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Hyndluljóð
''Hyndluljóð'' (Old Norse: 'The Lay of Hyndla') is an Old Norse poem often considered a part of the ''Poetic Edda''. It is preserved in its entirety only in ''Flateyjarbók'', but some stanzas are also quoted in the ''Prose Edda'', where they are said to come from ''Völuspá hin skamma''. __NOTOC__ ''Hyndluljóð'' is believed to be a relatively late Eddic poem, dating to the second half of the 12th century or later, although including much older traditions, such as that of the 4th c. Gothic king Ermanaric. In the poem, the goddess Freyja meets the völva Hyndla and they ride together towards Valhalla. Freyja rides on her boar Hildisvíni and Hyndla on a wolf. Their mission is to find out the pedigree of Óttarr so that he can touch his inheritance, and the lay consists mostly of Hyndla reciting a number of names from Óttarr's ancestry. Because of the reference in the ''Prose Edda'' to ''Völuspá hin skamma'', since Sophus Bugge's first edition of the Eddic poems, stanza ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Völuspá Hin Skamma
''Völuspá hin skamma'' (Old Norse: 'The Short Völuspá) is an Old Norse poem which survives as a handful of stanzas in ''Hyndluljóð'', in the ''Poetic Edda'', and as one stanza in the ''Gylfaginning'' section of Snorri Sturluson's ''Prose Edda''. The name of the poem is only known due to Snorri's citation of it in ''Gylfaginning'' (chapter 5): The additional stanzas that remain appear in ''Hyndluljóð''. In his translation of ''Hyndluljóð'', Henry Adams Bellows comments that the preserved fragment of ''Völuspá hin skamma'' shows that it was a "late and very inferior imitation of the great Voluspo", and he dates it to the twelfth century. He further suggests that its appearance in ''Hyndluljóð'' is due to the blunder of a copyist who confused the two poems, and he does not consider them to be of any great value either as poetry or as mythology. References Bibliography * Further reading Hyndluljoth Translation and commentary by Henry Adams BellowsVöluspá in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freyja Awakes Hyndla
In Norse paganism, Freyja (Old Norse "(the) Lady") is a goddess associated with love, beauty, fertility, sex, war, gold, and seiðr (magic for seeing and influencing the future). Freyja is the owner of the necklace Brísingamen, rides a chariot pulled by two cats, is accompanied by the boar Hildisvíni, and possesses a cloak of falcon feathers. By her husband Óðr, she is the mother of two daughters, Hnoss and Gersemi. Along with her twin brother Freyr, her father Njörðr, and her mother ( Njörðr's sister, unnamed in sources), she is a member of the Vanir. Stemming from Old Norse ''Freyja'', modern forms of the name include Freya, Freyia, and Freja. Freyja rules over her heavenly field, Fólkvangr, where she receives half of those who die in battle. The other half go to the god Odin's hall, Valhalla. Within Fólkvangr lies her hall, Sessrúmnir. Freyja assists other deities by allowing them to use her feathered cloak, is invoked in matters of fertility and love, and is fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freyja
In Norse paganism, Freyja (Old Norse "(the) Lady") is a goddess associated with love, beauty, fertility, sex, war, gold, and seiðr (magic for seeing and influencing the future). Freyja is the owner of the necklace Brísingamen, rides a chariot pulled by two cats, is accompanied by the boar Hildisvíni, and possesses a cloak of falcon feathers. By her husband Óðr, she is the mother of two daughters, Hnoss and Gersemi. Along with her twin brother Freyr, her father Njörðr, and her mother ( Njörðr's sister, unnamed in sources), she is a member of the Vanir. Stemming from Old Norse ''Freyja'', modern forms of the name include Freya, Freyia, and Freja. Freyja rules over her heavenly field, Fólkvangr, where she receives half of those who die in battle. The other half go to the god Odin's hall, Valhalla. Within Fólkvangr lies her hall, Sessrúmnir. Freyja assists other deities by allowing them to use her feathered cloak, is invoked in matters of fertility and love, and is fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddic Poetry
The ''Poetic Edda'' is the modern name for an untitled collection of Old Norse anonymous narrative poems, which is distinct from the ''Prose Edda'' written by Snorri Sturluson. Several versions exist, all primarily of text from the Icelandic medieval manuscript known as the ''Codex Regius'', which contains 31 poems. The ''Codex Regius'' is arguably the most important extant source on Norse mythology and Germanic heroic legends. Since the early 19th century, it has had a powerful influence on Scandinavian literature, not only through its stories, but also through the visionary force and the dramatic quality of many of the poems. It has also been an inspiration for later innovations in poetic meter, particularly in Nordic languages, with its use of terse, stress-based metrical schemes that lack final rhymes, instead focusing on alliterative devices and strongly concentrated imagery. Poets who have acknowledged their debt to the ''Codex Regius'' include Vilhelm Ekelund, August Strin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Edda
The ''Poetic Edda'' is the modern name for an untitled collection of Old Norse anonymous narrative poems, which is distinct from the ''Prose Edda'' written by Snorri Sturluson. Several versions exist, all primarily of text from the Icelandic medieval manuscript known as the ''Codex Regius'', which contains 31 poems. The ''Codex Regius'' is arguably the most important extant source on Norse mythology and Germanic heroic legends. Since the early 19th century, it has had a powerful influence on Scandinavian literature, not only through its stories, but also through the visionary force and the dramatic quality of many of the poems. It has also been an inspiration for later innovations in poetic meter, particularly in Nordic languages, with its use of terse, stress-based metrical schemes that lack final rhymes, instead focusing on alliterative devices and strongly concentrated imagery. Poets who have acknowledged their debt to the ''Codex Regius'' include Vilhelm Ekelund, August Stri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flateyjarbók
''Flateyjarbók'' (; "Book of Flatey") is an important medieval Icelandic manuscript. It is also known as GkS 1005 fol. and by the Latin name ''Codex Flateyensis''. It was commissioned by Jón Hákonarson and produced by the priests and scribes Jón Þórðarson and Magnús Þórhallsson. Description ''Flateyjarbók'' is the largest medieval Icelandic manuscript, comprising 225 written and illustrated vellum leaves. It contains mostly sagas of the Norse kings as found in the ''Heimskringla'', specifically the sagas about Olaf Tryggvason, St. Olaf, Sverre, Hákon the Old, Magnus the Good, and Harald Hardrada. But they appear here expanded with additional material not found elsewhere (some of it being very old) along with other unique differences. Most—but not all—of the additional material is placed within the royal sagas, sometimes interlaced. Additionally, the manuscript contains the only copy of the eddic poem '' Hyndluljóð'', a unique set of annals from creation t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gro Steinsland
Gro Steinsland (born 1945) is a Norwegian scholar of medieval studies and history of religion and since August 2009 has been the Scientific Director of the Centre for Advanced Study at the Norwegian Academy of Science and Letters. Steinsland has most recently been a professor in the Institute for Linguistic and Nordic Studies at the University of Oslo, where she was also a member of the international interdepartmental Centre for Studies in the Viking Age and Nordic Middle Agesprofile at forskning.no Aslaug Veum "Gro Steinsland: Veit ho nok, eller kva?" , Portrait, ''Apollon'', University of Oslo research magazine, 1 April 1998, retrieved 17 January 2011 from its founding in 199 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Óttar (mythology)
In Norse Mythology, Óttar, also known as Óttar the Simple, is a protégé of the goddess Freyja. He appeared in Hyndluljóð (the Lay of Hyndla), a poem in the Poetic Edda. In this tale, Óttar is said to be very pious to the goddesses. He built a shrine of stones, a hörgr, and on it made many offerings to Freyja. The goddess answered his prayers and went on a journey to help him find his pedigree. Freyja disguised Óttar as her boar The wild boar (''Sus scrofa''), also known as the wild swine, common wild pig, Eurasian wild pig, or simply wild pig, is a suid native to much of Eurasia and North Africa, and has been introduced to the Americas and Oceania. The species is no ... Hildisvini (the Battle-Swine) and brought him to the gýgr Hyndla, a seeress. There, Freyja forced Hyndla to tell Óttar about his ancestors, as well as to give him a memory potion so that he would remember all that he was told. It has been theorized that the framework of the poem was created for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hildisvíni
Hildisvíni (Old Norse: , “battle swine”) is Freyja's boar In Norse mythology. The story of Hildisvíni appears in Hyndluljóð, an Old Norse poem found in Flateyjarbok but often considered a part of the Poetic Edda. In the poem, Freyja is searching for the ancestry of her protégé, Óttar. Freyja rides on her boar Hildisvíni, who is in fact Óttar in disguise. They meet Hyndla who is a seeress. Freyja succeeds in forcing Hyndla to tell Óttar about his ancestors. Snorri Sturluson also records that among boar-names for helmets was ''Hildisvíni'', the helmet of Áli. This helmet was among the things that were taken by the Swedish king Adils after his victory at the Battle on the Ice of Lake Vänern The Battle on the Ice of Lake Vänern was a 6th-century battle recorded in the Norse sagas and referred to in the Old English epic ''Beowulf''. It has been dated to c. AD 530. The epic Beowulf Beowulf is an epic poem that refers to the conflict, bu .... References *Davidso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valhalla
In Norse mythology Valhalla (;) is the anglicised name for non, Valhǫll ("hall of the slain").Orchard (1997:171–172) It is described as a majestic hall located in Asgard and presided over by the god Odin. Half of those who die in combat enter Valhalla, while the other half are chosen by the goddess Freyja to reside in Fólkvangr. The masses of those killed in combat (known as the Einherjar) along with various legendary Germanic heroes and kings, live in Valhalla until Ragnarök when they will march out of its many doors to fight in aid of Odin against the jötnar. Valhalla is attested in the '' Poetic Edda'', compiled in the 13th century from earlier traditional sources, in the ''Prose Edda'' (written in the 13th century by Snorri Sturluson), in '' Heimskringla'' (also written in the 13th century by Snorri Sturluson), and in stanzas of an anonymous 10th century poem commemorating the death of Eric Bloodaxe known as '' Eiríksmál'' as compiled in '' Fagrskinna''. Va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Völva
In Germanic paganism, a seeress is a woman said to have the ability to foretell future events and perform sorcery. They are also referred to with many other names meaning "prophetess", "staff bearer", "wise woman" and "sorceress", and they are frequently called ''witches'' or ''priestesses'' both in early sources and in modern scholarship. They were an expression of the pre-Christian shamanic traditions of Europe, and they held an authoritative position in Germanic society. Mentions of Germanic seeresses occur as early as the Roman era, when, for example, they at times led armed resistance against Roman rule and acted as envoys to Rome. After the Roman Era, seeresses occur in records among the North Germanic people, where they form a reoccurring motif in Norse mythology. Both the classical and the Norse accounts imply that they used wands, and describe them as sitting on raised platforms during séances. Ancient Roman and Greek literature records the name of several Germanic s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ermanaric
Ermanaric; la, Ermanaricus or ''Hermanaricus''; ang, Eormanrīc ; on, Jǫrmunrekkr , gmh, Ermenrîch (died 376) was a Greuthungian Gothic king who before the Hunnic invasion evidently ruled a sizable portion of Oium, the part of Scythia inhabited by the Goths at the time. He is mentioned in two Roman sources: the contemporary writings of Ammianus Marcellinus, and in ''Getica'' by the sixth-century historian Jordanes. He also appears in a fictionalized form in later Germanic heroic legends. Modern historians disagree on the size of Ermanaric's realm. Herwig Wolfram postulates that he at one point ruled a realm stretching from the Baltic Sea to the Black Sea as far eastwards as the Ural Mountains. Peter Heather is skeptical of the claim that Ermanaric ruled all Goths except the Tervingi, and furthermore points to the fact that such an enormous empire would have been larger than any known Gothic political unit, that it would have left bigger traces in the sources and that t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
