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Relâche (ballet)
''Relâche'' is a 1924 ballet by Francis Picabia with music composed by Erik Satie. The title was thought to be a Dadaist practical joke, as ''relâche'' is the French word used on posters to indicate that a show is canceled, or the theater is closed. The first performance was indeed canceled, due to the illness of Jean Börlin, the principal dancer, choreographer, and artistic director of the Ballets Suédois. Picabia commissioned filmmaker René Clair to create a cinematic entr'acte to be shown during the ballet's intermission. The film, simply titled ''Entr'acte (or ', ;Since 1932–35 the French Academy recommends this spelling, with no apostrophe, so historical, ceremonial and traditional uses (such as the 1924 René Clair film title) are still spelled ''Entr'acte''. German: ' and ', Italian: ''inte ...'', consists of a scene shown before the ballet and a longer piece between the acts. The nonsensical film features Picabia, Satie, and other well-known artists as actors.< ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Picabia
Francis Picabia (: born Francis-Marie Martinez de Picabia; 22January 1879 – 30November 1953) was a French avant-garde painter, poet and typographist. After experimenting with Impressionism and Pointillism, Picabia became associated with Cubism. His highly Abstract art, abstract planar compositions were colourful and rich in contrasts. He was one of the early major figures of the Dada movement in the United States and in France. He was later briefly associated with Surrealism, but would soon turn his back on the art establishment. Biography Early life Francis Picabia was born in Paris of a French mother and a Cuban father of Spanish descent. Some sources would have his father as of aristocratic Spanish descent, whereas others consider him of non-aristocratic Spanish descent, from the region of Galicia (Spain), Galicia. His birth year of 1879 coincided with the Spanish-Cuban Little War (Cuba), Little War; and though Picabia was born in Paris, his father was involved in Cuba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erik Satie
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and '' Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the creation of the ballet '' Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dada
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in ZĂĽrich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up technique, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with Radical politics, radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Börlin
Jean Börlin was a Swedish dancer and choreographer, who was born in Härnösand on March 13, 1893 and who died in New York on December 6, 1930. He worked with Michel Fokine, who was his teacher in Stockholm. Biography Jean Börlin was held in high esteem by Michel Fokine, who will later say of the Swedish dancer, "He is the one who looks the most like me! A natural! An ecstasy! The fanatic sacrifice of a bruised body to give the maximum of choreographic expression". Trained at the Royal Swedish Ballet, he joined the troupe in 1905 and was named first dancer by Fokine in 1913. He joined his master in Copenhagen in 1918, then traveled to Europe and discovered modern dance. Recommended by Fokine, he was recruited for the newly formed Ballets suédois by Rolf de Maré. This marked his first steps as a choreographer; the vast majority of Ballets suédois choreographies bear his name. He danced for the company at a time when it was in constant competition with Sergei Diaghilev's Ballets ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets Suédois
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Clair
René Clair (11 November 1898 – 15 March 1981), born René-Lucien Chomette, was a French filmmaker and writer. He first established his reputation in the 1920s as a director of silent films in which comedy was often mingled with fantasy. He went on to make some of the most innovative early sound films in France, before going abroad to work in the UK and USA for more than a decade. Returning to France after World War II, he continued to make films that were characterised by their elegance and wit, often presenting a nostalgic view of French life in earlier years. He was elected to the Académie française in 1960. Clair's best known films include '' Un chapeau de paille d'Italie'' (''The Italian Straw Hat'', 1928), '' Sous les toits de Paris'' (''Under the Roofs of Paris'', 1930), ''Le Million'' (1931), ''À nous la liberté'' (1931), ''I Married a Witch'' (1942), and ''And Then There Were None'' (1945). Early life René Clair was born and grew up in Paris in the district of Les ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entr'acte
(or ', ;Since 1932–35 the French Academy recommends this spelling, with no apostrophe, so historical, ceremonial and traditional uses (such as the 1924 René Clair film title) are still spelled ''Entr'acte''. German: ' and ', Italian: ''intermezzo'', Spanish: ') means "between the acts". It can mean a pause between two parts of a stage production, synonymous to an intermission (this is nowadays the more common meaning in French), but it more often (in English) indicates a piece of music performed between acts of a theatrical production. In the case of stage musicals, the ''entr'acte'' serves as the overture of act 2 (and sometimes acts 3 and 4, as in ''Carmen''). In films that were meant to be shown with an intermission, there was frequently a specially recorded ''entr'acte'' on the soundtrack between the first and second half of the film, although this practice eventually died out. Origin Originally ''entr'actes'' resulted from stage curtains being closed for set or costume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entr'acte (film)
''Entr'acte'' is a silent French Dada short film directed by René Clair. It premiered on 4 December 1924 at the Théâtre des Champs-Élysées in Paris as a prologue and entr'acte for the Ballets Suédois production of '' Relâche'', based on a book by Francis Picabia, which had settings by Picabia, was produced by Rolf de Maré, and was choreographed by Jean Börlin. The music for both the ballet and the film was composed by Erik Satie. Summary Prologue On a rooftop, a cannon, via stop motion photography, rolls itself back and forth. In slow motion, two men (Francis Picabia and Eric Satie), jump into the frame and jump up and down. They discuss the cannon and, after smelling a projectile, load it before jumping up and down and jumping out of frame in reverse. The projectile slowly comes out of the cannon toward the camera lens. Entr'acte Images are intercut of Parisian rooftops filmed with the camera tilted at various angles, three dolls with balloons-heads that are inflate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1924 Compositions
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Erik Satie
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Conservatoire de Paris, Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and ''Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum de Paris, Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
