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Raghupriya Scale
Raghupriya (meaning ''The one dear to Raghu'') is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 42nd ''melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Ravikriya in Muthuswami Dikshitar school of Carnatic music.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana It is the 6th rāgam in the 7th ''chakra Rishi''. The mnemonic name is ''Rishi-Sha''. The mnemonic phrase is ''sa ra ga mi pa dhu nu''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : (the notes ''shuddha rishabham, shuddha gandharam, prati madhyamam, shatsruthi dhaivatham, kakali nishadham ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raghu
Raghu () is a ruler of the Suryavamsha dynasty in Hinduism. According to the '' Raghuvamsha'', he is the son of King Dilīpa and Queen Sudakshina. His successors styled themselves as belonging to the eponymous Raghuvamsha dynasty, or the ''Raghukula,'' after him. The history of his dynasty is elaborated upon by the poet Kalidasa in his ''Raghuvamsha''. He is the great-grandfather of the avatar of Vishnu, Rama. Legend Raghuvamsha The life and glories of Raghu are described in the poem Raghuvamsha, written by Kalidasa. In the third canto, his birth, education, and marriage are described. He participates in the hundredth ashvamedha sacrifice of his father, fighting Indra, who steals the sacrificial horse. His victory against the deity is followed by his ascension to the throne, after Dilipa retires to the forest. In the fourth canto, Raghu expands his domains, subjugating the kings of Vanga, Utkala, Kalinga, the Pandya king, Huns, Persians, and Pragjyotisha. On the inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janya
''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 ''melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a variety of features. ''Varja'' ragas Ragas that omit (varjyam, to omit in Sanskrit) one or more of the notes of the scale (''swaras'') of their parent ''melakarta'' raga, in the ascending or descending scale or in both, fall into this category. Different notes may be omitted from the ascending ''arohana'' and descending ''avarohana'' scale. Such scales are given the names listed below.''A practical course in Carnatic music'' by Prof. P. Sambamurthy, 15th edition published 1998, The Indian Music publishing house''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications vrja a * ''Sampurna'' – 7 note scale * ''Shadava'' – 6 notes * ''Audava'' – 5 notes Since these terms are applicable both to the ascending and the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Navaneetam
Navaneetam (pronounced navanītam, meaning ''the eternal new one'') is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 40th ''Melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is called in Muthuswami Dikshitar school of Carnatic music.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Navaneetham is a Sanskrit word meaning fresh butter. 'Nava' meaning fresh (new) and 'neetham' meaning butter. Structure and Lakshana It is the 4th rāgam in the 7th ''chakra Rishi''. The mnemonic name is ''Rishi-Bhu''. The mnemonic phrase is ''sa ra ga mi pa dhi ni''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jhalavarali
Jhalavarali (pronounced , meaning ''A moon with the sun's heat''), is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 39th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called in Muthuswami Dikshitar school of Carnatic music.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana It is the 3rd rāgam in the 7th ''chakra Rishi''. The mnemonic name is ''Rishi-Go''. The mnemonic phrase is ''sa ra ga mi pa dha nu''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : (the notes in this scale : ''shuddha rishabham, shuddha gandharam, prati madhyamam, shuddha dhaivatham, kakali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jalarnavam
Jalarnavam (pronounced , meaning ''the ocean'') is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 38th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Jaganmōhanam in Muthuswami Dikshitar school of Carnatic music.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana It is the 2nd rāgam in the 7th ''chakra Rishi''. The mnemonic name is ''Rishi-Sri''. The mnemonic phrase is ''sa ra ga mi pa dha ni''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : (the specific notes used in this scale are ''shuddha rishabham, shuddha gandharam, prati madhyamam, shuddha dhaivath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salagam
Salagam (pronounced sālagam) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 37th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Sowgandini in Muthuswami Dikshitar school of Carnatic music.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana It is the 1st rāgam in the 7th ''chakra Rishi''. The mnemonic name is ''Rishi-Pa''. The mnemonic phrase is ''sa ra ga mi pa dha na''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : In this scale, the notes ''shuddha rishabham, shuddha gandharam, prati madhyamam, shuddha dhaivatham'' and ''shuddha nishadham'' are used. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graha Bhedam
''Graha Bhedam'' in Carnatic music is the process (or result of the process) of shifting the Tonic note (''śruti'') to another note in the rāgam and arriving at a different rāgam. Its equivalent in Hindustani classical music is called a ''murchhana''. Expressed in Western music theory terms, this is the process of arriving at a different scale by shifting to another mode in the key. ''Graha'' literally means ''position'' and ''Bhedam'' means ''change''. Since the position of the ''śruti'' is changed (pitch of the base note or drone), it is also sometimes called ''Swara Bhedam'' or ''Śruti Bhedam'' though ''Śruti Bhedam'' and ''Graha Bhedam'' have some technical differences. Definition Modal shift of the Tonic note to higher notes of a rāgam, while retaining the note's positions (swara sthānas – sthāna means position/ pitch), results in different rāgams. This is called ''Graha Bhedam''. Practical demo A simple practical demonstration of ''Graha Bhedam'' can be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanaroopi
Tanarupi (pronounced tānarūpi, meaning ''the one that embodies tanam'') is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 6th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Tanukeerti in Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana It is the 6th rāgam in the 1st ''chakra Indu''. The mnemonic name is ''Indu-Sha''. The mnemonic phrase is ''sa ra ga ma pa dhu nu''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : The notes used in this scale are ''shuddha rishabham, shuddha gandharam, shuddha madhyamam, shatsruthi dhaivatham'' and ''kakali nishadham''. As it is a ''melakarta'' rāgam, by definition it is a ''sampoorna'' rāga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampoorna Raga
In Indian classical music, Sampūrṇa rāgas (संपूर्ण, Sanskrit for 'complete', also spelt as ''sampoorna'') have all seven ''swaras'' in their scale. In general, the swaras in the ''Arohana'' and ''Avarohana'' strictly follow the ascending and descending scale as well. That is, they do not have ''vakra'' swara phrases (वक्र, meaning 'crooked'). In Carnatic music, the Melakarta ragas are all ''sampurna'' ragas, but the converse is not true, i.e., all ''sampurna'' ragas are not ''Melakarta'' ragas. An example is Bhairavi raga in Carnatic music (different from the Bhairavi of Hindustani music). Some examples of ''Melakarta'' ragas are ''Mayamalavagowla'', ''Todi'', '' Sankarabharanam'' and ''Kharaharapriya Kharaharapriya is a rāga in Carnatic music. It is the 22nd ''melakarta'' rāga (parent scale) in the 72 ''melakarta'' rāga system. It is possible that the name of the ragam was originally ''Harapriya'' but it was changed to conform to the K ...''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
