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Erik Satie
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and '' Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the creation of the ballet '' Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WikiProject Classical Music/Style Guidelines
A WikiProject, or Wikiproject, is a Wikimedia movement affinity group for contributors with shared goals. WikiProjects are prevalent within the largest wiki, Wikipedia, and exist to varying degrees within Wikimedia project, sister projects such as Wiktionary, Wikiquote, Wikidata, and Wikisource. They also exist in different languages, and translation of articles is a form of their collaboration. During the COVID-19 pandemic, CBS News noted the role of Wikipedia's WikiProject Medicine in maintaining the accuracy of articles related to the disease. Another WikiProject that has drawn attention is WikiProject Women Scientists, which was profiled by ''Smithsonian Magazine, Smithsonian'' for its efforts to improve coverage of women scientists which the profile noted had "helped increase the number of female scientists on Wikipedia from around 1,600 to over 5,000". On Wikipedia Some Wikipedia WikiProjects are substantial enough to engage in cooperative activities with outside organization ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Poulenc
Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite '' Trois mouvements perpétuels'' (1919), the ballet ''Les biches'' (1923), the ''Concert champêtre'' (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera ''Dialogues des Carmélites'' (1957), and the '' Gloria'' (1959) for soprano, choir, and orchestra. As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. Largely self-educated musically, he studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of young composers known collectively as ''Les Six''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cirrhosis
Cirrhosis, also known as liver cirrhosis or hepatic cirrhosis, and end-stage liver disease, is the impaired liver function caused by the formation of scar tissue known as fibrosis due to damage caused by liver disease. Damage causes tissue repair and subsequent formation of scar tissue, which over time can replace normal functioning tissue, leading to the impaired liver function of cirrhosis. The disease typically develops slowly over months or years. Early symptoms may include tiredness, weakness, loss of appetite, unexplained weight loss, nausea and vomiting, and discomfort in the right upper quadrant of the abdomen. As the disease worsens, symptoms may include itchiness, swelling in the lower legs, fluid build-up in the abdomen, jaundice, bruising easily, and the development of spider-like blood vessels in the skin. The fluid build-up in the abdomen may become spontaneously infected. More serious complications include hepatic encephalopathy, bleeding from dilated veins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bowler Hat
The bowler hat, also known as a billycock, bob hat, bombín (Spanish) or derby (United States), is a hard felt hat with a rounded crown, originally created by the London hat-makers Thomas and William Bowler in 1849. It has traditionally been worn with semi-formal and informal attire. The bowler, a protective and durable hat style, was popular with the British, Irish, and American working classes during the second half of the 19th century, and later with the middle and upper classes in the United Kingdom, Ireland, and the east coast of the United States. Origins The bowler hat was designed in 1849 by the London hat-makers Thomas and William Bowler to fulfill an order placed by the company of hatters James Lock & Co. of St James's, which had been commissioned by a customer to design a close-fitting, low-crowned hat to protect gamekeepers from low-hanging branches while on horseback at Holkham Hall, the estate of Thomas Coke, 1st Earl of Leicester in Norfolk. The keepers had previ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcueil
Arcueil () is a commune in the Val-de-Marne department in the southern suburbs of Paris, France. It is located from the center of Paris. Name The name Arcueil was recorded for the first time in 1119 as ''Arcoloï'', and later in the 12th century as ''Arcoïalum'', meaning "place of the arches" (Latin radical ''arcus'', "arch", and Celtic suffix ''-ialo'', "clearing, glade", "place of"), in reference to the Roman aqueduct carrying water to the Roman city of ''Lutetia'' (modern Paris). Still standing, the arches of the Roman aqueduct are still visible since the Middle Ages, crossing the Bièvre valley near Arcueil. History Between 1613 and 1624 a bridge-aqueduct over 1300 ft. long was constructed to convey water from the spring of Rungis, south of Arcueil, across the river Bièvre to the Luxembourg Palace in Paris. Between 1868 and 1872 another aqueduct, still longer, was superimposed above that of the 17th century, forming part of the system conveying water from th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relâche (ballet)
''Relâche'' is a 1924 ballet by Francis Picabia with music composed by Erik Satie. The title was thought to be a Dadaist practical joke, as ''relâche'' is the French word used on posters to indicate that a show is canceled, or the theater is closed. The first performance was indeed canceled, due to the illness of Jean Börlin, the principal dancer, choreographer, and artistic director of the Ballets Suédois. Picabia commissioned filmmaker René Clair to create a cinematic entr'acte to be shown during the ballet's intermission. The film, simply titled ''Entr'acte (or ', ;Since 1932–35 the French Academy recommends this spelling, with no apostrophe, so historical, ceremonial and traditional uses (such as the 1924 René Clair film title) are still spelled ''Entr'acte''. German: ' and ', Italian: ''inte ...'', consists of a scene shown before the ballet and a longer piece between the acts. The nonsensical film features Picabia, Satie, and other well-known artists as actors.< ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercure (ballet)
''Mercure'' (''Mercury'', or ''The Adventures of Mercury'') is a 1924 ballet with music by Erik Satie. The original décor and costumes were designed by Pablo Picasso and the choreography was by Léonide Massine, who also danced the title role. Subtitled "Plastic Poses in Three Tableaux", it was an important link between Picasso's Neoclassical and Surrealist phases and has been described as a "painter's ballet." ''Mercure'' was commissioned by the Soirées de Paris stage company and first performed at the Théâtre de la Cigale in Paris on June 15, 1924. The conductor was Roger Désormière. Background The Soirées de Paris was a short-lived attempt by Count Étienne de Beaumont (1883–1956) – socialite, balletomane, and patron of the arts – to rival Serge Diaghilev's Ballets Russes as an arbiter of Modernism in French theatre.John Richardson, ''A Life of Picasso: The Triumphant Years, 1917-1932'', Alfred A. Knopf, 2010, pp. 256-262.Ornella Volta, "Satie Seen Through His Let ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Socrate
''Socrate'' is a work for voice and piano (or small orchestra) by Erik Satie. First published in 1919 for voice and piano, in 1920 a different publisher reissued the piece "revised and corrected". Wolfgang Rathert and Andreas Traub, "Zu einer bislang unbekannten Ausgabe des 'Socrate' von Erik Satie", in ''Die Musikforschung'', Jg. 38 (1985), booklet 2, . A third version of the work exists, for small orchestra and voice, for which the manuscript has disappeared and which is available now only in print. The text is composed of excerpts of Victor Cousin's translation of Plato's dialogues, all of the chosen texts referring to Socrates. Commission – composition The work was commissioned by Princess Edmond de Polignac in October 1916. The Princess had specified that female voices should be used: originally the idea had been that Satie would write incidental music to a performance where the Princess and/or some of her (female) friends would read aloud texts of the ancient Greek phi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonatine Bureaucratique
The ''Sonatine bureaucratique'' (''Bureaucratic sonatina'') is a 1917 piano composition by Erik Satie. The final entry in his humoristic piano music of the 1910s, it is Satie's only full-scale parody of a single musical work: thSonatina Op. 36 N° 1(1797) by Muzio Clementi. In performance it lasts around 4 minutes. Satie's modern, irreverent reinterpretations of 18th Century music in this little pastiche have been hailed as a notable forerunner of Neoclassicism, a trend that would dominate Western concert hall music in the years between the World Wars. Music and texts Satie's sonatina, even shorter than Clementi's example, was composed in July 1917 and published the same year. The composition is in three tiny movements, of which the last one exposes some pseudo-development: the motifs of the first half of that movement are rearranged in another sequence by way of "development section", or rather as the ''imitation'' of development. From a formal point of view the sonatina is S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Croquis Et Agaceries D'un Gros Bonhomme En Bois
''Croquis et agaceries d'un gros bonhomme en bois'', translated as ''Sketches and Exasperations of a Big Wooden Dummy'', is a 1913 piano composition by Erik Satie. One of his pre-World War I humoristic suites, it was published by E. Demets that same year. Ricardo Viñes gave the premiere during a concert of the Société Nationale de Musique at the Salle Pleyel in Paris on March 28, 1914. A typical performance lasts about five minutes. Description In the April 5, 1913 issue of the periodical ''Le Guide du concert'', Satie advertised his plans to produce a series of pianistic works in which he would "devote myself to the sweet joys of fantasy", naming ''Descriptions automatiques'', '' Embryons desséchés'', '' Chapitres tournés en tous sens'' and '' Vieux sequins et vieilles cuirasses'' as upcoming projects. He stuck to this scheme, with one detour. The first part of the unannounced ''Croquis et agaceries d'un gros bonhomme en bois'' was completed on June 2 and the rest inter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veritables Preludes Flasques (pour Un Chien)
The ''Véritables Préludes flasques (pour un chien)'' (''True Flabby Preludes for a Dog'') is a 1912 piano composition by Erik Satie. The first of his published humoristic piano suites of the 1910s, it signified a breakthrough in his creative development and in the public perception of his music. In performance it lasts about 5 minutes. Satie biographer Rollo H. Myers, writing in 1948, remarked on the prophetic nature of this seemingly unassuming keyboard suite: "In the heyday of Impressionism...came the ''Flabby Preludes'' which in their linear austerity heralded the Neoclassic vogue which was to dominate Western music during the nineteen-twenties." Background The ''Véritables Préludes flasques (pour un chien)'' represents Satie's determination to reconcile his belated education at the Schola Cantorum in Paris under Vincent d'Indy (1905-1912) with his own natural sense of wit and fantasy. It was in fact his second attempt at creating a composition on a canine theme, an ide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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