|
Navaneetam
Navaneetam (pronounced navanītam, meaning ''the eternal new one'') is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 40th ''Melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is called in Muthuswami Dikshitar school of Carnatic music.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Navaneetham is a Sanskrit word meaning fresh butter. 'Nava' meaning fresh (new) and 'neetham' meaning butter. Structure and Lakshana It is the 4th rāgam in the 7th ''chakra Rishi''. The mnemonic name is ''Rishi-Bhu''. The mnemonic phrase is ''sa ra ga mi pa dhi ni''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Navaneetam Scale
Navaneetam (pronounced navanītam, meaning ''the eternal new one'') is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 40th '' Melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is called in Muthuswami Dikshitar school of Carnatic music.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Navaneetham is a Sanskrit word meaning fresh butter. 'Nava' meaning fresh (new) and 'neetham' meaning butter. Structure and Lakshana It is the 4th rāgam in the 7th ''chakra Rishi''. The mnemonic name is ''Rishi-Bhu''. The mnemonic phrase is ''sa ra ga mi pa dhi ni''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rāga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vanaspati (Raga)
Vanaspati (meaning ''the lord of the forest'') is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 4th '' melakarta'' rāgam in the 72 ''melakarta'' rāgams of Carnatic music, following the Katapayadi sankhya system. In the Muthuswami Dikshitar school of music, this raga is called Bhānumati.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana ''Vanaspati'' is the 4th rāgam in the 1st ''chakra Indu'' of the ''melakarta'' system. Its mnemonic name is ''Indu-Bhu''. Its mnemonic phrase is ''sa ra ga ma pa dhi ni''. Its ' structure is as follows (see ''swaras'' in Carnatic music for details on this notation): * * ''Shuddha rishabham, shuddha gandharam, shuddha madhyamam, chathusruthi dhaivatham'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavani (ragam)
Pavani (pronounced pāvani, meaning ''the purifier'') is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 41st ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Kumbhini in Muthuswami Dikshitar school of Carnatic music.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai Structure and Lakshana It is the 5th rāgam in the 7th ''chakra Rishi''. The mnemonic name is ''Rishi-Ma''. The mnemonic phrase is ''sa ra ga mi pa dhi nu''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications Its ' structure is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : The notes used in this scale are ''shuddha rishabham, shuddha gandharam, prati madhyamam, chathusruthi dhaivatham'' and ''kakali nishadham''. It is a ''sampurna'' rāgam – a rāgam that has all seven ''swaras'' (no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jhalavarali
Jhalavarali (pronounced , meaning ''A moon with the sun's heat''), is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 39th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called in Muthuswami Dikshitar school of Carnatic music.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana It is the 3rd rāgam in the 7th ''chakra Rishi''. The mnemonic name is ''Rishi-Go''. The mnemonic phrase is ''sa ra ga mi pa dha nu''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : (the notes in this scale : ''shuddha rishabham, shuddha gandharam, prati madhyamam, shuddha dhaivatham, kakali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jalarnavam
Jalarnavam (pronounced , meaning ''the ocean'') is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 38th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Jaganmōhanam in Muthuswami Dikshitar school of Carnatic music.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana It is the 2nd rāgam in the 7th ''chakra Rishi''. The mnemonic name is ''Rishi-Sri''. The mnemonic phrase is ''sa ra ga mi pa dha ni''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : (the specific notes used in this scale are ''shuddha rishabham, shuddha gandharam, prati madhyamam, shuddha dhaivath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salagam
Salagam (pronounced sālagam) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 37th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Sowgandini in Muthuswami Dikshitar school of Carnatic music.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana It is the 1st rāgam in the 7th ''chakra Rishi''. The mnemonic name is ''Rishi-Pa''. The mnemonic phrase is ''sa ra ga mi pa dha na''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : In this scale, the notes ''shuddha rishabham, shuddha gandharam, prati madhyamam, shuddha dhaivatham'' and ''shuddha nishadham'' are used. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raghupriya
Raghupriya (meaning ''The one dear to Raghu'') is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 42nd ''melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Ravikriya in Muthuswami Dikshitar school of Carnatic music.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana It is the 6th rāgam in the 7th ''chakra Rishi''. The mnemonic name is ''Rishi-Sha''. The mnemonic phrase is ''sa ra ga mi pa dhu nu''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : (the notes ''shuddha rishabham, shuddha gandharam, prati madhyamam, shatsruthi dhaivatham, kakali nishadham ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melakarta
Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be generated. A ''melakarta'' raga is sometimes referred as ''mela'', ''karta'' or ''sampurna'' as well, though the latter term is inaccurate, as a ''sampurna'' raga need not be a ''melakarta'' (take the raga ''Bhairavi,'' for example). In Hindustani music the ''thaat'' is equivalent of ''Melakartā''. There are 10 ''thaats'' in Hindustani music, though the commonly accepted ''melakarta'' scheme has 72 ragas. Rules for ''Mēḷakarta'' ragas Ragas must contain the following characteristics to be considered ''Melakarta''. *They are ''sampurna ragas'' – they contain all seven ''swaras'' (notes) of the octave in both ascending and descending scale''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''A practical course in Carnatic musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampurna Raga
In Indian classical music, Sampūrṇa rāgas (संपूर्ण, Sanskrit for 'complete', also spelt as ''sampoorna'') have all seven ''swaras'' in their scale. In general, the swaras in the ''Arohana'' and ''Avarohana'' strictly follow the ascending and descending scale as well. That is, they do not have ''vakra'' swara phrases (वक्र, meaning 'crooked'). In Carnatic music, the Melakarta ragas are all ''sampurna'' ragas, but the converse is not true, i.e., all ''sampurna'' ragas are not ''Melakarta'' ragas. An example is Bhairavi raga in Carnatic music (different from the Bhairavi of Hindustani music). Some examples of ''Melakarta'' ragas are ''Mayamalavagowla'', ''Todi'', '' Sankarabharanam'' and ''Kharaharapriya Kharaharapriya is a rāga in Carnatic music. It is the 22nd ''melakarta'' rāga (parent scale) in the 72 ''melakarta'' rāga system. It is possible that the name of the ragam was originally ''Harapriya'' but it was changed to conform to the K ...''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avarohana
An Avarohana, Avarohanam or Avaroha, in the context of Indian classical music, is the descending scale of any raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The notes descend in pitch from the upper tonic (taar shadja or Sa) down to the lower tonic, possibly in a crooked (vakra) manner. Examples In raga Darbari, an Asavari-thaat raga with vadi-samvadi R-P, the avroha is R' n S' d~ n P, m P g~ m R S, with andolan on the dhaivat and gandhar. In Malahari, which is ''janya'' raga of 15th ''melakarta'' Mayamalavagowla Mayamalavagowla (pronounced ) is a raga of Carnatic music (musical scale of South Indian classical music). It is classified as 15th '' melakarta'' raga under Venkatamakhin's '' melakarta'' system. Originally known as ''malavagowla'', "maya" was ..., the avarohana is ''S D1 P M1 G2 R1 S''. See swaras in Carnatic music for description of this notation. In Sahana, a ''janya'' raga of 28th ''melakarta'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janya
''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 ''melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a variety of features. ''Varja'' ragas Ragas that omit (varjyam, to omit in Sanskrit) one or more of the notes of the scale (''swaras'') of their parent ''melakarta'' raga, in the ascending or descending scale or in both, fall into this category. Different notes may be omitted from the ascending ''arohana'' and descending ''avarohana'' scale. Such scales are given the names listed below.''A practical course in Carnatic music'' by Prof. P. Sambamurthy, 15th edition published 1998, The Indian Music publishing house''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications vrja a * ''Sampurna'' – 7 note scale * ''Shadava'' – 6 notes * ''Audava'' – 5 notes Since these terms are applicable both to the ascending and the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
