. The term is also used to describe asuras, a class of power-seeking beings that oppose the benevolent devas. They are often depicted as antagonists in Hindu scriptures, as well as in Buddhism and Jainism. The female form of rakshasa is rakshasi. Hinduism In Vedas The Hymn 87 of the tenth mandala of the ''Rigveda'' mentions about Rakshasas. They are classified amongst the ...
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