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Quodlibet (Old Viennese Folk Theatre)
A quodlibet (; Latin for "whatever you wish" from ''quod'', "what" and '' libet'', "pleases") is a musical composition that combines several different melodies—usually popular tunes—in counterpoint, and often in a light-hearted, humorous manner. There are three main types of quodlibet: * A ''catalogue quodlibet'' consists of a free setting of catalogue poetry (usually humorous lists of loosely related items). * In a ''successive quodlibet'', one voice has short musical quotations and textual quotations while the other voices provide homophonic accompaniment. * In a ''simultaneous quodlibet'', two or more pre-existing melodies are combined. The simultaneous quodlibet may be considered a historical antecedent to the modern-day musical mashup. History Renaissance The quodlibet originated in 15th-century Europe, during a time when the practice of combining folk tunes was popular. Composer first used the term in a specifically musical context in 1544. Francisco de Peñalosa' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Praetorius
Michael Praetorius (probably 28 September 1571 – 15 February 1621) was a German composer, organist, and music theorist. He was one of the most versatile composers of his age, being particularly significant in the development of musical forms based on Protestant hymns. Life Praetorius was born Michael Schultze, the youngest son of a Lutheran pastor, in Creuzburg, in present-day Thuringia. After attending school in Torgau and Zerbst, he studied divinity and philosophy at the University of Frankfurt (Oder). He was fluent in a number of languages. After receiving his musical education, from 1587 he served as organist at the Marienkirche in Frankfurt. From 1592/3 he served at the court in Wolfenbüttel, under the employ of Henry Julius, Duke of Brunswick-Lüneburg. He served in the duke's State Orchestra, first as organist and later (from 1604) as ''Kapellmeister'' (court music director). [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quodlibet, BWV 524
The Quodlibet or ''Wedding Quodlibet'', BWV 524, is a lighthearted composition by Johann Sebastian Bach which today exists only in fragmentary form. The line "In diesem Jahre haben wir zwei Sonnenfinsternissen" (In this year we have eentwo solar eclipses) places the composition of the piece in or shortly after 1707, when central Germany was witness to two such celestial events. The extant source—a fair-copy autograph manuscript on three large, folded sheets—was not discovered until 1932. The work itself is a loosely structured quodlibet for SATB and continuo. Bach likely did not write the text, which some attribute to the Leipzig poet Johann Christoph Gottsched. Though the cover sheet has been lost, the libretto of the remaining portion indicates that the quodlibet was to be performed at a wedding, possibly that of the composer himself to Maria Barbara Bach. References *Bratz, Thomas.BWV 524 Quodlibet (Fragment) 'Was seind das vor grosse Schlösser'. Retrieved 19 August 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goldberg Variations
The ''Goldberg Variations'', BWV 988, is a musical composition for keyboard by Johann Sebastian Bach, consisting of an aria and a set of 30 variations. First published in 1741, it is named after Johann Gottlieb Goldberg, who may also have been the first performer of the work. Composition The story of how the variations came to be composed comes from an early biography of Bach by Johann Nikolaus Forkel: Forkel wrote his biography in 1802, more than 60 years after the events related, and its accuracy has been questioned. The lack of dedication on the title page also makes the tale of the commission unlikely. Goldberg's age at the time of publication (14 years) has also been cited as grounds for doubting Forkel's tale, although it must be said that he was known to be an accomplished keyboardist and sight-reader. contends that the Forkel story is entirely spurious. Arnold Schering has suggested that the aria on which the variations are based was not written by Bach. Mor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plainsong
Plainsong or plainchant (calque from the French ''plain-chant''; la, cantus planus) is a body of chants used in the liturgy, liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of Christian church music until the ninth century, and the introduction of polyphony. The Monophony, monophonic chants of plainsong have a non-metric rhythm. Their rhythms are generally freer than the metered rhythm of later Western music, and they are sung A cappella, without musical accompaniment. There are three types of chant melodies that plainsongs fall into, Syllabic verse, syllabic, Neume, neumatic, and melismatic. The free flowing melismatic melody form of plainsong is still heard in Middle Eastern music being performed today. Although the Catholic Church (both its Eastern and Western halves) and the Eastern Orthodoxy, Eastern Orthodox churches did not East–West Schism, split until lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Obrecht
Jacob Obrecht (also Hobrecht; 1457/8 – late July 1505) was a Flemish composer of masses, motets and songs. He was the most famous composer of mass (music), masses">Rob C. Wegman. "Obrecht, Jacob." In Grove Music Online. Oxford Music Online, (accessed 24 September 2020). – late July 1505) was a Flemish composer of masses, motets and songs. He was the most famous composer of mass (music), masses in Europe of the late 15th century and was only eclipsed after his death by Josquin des Prez. Life What little is known of Obrecht's origins and early childhood comes mostly from his motet ''Mille quingentis''. He was the only son of Ghent city trumpeter Willem Obrecht and Lij ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass ( la, missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental ''obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Oxford Companion To Music
''The Oxford Companion to Music'' is a music reference book in the series of Oxford Companions produced by the Oxford University Press. It was originally conceived and written by Percy Scholes and published in 1938. Since then, it has undergone two distinct rewritings: one by Denis Arnold, in 1983, and the latest edition by Alison Latham in 2002. It is "arguably the most successful book on music ever produced" (Wright, p. 99). Single-volume edition by Percy Scholes The first edition, a single-volume work, was produced in 1938, edited by Percy Scholes, and was written almost entirely by him alone. The second edition, published 1939 includes a 64-page categorised ''List of books about music in the English language'' by Scholes. Wherever possible, Scholes tried to use primary source material, rather than summarizing other people's work. His preface to the First Edition describes how he played and read through thousands of sheets of music, as well as reading thousands of co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Termini Musici
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Termini can refer to: * Termini Station (Rome), a main line railway station in Rome * Termini (Rome Metro), an underground railway station in Rome * Termini Imerese, a town in Sicily * Termini, a ''frazione'' of Massa Lubrense, Campania, Italy See also *Terminus (other), the singular of ''termini'' (although these Termini above in Italian come from Latin plural of ''thermae'', "sauna") *Terminal (other) Terminal may refer to: Computing Hardware * Terminal (electronics), a device for joining electrical circuits together * Terminal (telecommunication), a device communicating over a line * Computer terminal, a set of primary input and output devic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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