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Raffaello Sanzio Morghen
Raffaello Morghen (19 June 1758 – 8 April 1833) was an Italian engraver. Life He was born in Naples, apparently to a German family of engravers. He received his earliest instructions from his father, himself an engraver; but, to obtain more advanced training, he was placed as a pupil under the celebrated Giovanni Volpato. He assisted this master in engraving the famous pictures of Raphael in the Vatican City, and the print which represents the ''miracle of Bolsena'' is inscribed with his name. He married Volpato's daughter, and, being invited to Florence to engrave the masterpieces of the Florentine Gallery, he removed thither with his wife in 1782. His reputation now became so great as to induce the artists of Florence to recommend him to the grand duke as a fit person to engrave the ''Last Supper'' of Leonardo da Vinci; apart, however, from the dilapidated state of the picture itself, the drawing made for Morghen was unworthy of the original, and the print, in consequen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomé Esteban Murillo
Bartolomé Esteban Murillo ( , ; late December 1617, baptized January 1, 1618April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively realistic portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. He also painted two self-portraits, one in the Frick Collection portraying him in his 30s, and one in London's National Gallery portraying him about 20 years later. In 2017–18, the two museums held an exhibition of them. Childhood Murillo was probably born in December 1617 to Gaspar Esteban, an accomplished barber surgeon, and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Santa Maria Magdalena, a parish in Seville in 1618. After his parents died in 1627 and 1628, he became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torquato Tasso
Torquato Tasso ( , also , ; 11 March 154425 April 1595) was an Italian poet of the 16th century, known for his 1591 poem ''Gerusalemme liberata'' (Jerusalem Delivered), in which he depicts a highly imaginative version of the combats between Christians and Muslims at the end of the First Crusade, during the Siege of Jerusalem (1099), Siege of Jerusalem of 1099. Tasso had mental illness and died a few days before he was to be Poet laureate, crowned on the Capitoline Hill as the king of poets by Clement VIII, Pope Clement VIII. His work was widely translated and adapted, and until the beginning of the 20th century, he remained one of the most widely read poets in Europe. Biography Early life Born in Sorrento, Torquato was the son of Bernardo Tasso, a nobleman of Bergamo and an epic and lyric poet of considerable fame in his day, and his wife Porzia de Rossi, a noblewoman born in Naples of Tuscany, Tuscan origins. His father had for many years been secretary in the service of F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariosto
Ludovico Ariosto (; 8 September 1474 – 6 July 1533) was an Italian poet. He is best known as the author of the romance epic ''Orlando Furioso'' (1516). The poem, a continuation of Matteo Maria Boiardo's ''Orlando Innamorato'', describes the adventures of Charlemagne, Orlando, and the Franks as they battle against the Saracens with diversions into many sideplots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Ariosto also coined the term "humanism" (in Italian, ''umanesimo'') for choosing to focus upon the strengths and potential of humanity, rather than only upon its role as subordinate to God. This led to Renaissance humanism. Birth and early life Ariosto was born in Reggio nell'Emilia, where his father Niccolò Ariosto was commander of the citadel. He was the oldest of 10 children and was seen as the successor to the patriarchal position of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrarch
Francesco Petrarca (; 20 July 1304 – 18/19 July 1374), commonly anglicized as Petrarch (), was a scholar and poet of early Renaissance Italy, and one of the earliest humanists. Petrarch's rediscovery of Cicero's letters is often credited with initiating the 14th-century Italian Renaissance and the founding of Renaissance humanism. In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio, and, to a lesser extent, Dante Alighieri. Petrarch was later endorsed as a model for Italian style by the Accademia della Crusca. Petrarch's sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. He is also known for being the first to develop the concept of the " Dark Ages".Renaissance or Prenaissan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dante
Dante Alighieri (; – 14 September 1321), probably baptized Durante di Alighiero degli Alighieri and often referred to as Dante (, ), was an Italian poet, writer and philosopher. His ''Divine Comedy'', originally called (modern Italian: ''Commedia'') and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante is known for establishing the use of the vernacular in literature at a time when most poetry was written in Latin, which was accessible only to the most educated readers. His ''De vulgari eloquentia'' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as '' The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His work set a precedent that important Italian writers such as Petrarch and Boccaccio would later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of Montcada
The House of Montcada (in Catalan; Moncada in Spanish and Italian) is an aristocratic and noble Spanish Catalan House with important ramifications in Sicily. Queen Elisenda of the Crown of Aragon was a member of the family. History The House of Moncada was started by Guillem I de Muntanyola or de Vacarisses (b. ? - d. 1040). He was the son of Sunifred, the Vescomte de Girona (Viscount of Girona) who was granted the castle and lands of Montcada in Montcada i Reixac, Barcelona. Guillem I took the name Guillem I de Montcada in accordance with proper naming traditions upon being granted a landed title. Guillem I married Adelaida de Claramunt (b. 1000 - d. 1063). Their first child, Ramon I de Montcada, II Senyor del Castell de Montcada was appointed the office of Senescal of Barcelona and Catalonia. Their second son, Bernat I de Montcada became the Ardiaca (Archdeacon) of Barcelona. The third son, Renard de Montcada went on to become the Senyor del Castell (Lord of the Castl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the archd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archery Contest Of Diana And Her Nymphs
''The Archery Contest of Diana and Her Nymphs'' is a 1616 oil-on-canvas painting by the Italian artist Domenichino. The painting is also known as ''Diana and her Nymphs after the Hunt,'' ''Diana Hunting,'' and even ''The Hunt of Diana.'' It was commissioned by Cardinal Pietro Aldobrandini, but was stolen from him by Cardinal Scipione Borghese. It is now in the Galleria Borghese in Rome, Italy. Artist Domenichino was born Domenico Zampieri in Bologna, Italy in the year 1581. Domenichino was a student of Flemish art, and studied under the artist Denys Calvaert, until he moved to Rome where he worked in the teams employed by the Carracci, including the frescoes designed by Annibale for the Palazzo Farnese where he acquired the nickname Domenichino, meaning little Domenico. He then became a favored assistant to Annibale Carracci himself. Domenichino was later commissioned by both Cardinal Pietro Aldobrandini and Cardinal Scipione Borghese. This painting was completed after Domenich ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenichino
Domenico Zampieri (, ; October 21, 1581 – April 6, 1641), known by the diminutive Domenichino (, ) after his shortness, was an Italian Baroque painter of the Bolognese School of painters. Life Domenichino was born in Bologna, son of a shoemaker, and there initially studied under Denis Calvaert. After quarreling with Calvaert, he left to work in the Accademia degli Incamminati of the Carracci where, because of his small stature, he was nicknamed Domenichino, meaning "little Domenico" in Italian. He left Bologna for Rome in 1602 and became one of the most talented apprentices to emerge from Annibale Carracci's supervision. As a young artist in Rome he lived with his slightly older Bolognese colleagues Albani and Guido Reni, and worked alongside Lanfranco, who later would become a chief rival. In addition to assisting Annibale with completion of his frescoes in the Galleria Farnese, including ''A Virgin with a Unicorn'' (c. 1604–05), he painted three of his own frescoes in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Flight Into Egypt (Poussin)
''The Flight into Egypt'' is an oil-on-canvas painting by the French artist Nicolas Poussin painted in 1657 or 1658. It was originally kept in the Musée du Louvre, then was transferred to the Musée des Beaux-Arts de Lyon. History The painting was probably inspired by a painting on the same theme by Italian Baroque painter Annibale Carracci. This painting appeared in an auction in Versailles in 1986 with 80,000 francs as initial price. It was bought by Richard and Robert Pardo for 1,600,000 francs. Exhibited in the gallery, it was later recognized as an authentic work of the artist. Then there was a lengthy trial whose outcome was unfavorable to Pardo : the final decision was to re-give the painting to the seller. The owner then wanted to sell this work for more than 15 million euros. The Musée des Beaux-Arts de Lyon then began to collect the money to acquire it. In July 2007, the Louvre and the Musée des Beaux-Arts de Lyon were finally able to raise the funds necessary to p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Dance To The Music Of Time (painting)
''A Dance to the Music of Time'' is a painting by Nicolas Poussin in the Wallace Collection in London. It was painted between and 1636 as a commission for Giulio Rospigliosi (later Pope Clement IX), who according to Gian Pietro Bellori dictated its detailed iconography. The identity of the figures remains uncertain, with differing accounts. The painting is well known for giving its name to the ''A Dance to the Music of Time'' novel cycle, though this title is first seen in a Wallace Collection catalogue of 1913. Before that it was given titles referring to the Four Seasons. In the 1845 sale it was called ''La Danse des Saisons, ou l'Image de la vie humaine''. The Bibliothèque nationale de France lists it with three different French titles. Description There are four figures, holding each other by the hand, dance in a circle, as Time plays a lyre on the right. The scene is set in the early morning, with Aurora, goddess of dawn, preceding the chariot of Apollo the sun-god in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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