Quatre Petites Mélodies (Satie)
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Quatre Petites Mélodies (Satie)
The ''Quatre petites mélodies'' (''Four Little Songs'') is a 1920 song cycle for voice and piano by French composer Erik Satie. It is most notable for its opening lament, ''Élégie'', which Satie composed in memory of his friend Claude Debussy. A typical performance lasts under 4 minutes. Background In the autumn of 1920, Henry Prunières, founder-editor of the monthly music journal ''La Revue musicale'', announced he would publish a commemorative edition of his magazine to honor the legacy of Claude Debussy, who had died in 1918. It would include a memorial supplement, ''Le Tombeau de Claude Debussy'', a collective musical tribute for which Prunières invited Europe's leading composers to contribute. Ten musicians responded with either newly-written pieces or excerpts from their current works in progress: Paul Dukas, Albert Roussel, Gian Francesco Malipiero, Eugene Goossens, Béla Bartók, Florent Schmitt, Igor Stravinsky, Maurice Ravel, Manuel de Falla, and Erik Satie. For ...
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Erik Satie
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and '' Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the creation of the ballet '' Par ...
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Parade (ballet)
''Parade'' is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917 at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet. Overview The idea of the ballet seems to have come from Jean Cocteau. He had heard Satie's ''Trois morceaux en forme de poire'' ("Three Pieces in the Shape of a Pear") in a concert and thought of writing a ballet scenario to such music. Satie welcomed the idea of composing ballet music (which he had never done before) but refused to allow any of his previous compositions to be used for the occasion, so Cocteau started writing a scenario (the theme being a publicity parade in which three groups of circus artists try to attract an audience to an indoor performanc ...
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Raymond Radiguet
Raymond Radiguet (18 June 1903 – 12 December 1923) was a French novelist and poet whose two novels were noted for their explicit themes, and unique style and tone. Early life Radiguet was born in Saint-Maur, Val-de-Marne, close to Paris, the son of a caricaturist. In 1917, he moved to the city. Soon he would drop out of the Lycée Charlemagne, where he studied, in order to pursue his interests in journalism and literature. Career In early 1923, Radiguet published his first and most famous novel, '' Le Diable au corps'' (''The Devil in the Flesh''). The story of a young married woman who has an affair with a 16-year-old boy while her husband is away fighting at the front provoked scandal in a country that had just been through World War I. Though Radiguet denied it, it was established later that the story was in large part autobiographical. His second novel, '' Le bal du Comte d'Orgel'' (''The Ball of Count Orgel''), also dealing with adultery, was only published posthumousl ...
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Sports Et Divertissements
''Sports et divertissements'' (''Sports and Pastimes'') is a cycle of 21 short piano pieces composed in 1914 by Erik Satie. The set consists of a prefatory chorale and 20 musical vignettes depicting various sports and leisure activities. First published in 1923, it has long been considered one of his finest achievements.Pierre-Daniel Templier, "Erik Satie", MIT Press, 1969, p. 85. Translated from the original French edition published by Rieder, Paris, 1932.Patrick Gowers and Nigel Wilkins, "Erik Satie", "The New Grove: Twentieth-Century French Masters", Macmillan Publishers Limited, London, 1986, p. 140. Reprinted from "The New Grove Dictionary of Music and Musicians", 1980 edition. Musically it represents the peak of Satie's humoristic piano suites (1912-1915), but stands apart from that series in its fusion of several different art forms. ''Sports'' originally appeared as a collector's album with illustrations by Charles Martin, accompanied by music, prose poetry and calligraph ...
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Léonide Massine
Leonid Fyodorovich Myasin (russian: Леони́д Фёдорович Мя́син), better known in the West by the French transliteration as Léonide Massine (15 March 1979), was a Russian choreographer and ballet dancer. Massine created the world's first symphonic ballet, ''Les Présages'', and many others in the same vein. Besides his "symphonic ballets," Massine choreographed many other popular works during his long career, some of which were serious and dramatic, and others lighthearted and romantic. He created some of his most famous roles in his own comic works, among them the Can-Can Dancer in ''La Boutique fantasque'' (1919), the Hussar in ''Le Beau Danube'' (1924), and, perhaps best known of all, the Peruvian in ''Gaîté Parisienne'' (1938). Today his oeuvre is represented by his son Theodor Massine. Early life and education Massine was born into a musical family on 9 August 1895 in Moscow, Russia. His mother was a soprano in the Bolshoi Theater Chorus and his father ...
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Pointe Technique
Pointe technique ( ) is the part of classical ballet technique that concerns ''pointe work'', in which a ballet dancer supports all body weight on the tips of fully extended feet within pointe shoes. A dancer is said to be ''en pointe'' () when the dancer's body is supported in this manner, and a fully extended vertical foot is said to be ''en pointe'' when touching the floor, even when not bearing weight. Pointe technique resulted from a desire for female dancers to appear weightless and sylph-like. Although both men and women are capable of pointe work, it is most often performed by women. Extensive training and practice are required to develop the strength and technique needed for pointe work. Typically, dance teachers consider factors such as age, experience, strength and alignment when deciding whether to allow a dancer to begin pointe work. Technique Pointe technique encompasses both the mechanical and artistic aspects of pointe work. In particular, it is concerned with ...
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Jean Cocteau
Jean Maurice Eugène Clément Cocteau (, , ; 5 July 1889 – 11 October 1963) was a French poet, playwright, novelist, designer, filmmaker, visual artist and critic. He was one of the foremost creatives of the surrealist, avant-garde, and Dadaist movements; and one of the most influential figures in early 20th-century art as a whole. The ''National Observer'' suggested that, “of the artistic generation whose daring gave birth to Twentieth Century Art, Cocteau came closest to being a Renaissance man.” He is best known for his novels ''Le Grand Écart'' (1923), ''Le Livre blanc'' (1928), and '' Les Enfants Terribles'' (1929); the stage plays ''La Voix Humaine'' (1930), '' La Machine Infernale'' (1934), ''Les Parents terribles'' (1938), '' La Machine à écrire'' (1941), and ''L'Aigle à deux têtes'' (1946); and the films ''The Blood of a Poet'' (1930), ''Les Parents Terribles'' (1948), ''Beauty and the Beast'' (1946), ''Orpheus'' (1950), and ' ...
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Jean Cocteau B Meurisse 1923
Jean may refer to: People * Jean (female given name) * Jean (male given name) * Jean (surname) Fictional characters * Jean Grey, a Marvel Comics character * Jean Valjean, fictional character in novel ''Les Misérables'' and its adaptations * Jean Pierre Polnareff, a fictional character from ''JoJo's Bizarre Adventure'' Places * Jean, Nevada, USA; a town * Jean, Oregon, USA Entertainment * Jean (dog), a female collie in silent films * "Jean" (song) (1969), by Rod McKuen, also recorded by Oliver * ''Jean Seberg'' (musical), a 1983 musical by Marvin Hamlisch Other uses * JEAN (programming language) * USS ''Jean'' (ID-1308), American cargo ship c. 1918 * Sternwheeler Jean, a 1938 paddleboat of the Willamette River See also *Jehan * * Gene (other) * Jeanne (other) * Jehanne (other) * Jeans (other) * John (other) John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testa ...
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Suzanne Valadon
Suzanne Valadon (23 September 18657 April 1938) was a French painter who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France. In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. She was also the mother of painter Maurice Utrillo. Valadon spent nearly 40 years of her life as an artist. The subjects of her drawings and paintings, such as '' Joy of Life'' (1911), included mostly female nudes, portraits of women, still lifes, and landscapes. She never attended the academy and was never confined within a tradition. She was a model for many renowned artists. Among them, Valadon appeared in such paintings as '' Dance at Bougival'' (1883) and '' Dance in the City'' by Pierre-Auguste Renoir (1883), and ''Suzanne Valadon'' (1885) by Henri de Toulouse-Lautrec. Early life Valadon grew up in poverty with her mother, an unmarried laundress in Montmartre. She did not know her father. Known to be quite independent ...
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Bonjour Biqui, Bonjour!
''Bonjour Biqui, Bonjour!'' is an 1893 song for voice and piano with words and music by Erik Satie. At a mere four bars - less than half a minute in performance, and that due to its slow tempo - it is the shortest of his complete compositions. Its significance lies in its rare, enigmatic glimpse into the composer's romance with the painter Suzanne Valadon, the only one he is known to have had. The song is dedicated to her. Description Satie composed this musical curio on April 2, 1893, as part of an Easter Sunday gift for Valadon, whom he affectionately nicknamed "Biqui". On a single sheet of music paper, and alternating the use of regular and watered-down ink, he concocted a rather jarring little ditty with just three chords and five notes in the vocal line. The song does not have an actual title. Its pride of place at the top of the score is instead taken by the playing direction ''très lent'' ("very slow"), and the greeting "Bonjour Biqui, Bonjour!" constitutes the entire "lyr ...
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Robert Orledge
Robert Orledge (born 5 January 1948) is a British musicologist, and a professor emeritus of the University of Liverpool , mottoeng = These days of peace foster learning , established = 1881 – University College Liverpool1884 – affiliated to the federal Victoria Universityhttp://www.legislation.gov.uk/ukla/2004/4 University of Manchester Act 200 .... He specialises in French music of the early twentieth century. References External linksRobert Orledge Website {{DEFAULTSORT:Orledge, Robert 1948 births Living people English musicologists Academics of the University of Liverpool Fauré scholars ...
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