Raghupriya
   HOME

TheInfoList



OR:

Raghupriya (meaning ''The one dear to
Raghu Raghu () is a ruler of the Suryavamsha dynasty in Hinduism. According to the '' Raghuvamsha'', he is the son of King Dilīpa and Queen Sudakshina. His successors styled themselves as belonging to the eponymous Raghuvamsha dynasty, or the '' ...
'') is a
raga A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradit ...
m in
Carnatic music Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, an ...
(musical scale of South Indian classical music). It is the 42nd ''
melakarta Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be generated. A ''melak ...
'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Ravikriya in
Muthuswami Dikshitar Muthuswami Dikshitar (Mudduswamy Dikshitar)(, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical ...
school of Carnatic music.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras


Structure and Lakshana

It is the 6th rāgam in the 7th ''chakra Rishi''. The mnemonic name is ''Rishi-Sha''. The mnemonic phrase is ''sa ra ga mi pa dhu nu''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : (the notes ''shuddha rishabham, shuddha gandharam, prati madhyamam, shatsruthi dhaivatham, kakali nishadham'' are used in this scale) As it is a ''melakarta'' rāgam, by definition it is a ''sampoorna'' rāgam (has all seven notes in ascending and descending scale). It is the ''prati madhyamam'' equivalent of '' Tanaroopi'', which is the 6th ''melakarta'' scale.


''Janya'' rāgams

''Raghupriya'' has a few minor ''
janya ''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 ''melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a varie ...
'' rāgams (derived scales) associated with it. See List of ''janya'' Rāgams for full list of scales associated with ''Raghupriya''.


Compositions

A few compositions set to the scale ''Raghupriya'' are: *''Khalitaka vamsa'' by Dr. M. Balamuralikrishna *''Himagiri kumari'' by
Muthuswami Dikshitar Muthuswami Dikshitar (Mudduswamy Dikshitar)(, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical ...
*''Sadananda'' by Koteeswara Iyer


Related rāgams

This section covers the theoretical and scientific aspect of this rāgam. ''Raghupriya's'' notes when shifted using ''
Graha bhedam ''Graha Bhedam'' in Carnatic music is the process (or result of the process) of shifting the Tonic note (''śruti'') to another note in the rāgam and arriving at a different rāgam. Its equivalent in Hindustani classical music is called a ''mur ...
'', yields no other ''melakarta'' rāgam, like all 6 rāgams in the ''Rishi chakra'' (''
Salagam Salagam (pronounced sālagam) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 37th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Sowgandini in Muthuswami Diksh ...
,
Jalarnavam Jalarnavam (pronounced , meaning ''the ocean'') is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 38th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Jaganmōhan ...
,
Jhalavarali Jhalavarali (pronounced , meaning ''A moon with the sun's heat''), is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 39th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is ...
,
Navaneetam Navaneetam (pronounced navanītam, meaning ''the eternal new one'') is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 40th ''Melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic ...
'' and '' Pavani'' being the other 5). Only these rāgams have a gap of 3 notes anywhere in their scale, between G1 to M2. Such a gap does not occur in any other ''melakarta'' by definition. ''Graha bhedam'' is the step taken in keeping the relative note frequencies same, while shifting the ''shadjam'' to the next note in the rāgam.


Notes


References

{{Janya, state=collapsed Melakarta ragas