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Ragnarök By Doepler
In Norse mythology, (; non, Ragnarǫk) is a series of events, including a great battle, foretelling the death of numerous great figures (including the gods Odin, Thor, Týr, Freyr, Heimdallr, and Loki), natural disasters, and the submersion of the world in water. After these events, the world will rise again, cleansed and fertile, the surviving and returning gods will meet and the world will be repopulated by two human survivors. is an important event in Norse mythology and has been the subject of scholarly discourse and theory in the history of Germanic studies. The event is attested primarily in the ''Poetic Edda'', compiled in the 13th century from earlier traditional sources, and the ''Prose Edda'', written in the 13th century by Snorri Sturluson. In the ''Prose Edda'' and in a single poem in the ''Poetic Edda'', the event is referred to as (), a usage popularised by 19th-century composer Richard Wagner with the title of the last of his ''Der Ring des Nibelunge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stave Church Urnes, Craving Detail 1
Stave may refer to: Places * Stave (Krupanj), a village in Serbia * Stave Hill, in London * Stave Lake, in British Columbia, Canada * Stave River, in British Columbia, Canada * Stave Run, a river in Virginia, United States Other uses * Stave (music), used in musical notation * Stave (wood), of a barrel * Stave bearing * Stave church, a type of Medieval wooden church * Bruce M. Stave (1937–2017), American historian * Icelandic magical staves * Joel Stave (born 1992), American football quarterback * Stanza * The Staves, an English folk rock trio * Stave (game), played by the Ohlone people See also * Staff (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prose Edda
The ''Prose Edda'', also known as the ''Younger Edda'', ''Snorri's Edda'' ( is, Snorra Edda) or, historically, simply as ''Edda'', is an Old Norse textbook written in Iceland during the early 13th century. The work is often assumed to have been to some extent written, or at least compiled, by the Icelandic scholar, lawspeaker, and historian Snorri Sturluson 1220. It is considered the fullest and most detailed source for modern knowledge of Norse mythology, the body of myths of the North Germanic peoples, and draws from a wide variety of sources, including versions of poems that survive into today in a collection known as the ''Poetic Edda''. The ''Prose Edda'' consists of four sections: The Prologue, a euhemerized account of the Norse gods; ''Gylfaginning'', which provides a question and answer format that details aspects of Norse mythology (consisting of approximately 20,000 words), ''Skáldskaparmál'', which continues this format before providing lists of kennings and ''heit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyndluljóð
''Hyndluljóð'' (Old Norse: 'The Lay of Hyndla') is an Old Norse poem often considered a part of the ''Poetic Edda''. It is preserved in its entirety only in ''Flateyjarbók'', but some stanzas are also quoted in the ''Prose Edda'', where they are said to come from ''Völuspá hin skamma''. __NOTOC__ ''Hyndluljóð'' is believed to be a relatively late Eddic poem, dating to the second half of the 12th century or later, although including much older traditions, such as that of the 4th c. Gothic king Ermanaric. In the poem, the goddess Freyja meets the völva Hyndla and they ride together towards Valhalla. Freyja rides on her boar Hildisvíni and Hyndla on a wolf. Their mission is to find out the pedigree of Óttarr so that he can touch his inheritance, and the lay consists mostly of Hyndla reciting a number of names from Óttarr's ancestry. Because of the reference in the ''Prose Edda'' to ''Völuspá hin skamma'', since Sophus Bugge's first edition of the Eddic poems, stanza ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helgakviða Hundingsbana II
"Völsungakviða in forna" or "Helgakviða Hundingsbana II" ("The Second Lay of Helgi Hundingsbane") is an Old Norse poem found in the ''Poetic Edda''. It constitutes one of the Helgi lays together with ''Helgakviða Hundingsbana I'' and ''Helgakviða Hjörvarðssonar''. Henry Adams Bellows maintains in his commentaries that it is a patchwork of various poems that do not fit well together, but stanzas 28-37 and 39-50 are held to be among the finest in Old Norse poetry. The feud with Hunding and his sons The first section (containing stanzas 1 to 4) introduces Helgi as the son of Sigmund, of the Ylfing and the Völsung clan, and Borghild. They resided at Brálund and they named their son after Helgi Hjörvarðsson. Their clan was in a bloody feud with Hunding and his many sons. Helgi disguised himself and visited the home of Hunding's family where the only man present was Hunding's son Hæmingr (unknown in any other source). Hunding sent men to Helgi's foster-father Hagal to sea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigrdrífumál
(also known as ) is the conventional title given to a section of the ''Poetic Edda'' text in . It follows without interruption, and it relates the meeting of Sigurðr with the valkyrie Brynhildr, here identified as ("driver to victory"). Its content consists mostly of verses concerned with runic magic and general wisdom literature, presented as advice given by Sigrdrífa to Sigurd. The metre is , except for the first stanza. The end is in the lost part of the manuscript but it has been substituted from younger paper manuscripts. The describes the scene and contains some of the poem. Name The compound means "driver to victory" occurs both as a common noun, a synonym of , and as a proper name of the valkyrie named Hild or Brynhild in the Prose Edda. H. Reichert, "Sigrdrifa (Brynhildr)" in: McConnell et al. (eds.), ''The Nibelungen Tradition: An Encyclopedia'', Routledge (2013) p. 119 H. Reichert, "Zum Sigrdrífa-Brünhild-Problem" in: Mayrhofer et al. (eds.), ''Antiquitate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vafþrúðnismál
''Vafþrúðnismál'' (Old Norse: "The Lay of Vafþrúðnir") is the third poem in the ''Poetic Edda''. It is a conversation in verse form conducted initially between the Æsir Odin and Frigg, and subsequently between Odin and the jötunn Vafþrúðnir. The poem goes into detail about the Norse cosmogony and was evidently used extensively as a source document by Snorri Sturluson in the construction of the ''Prose Edda'' who quotes it. The poem is preserved in Codex Regius and partially in AM 748 I 4to. There are preservation problems relating to stanzas 40-41. ''Vafþrúðnismál'' is believed to be a 10th century poem.''Norse Mythology A to Z'' p.111 Synopsis The lay commences with Odin asking advice and directions of Frigg as to whether it would be wise to seek out the hall of Vafþrúðnir Vafþrúðnir (Old Norse: ; "mighty weaver"Orchard (1997:170).) is a wise jötunn in Norse mythology. His name comes from ''Vaf'', which means weave or entangle, and ''thrudnir'', which mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calque
In linguistics, a calque () or loan translation is a word or phrase borrowed from another language by literal word-for-word or root-for-root translation. When used as a verb, "to calque" means to borrow a word or phrase from another language while translating its components, so as to create a new lexeme in the target language. For instance, the English word "skyscraper" was calqued in dozens of other languages. Another notable example is the Latin weekday names, which came to be associated by ancient Germanic speakers with their own gods following a practice known as ''interpretatio germanica'': the Latin "Day of Mercury", ''Mercurii dies'' (later "mercredi" in modern French), was borrowed into Late Proto-Germanic as the "Day of Wōđanaz" (*''Wodanesdag''), which became ''Wōdnesdæg'' in Old English, then "Wednesday" in Modern English. The term ''calque'' itself is a loanword from the French noun ("tracing, imitation, close copy"), while the word ''loanword'' is a calque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Etymology
Folk etymology (also known as popular etymology, analogical reformation, reanalysis, morphological reanalysis or etymological reinterpretation) is a change in a word or phrase resulting from the replacement of an unfamiliar form by a more familiar one. The form or the meaning of an archaic, foreign, or otherwise unfamiliar word is reinterpreted as resembling more familiar words or morphemes. The term ''folk etymology'' is a loan translation from German language, German ''Volksetymologie'', coined by Ernst Förstemann in 1852. Folk etymology is a Productivity (linguistics), productive process in historical linguistics, language change, and social relation, social interaction. Reanalysis of a word's history or original form can affect its spelling, pronunciation, or meaning. This is frequently seen in relation to loanwords or words that have become archaic or obsolete. Examples of words created or changed through folk etymology include the English dialectal form wikt:sparrowgrass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lokasenna
''Lokasenna'' (Old Norse: 'The Flyting of Loki', or 'Loki's Verbal Duel') is one of the poems of the ''Poetic Edda''. The poem presents flyting between the gods and Loki. It is written in the ljóðaháttr metre, typical for wisdom verse. ''Lokasenna'' is believed to be a 10th-century poem. Loki, amongst other things, accuses the gods of moralistic sexual impropriety, the practice of '' seiðr'' (sorcery), and bias. Not ostensibly the most serious of allegations, these elements are, however, said ultimately to lead to the onset of Ragnarök in the Eddic poem ''Völuspá''. However, ''Lokasenna'' does not ''directly'' state that Loki's binding is as a consequence of the killing of Baldr. This is explicitly stated only in Snorri Sturluson's ''Prose Edda''. Lee M. Hollander, in his introduction to his translation of the poem, claims that it was in no sense a popular lay and suggests we should not necessarily believe that the accusations of the "sly god" were an accepted part o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germanic Philology
Germanic philology is the philological study of the Germanic languages, particularly from a comparative or historical perspective. The beginnings of research into the Germanic languages began in the 16th century, with the discovery of literary texts in the earlier phases of the languages. Early modern publications dealing with Old Norse culture appeared in the 16th century, e.g. ''Historia de gentibus septentrionalibus'' (Olaus Magnus, 1555) and the first edition of the 13th century ''Gesta Danorum'' (Saxo Grammaticus), in 1514. In 1603, Melchior Goldast made the first edition of Middle High German poetry, Tyrol and Winsbeck, including a commentary which focused on linguistic problems and set the tone for the approach to such works in the subsequent centuries. He later gave similar attention to the Old High German Benedictine Rule. In England, Cotton's studies of the manuscripts in his collection marks the beginnings of work on Old English language. The pace of publication increas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Norse
Old Norse, Old Nordic, or Old Scandinavian, is a stage of development of North Germanic languages, North Germanic dialects before their final divergence into separate Nordic languages. Old Norse was spoken by inhabitants of Scandinavia and their Viking expansion, overseas settlements and chronologically coincides with the Viking Age, the Christianization of Scandinavia and the consolidation of Scandinavian kingdoms from about the 7th to the 15th centuries. The Proto-Norse language developed into Old Norse by the 8th century, and Old Norse began to develop into the modern North Germanic languages in the mid-to-late 14th century, ending the language phase known as Old Norse. These dates, however, are not absolute, since written Old Norse is found well into the 15th century. Old Norse was divided into three dialects: Old West Norse, ''Old West Norse'' or ''Old West Nordic'' (often referred to as ''Old Norse''), Old East Norse, ''Old East Norse'' or ''Old East Nordic'', and ''Ol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Götterdämmerung
' (; ''Twilight of the Gods''), WWV 86D, is the last in Richard Wagner's cycle of four music dramas titled (''The Ring of the Nibelung'', or ''The Ring Cycle'' or ''The Ring'' for short). It received its premiere at the on 17 August 1876, as part of the first complete performance of the whole work. The title is a translation into German of the Old Norse phrase ', which in Norse mythology Norse, Nordic, or Scandinavian mythology is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia, and into the Nordic folklore of the modern period ... refers to a prophesied war among various beings and gods that ultimately results in the burning, immersion in water, and renewal of the world. As with the rest of the ''Ring'', however, Wagner's account diverges significantly from these Old Norse sources. Composition Roles Synopsis Prologue Prelude to the Prologue Scene 1 T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
