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Jacob Obrecht
Jacob Obrecht (also Hobrecht; 1457/8 – late July 1505) was a Flemish composer of masses, motets and songs. He was the most famous composer of mass (music), masses">Rob C. Wegman. "Obrecht, Jacob." In Grove Music Online. Oxford Music Online, (accessed 24 September 2020). – late July 1505) was a Flemish composer of masses, motets and songs. He was the most famous composer of mass (music), masses
in Europe of the late 15th century and was only eclipsed after his death by Josquin des Prez.


Life

What little is known of Obrecht's origins and early childhood comes mostly from his motet ''Mille quingentis''. He was the only son of Ghent city trumpeter Willem Obrecht and Lij ...
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Obrecht
Obrecht is a patronymic surname. Obrecht was a Germanic given name derived from Od-brecht, meaning "famed for his heritageNotable people with the surname include: *Jacob Obrecht (c. 1457/58 – 1505), Flemish Renaissance composer *Hermann Obrecht (1882–1940), Swiss politician *André Obrecht (1899–1985), French executioner See also

*Obrecht Pyramid {{surname, Obrecht Patronymic surnames ...
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Ercole D'Este I
Ercole I d'Este KG (English: ''Hercules I''; 26 October 1431 – 25 January 1505) was Duke of Ferrara from 1471 until 1505. He was a member of the House of Este. He was nicknamed ''North Wind'' and ''The Diamond''. Biography Ercole was born in 1431 in Ferrara to Nicolò III and Ricciarda da Saluzzo. His maternal grandparents were Thomas III of Saluzzo and Marguerite of Roussy. He was educated at the Neapolitan court of Alfonso, king of Aragon and Naples, from 1445 to 1460; there he studied military arts, chivalry, and acquired an appreciation for ''all'antica'' architecture and the fine arts, which would result in his becoming one of the most significant art patrons of the Renaissance. In 1471, with the support of the Republic of Venice, he became Duke on the death of his half-brother Borso, profiting from the absence of the latter's son, Niccolò, who was in Mantua. During an absence of Ercole from Ferrara, Niccolò attempted a coup, which was however crushed; Niccolò ...
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Piffaro, The Renaissance Band (band)
Piffaro, The Renaissance Band, originally called "The Philadelphia Renaissance Wind Band", is a Philadelphia-based early music ensemble. History The group was founded in 1980, and performs music of the late Medieval and Renaissance periods. Piffaro's instrumentarium includes shawms, dulcians, sackbuts, recorders, krumhorns, bagpipes, lutes, guitars, and a variety of percussion. Piffaro generally performs a concert series of four to five concerts a year in Philadelphia, in addition to touring throughout the United States, Canada, Europe and elsewhere. They regularly perform onstage with the Washington Christmas Revels. The ensemble also has extensive recordings with Deutsche Grammophon, Dorian Recordings, Newport Classic, Navona Records, and under their own label. The group's founding Artistic Directors were Joan Kimball and Robert Wiemken. Priscilla Herreid became Artistic Director beginning with the 2022-2023 concert season. Regular members are Priscilla Herreid, Grant Herreid, ...
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Capilla Flamenca
Capilla Flamenca is a vocal and instrumental early music consort based in Leuven, Belgium. The group specialises in 14th to 16th century music from Flanders and takes its name from the historical Flemish chapel (capilla flamenca), the choir of the court chapel of Emperor Charles V. When the emperor left Flanders in 1517, he took his best musicians with him to Spain to accompany him as "living polyphony". The ensemble's Artistic Director, Dirk Snellings, died in 2014. The ensemble had ceased performing in November of the previous year.''Gramophone Magazine'' (21 July)"Capilla Flamenca's Dirk Snellings has died" Retrieved 22 July 2015. Members The core of the Capilla Flamenca is four male singers, Marnix De Cat (Countertenor), Tore Tom Denys (Tenor, who succeeded Jan Caals in 2006), Lieven Termont (Baritone) and Dirk Snellings (1959-2014),( Bass), who is also the group's artistic director, and a musicologist. For each performance, the vocal core is enlarged either with complementary ...
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Tyrol (state)
Tyrol (; german: Tirol ; it, Tirolo) is a States of Austria, state (''Land'') in western Austria. It comprises the Austrian part of the historical County of Tyrol, Princely County of Tyrol. It is a constituent part of the present-day Euroregion Tyrol–South Tyrol–Trentino (together with South Tyrol and Trentino in Italy). The capital of Tyrol is Innsbruck. Geography The state of Tyrol is separated into two parts, divided by a strip. The larger territory is called North Tyrol (''Nordtirol'') and the smaller area is called East Tyrol (''Osttirol''). The neighbouring Austrian state of Salzburg (state), Salzburg stands to the east, while on the south Tyrol has a border with the Italy, Italian province of South Tyrol (Trentino-Alto Adige/Südtirol) which was part of the Austro-Hungarian Empire before the First World War. With a land area of , Tyrol is the third-largest state in Austria. Tyrol shares its borders with the federal state of Salzburg in the east and Vorarlberg in th ...
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Missa Maria Zart
Missa may refer to: * Mass (liturgy) * Mass (music), a choral composition that sets liturgical text to music ** Missa brevis ** Missa solemnis (explains the term and lists several works) * Miss A, a Korean girl group * ''Missa pro defunctis'' and ''Missa defunctorum'', alternative names for the Requiem mass * For the etymological root of missa see Ite missa est * ''Missa'', a 1997 EP by Dir En Grey See also *Mass (other) *Missal (other) *Ordo missae Order of Mass Order of Mass is an outline of a Mass celebration, describing how and in what order liturgical texts and rituals are employed to constitute a Mass. The expression Order of Mass is particularly tied to the Roman Rite where the sections under that ...
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Missa Sub Tuum Presidium
Missa may refer to: * Mass (liturgy) * Mass (music), a choral composition that sets liturgical text to music ** Missa brevis ** Missa solemnis (explains the term and lists several works) * Miss A, a Korean girl group * ''Missa pro defunctis'' and ''Missa defunctorum'', alternative names for the Requiem mass * For the etymological root of missa see Ite missa est * ''Missa'', a 1997 EP by Dir En Grey See also *Mass (other) *Missal (other) *Ordo missae Order of Mass Order of Mass is an outline of a Mass celebration, describing how and in what order liturgical texts and rituals are employed to constitute a Mass. The expression Order of Mass is particularly tied to the Roman Rite where the sections under that ...
{{disambig ...
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Rondeau (forme Fixe)
A ''rondeau'' (; plural: ''rondeaux'') is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of the three ''formes fixes'', and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. It is structured around a fixed pattern of repetition of material involving a refrain. The rondeau is believed to have originated in dance songs involving alternating singing of the refrain elements by a group and of the other lines by a soloist. The term "Rondeau" is today used both in a wider sense, covering several older variants of the form – which are sometimes distinguished as the triolet and rondel – and in a narrower sense referring to a 15-line variant which developed from these forms in the 15th and 16th centuries. The rondeau is unrelated with the much later instrumental dance form that shares the same name in French baroqu ...
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Formes Fixes
The ''formes fixes'' (; singular: ''forme fixe'', "fixed form") are the three 14th- and 15th-century French poetic forms: the ''ballade'', '' rondeau'', and ''virelai''. Each was also a musical form, generally a ''chanson'', and all consisted of a complex pattern of repetition of verses and a refrain with musical content in two main sections. All three forms can be found in 13th-century sources, but a 15th-century source gives Philippe de Vitry as their first composer while the first comprehensive repertory of these forms was written by Guillaume de Machaut.Fallows The ''formes fixes'' stopped being used in music around the end of the 15th century, although their influence continued (in poetry they, especially the rondeau, continued to be used). Sometimes forms from other countries and periods are referred to as ''formes fixes''. These include the Italian 14th-century madrigal and later ballata and barzelletta, the German bar form, Spanish 13th-century cantiga, and the later ca ...
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Permutation (music)
In music, a permutation (order) of a set is any ordering of the elements of that set. A specific arrangement of a set of discrete entities, or parameters, such as pitch, dynamics, or timbre. Different permutations may be related by transformation, through the application of zero or more ''operations'', such as transposition, inversion, retrogradation, circular permutation (also called ''rotation''), or multiplicative operations (such as the cycle of fourths and cycle of fifths transforms). These may produce reorderings of the members of the set, or may simply map the set onto itself. Order is particularly important in the theories of composition techniques originating in the 20th century such as the twelve-tone technique and serialism. Analytical techniques such as set theory take care to distinguish between ordered and unordered collections. In traditional theory concepts like voicing and form include ordering; for example, many musical forms, such as rondo, are defined by t ...
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Johannes Ockeghem
Johannes Ockeghem ( – 6 February 1497) was a Franco-Flemish composer and singer of early Renaissance music. Ockeghem was the most influential European composer in the period between Guillaume Du Fay and Josquin des Prez, and he was—with his colleague Antoine Busnois—the leading European composer in the second half of the 15th century. He was an important proponent of the early Franco-Flemish School. Ockeghem was well associated with other leading composers of the time, and spent most of his career serving the French royal court under Charles VII, Louis XI and Charles VIII. Numerous poets and musicians lamented his death, including Erasmus, Guillaume Crétin, Jean Molinet and Josquin, who composed the well known ''Nymphes des bois'' for him. It is thought that Ockeghem's extant works represent only a small part of his entire ''oeuvre'', including around 14 masses, 20 chansons and less than 10 motets—though the exact numbers vary due to attribution uncertainties. His be ...
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