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Sports Et Divertissements
''Sports et divertissements'' (''Sports and Pastimes'') is a cycle of 21 short piano pieces composed in 1914 by Erik Satie. The set consists of a prefatory chorale and 20 musical vignettes depicting various sports and leisure activities. First published in 1923, it has long been considered one of his finest achievements.Pierre-Daniel Templier, "Erik Satie", MIT Press, 1969, p. 85. Translated from the original French edition published by Rieder, Paris, 1932.Patrick Gowers and Nigel Wilkins, "Erik Satie", "The New Grove: Twentieth-Century French Masters", Macmillan Publishers Limited, London, 1986, p. 140. Reprinted from "The New Grove Dictionary of Music and Musicians", 1980 edition. Musically it represents the peak of Satie's humoristic piano suites (1912-1915), but stands apart from that series in its fusion of several different art forms. ''Sports'' originally appeared as a collector's album with illustrations by Charles Martin, accompanied by music, prose poetry and calligraph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satie Cropped Colored
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Conservatoire de Paris, Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and ''Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum de Paris, Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parade (ballet)
''Parade'' is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917 at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet. Overview The idea of the ballet seems to have come from Jean Cocteau. He had heard Satie's ''Trois morceaux en forme de poire'' ("Three Pieces in the Shape of a Pear") in a concert and thought of writing a ballet scenario to such music. Satie welcomed the idea of composing ballet music (which he had never done before) but refused to allow any of his previous compositions to be used for the occasion, so Cocteau started writing a scenario (the theme being a publicity parade in which three groups of circus artists try to attract an audience to an indoor performanc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choses Vues à Droite Et à Gauche (sans Lunettes)
''Choses vues à droite et à gauche (sans lunettes)'', commonly translated as ''Things Seen Right-to-Left (Without Glasses)'', is a suite for violin and piano by Erik Satie. Composed in January 1914 and published in 1916, it is the only work he produced for violin-piano duet. A typical performance lasts about 5 minutes. Description One of Satie's infrequent excursions into chamber music, the ''Choses vues'' is contemporaneous with the bulk of his humoristic piano suites (1913-1914) and was conceived in a similar spirit. It has been interpreted as a spoof of academic musical training, in particular that of the Schola Cantorum in Paris, where the composer had recently ended his studies (at age 46) with Vincent d'Indy. The suite's three brief pieces are satirical reinventions of Baroque musical forms, enhanced by Satie's characteristic droll titles and performance directions. ''1. Choral hypocrite'' (''Hypocritical Chorale'') - G Major - ''Grave'' Satie had a singular attitu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
En Habit De Cheval
''En habit de cheval'' (''In Riding Gear'') is a 1911 suite for piano four hands by Erik Satie. He arranged it for orchestra that same year. It is a transitional work, composed towards the end of Satie's studies at the Schola Cantorum in Paris (1905-1912) and foreshadowing his pre-World War I "humoristic" or "fantaisiste" period. Robert Orledge wrote that "''En habit de cheval'' offers the best example of Satie integrating Schola teaching with his own composition, and in it he also worked out his own individual concept of orchestration." In performance it lasts about 7 minutes. Composition history The year 1911 was a turning point for Satie, when after decades of comparative obscurity he was suddenly thrust into the public eye. On 16 January Maurice Ravel played some of his early piano pieces at a concert sponsored by his progressive Société musicale indépendante (SMI), which began to promote him as an important precursor of modern trends in French music. This prompted Satie's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aperçus Désagréables
''Aperçus désagréables'' ''(Unpleasant Glimpses)'' is a suite for piano four hands composed between 1908 and 1912 by Erik Satie. It shows the early development of his mature style, a product of his studies at the Schola Cantorum de Paris. In performance it lasts about 5 minutes. For its publication in 1913 Satie wrote, "The beautiful and limpid ''Aperçus désagréables''...are written in the most superior style and enable us to understand why the subtle composer is justified in declaring: 'Before writing a work I go round it several times accompanied by myself'". Description In the decade following the end of his Rose + Croix period (1895) Satie struggled to develop a viable new composing style, a goal his desultory studies at the Conservatoire de Paris had left him ill-prepared to achieve. In 1905, at 39, he enrolled as a student at the Schola Cantorum, where for the next seven years he studied counterpoint with Albert Roussel (1905-1908) and orchestration with Vincent d'In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale
Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) * Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in ''Schemellis Gesangbuch'') * Such a tune presented in a homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. Bach's four-part chorales, or the chorale included in the second movement of Mahler's Fifth Symphony) * A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Bach's ''Schübler Chorales'', or a combination of compositional techniques in César Franck's ') The chorale originated when Martin Luther translated sacred songs into the vernacular language (German), contrary to the established practice of church music near the end of the first quarter of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satie Sports Preface
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and '' Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the creation of the ballet '' Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eye Music
Eye music (often referred to in English by its exact German translation ''Augenmusik'') describes graphical features of scores which when performed are unnoticeable by the listener. Difficulties in defining eye music By simple definition eye music is when the graphic notation of music is altered in some meaningful way visible to the performers. Often the changed "meaning" of the altered notation is enhanced by the music having compositional elements of melody and form such as word painting Word painting, also known as tone painting or text painting, is the musical technique of composing music that reflects the literal meaning of a song's lyrics or story elements in programmatic music. Historical development Tone painting of words ... and Canon (music), canon. Moreover, the concept is demonstrated by sometimes differing perceptions of composer, performer, and listener.Dart, Thurston. "Eye music." New Grove Dictionary of Music and Musicians, Stanley Sadie, ed. London:Macmillan, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Sauguet
Henri-Pierre Sauguet-Poupard (18 May 1901 – 22 June 1989) was a French composer. Born in Bordeaux, he adopted his mother's maiden name as part of his professional pseudonym. His output includes operas, ballets, four symphonies (1945, 1949, 1955, 1971), concertos, chamber and choral music and numerous songs, as well as film music. Although he experimented with musique concrète and expanded tonality, he remained opposed to particular systems and his music evolved little: he developed tonal or modal ideas in smooth curves, producing an art of clarity, simplicity and restraint. Career Sauguet started learning the piano at home when he was five years old. Later he was taught by the organist of the church of Sainte-Eulalie de Bordeaux. On the mobilization of his father in 1914, he was required to earn a living at a very young age. Eventually employed by the Prefecture of Montauban in 1919–1920, he formed a friendship with Joseph Canteloube, a former pupil of Vincent d'Indy. To ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gross (unit)
In English and related languages, several terms involving the words "great" or "gross" relate to numbers involving a multiple of exponents of twelve (dozen): *A gross refers to a group of 144 items (a dozen dozen or a square dozen, 122). *A great gross refers to a group of 1728 items (a dozen gross or a cubic dozen, 123)... *A small gross or a great hundred refers to a group of 120 items (ten dozen, 10×12). The term can be abbreviated ''gr.'' or ''gro.'', and dates from the early 15th century. It derives from the Old French ''grosse douzaine'', meaning "large dozen”. The continued use of these terms in measurement and counting represents the duodecimal number system. This has led groups such as the Dozenal Society of America to advocate for wider use of "gross" and related terms instead of the decimal system.. See also * Long hundred The long hundred, also known as the great hundred or twelfty, is the number 120 (in base-10 Arabic numerals) that was referred to as "hun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
