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Psalm 150
Psalm 150 is the 150th and final psalm of the Book of Psalms, beginning in English in the King James Version: "Praise ye the . Praise God in his sanctuary". In Latin, it is known as "Laudate Dominum in sanctis eius". In Psalm 150, the psalmist urges the congregation to praise God with music and dancing, naming nine types of musical instruments. In most versions of the Bible, the Book of Psalms has 150 psalms and Psalm 150 is the final one. However, that is not the case in the Eastern Orthodox and Syriac Orthodox canons, which have 151 and 155 psalms respectively. The Jerusalem Bible describes Psalm 150 as a "final chorus of praise". It is a hymn psalm, forming a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. As one of the Laudate psalms, it was part of the Lauds, a Catholic morning service. It has been paraphrased in hymns and has often been set to music. Composers have written settings throughout the centuries, in various languages, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalms
The Book of Psalms ( or ; he, תְּהִלִּים, , lit. "praises"), also known as the Psalms, or the Psalter, is the first book of the ("Writings"), the third section of the Tanakh, and a book of the Old Testament. The title is derived from the Greek translation, (), meaning "instrumental music" and, by extension, "the words accompanying the music". The book is an anthology of individual Hebrew religious hymns, with 150 in the Jewish and Western Christian tradition and more in the Eastern Christian churches. Many are linked to the name of David, but modern mainstream scholarship rejects his authorship, instead attributing the composition of the psalms to various authors writing between the 9th and 5th centuries BC. In the Quran, the Arabic word ‘Zabur’ is used for the Psalms of David in the Hebrew Bible. Structure Benedictions The Book of Psalms is divided into five sections, each closing with a doxology (i.e., a benediction). These divisions were probably intro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benediction
A benediction (Latin: ''bene'', well + ''dicere'', to speak) is a short invocation for divine help, blessing and guidance, usually at the end of worship service. It can also refer to a specific Christian religious service including the exposition of the eucharistic host in the monstrance and the blessing of the people with it. Christianity From the earliest church, Christians adopted ceremonial benedictions into their liturgical worship, particularly at the end of a service. Such benedictions have been regularly practiced both in the Christian East and West. Among the benedictions of the Roman Catholic Church, include thApostolic Benedictionmade by the Pope and his delegates, and th"last blessing"of the dying. The Anglican Church retained the principle of benediction after the Protestant Reformation, and as a result, the benediction or blessing ends most Anglican, as well as Methodist, services of worship. A common form of benediction in Baptist and liturgical Protestant chu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doxology
A doxology (Ancient Greek: ''doxologia'', from , ''doxa'' 'glory' and -, -''logia'' 'saying') is a short hymn of praises to God in various forms of Christian worship, often added to the end of canticles, psalms, and hymns. The tradition derives from a similar practice in the Jewish synagogue, where some version of the Kaddish serves to terminate each section of the service. Trinitarian doxology Among Christian traditions a doxology is typically an expression of praise sung to the Holy Trinity: the Father, the Son, and the Holy Spirit. It is common in high hymns for the final stanza to take the form of a doxology. Doxologies occur in the Eucharistic prayers, the Liturgy of the Hours, hymns, and various Catholic devotions such as novenas and the Rosary. ''Gloria in excelsis Deo'' The Gloria in excelsis Deo, also called the Greater Doxology, is a hymn beginning with the words that the angels sang when the birth of Christ was announced to shepherds in . Other verses were added v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hallelujah
''Hallelujah'' ( ; he, ''haləlū-Yāh'', meaning "praise Yah") is an interjection used as an expression of gratitude to God. The term is used 24 times in the Hebrew Bible (in the book of Psalms), twice in deuterocanonical books, and four times in the Christian Book of Revelation. The phrase is used in Judaism as part of the Hallel prayers, and in Christian prayer, where since the earliest times it is used in various ways in liturgies, especially those of the Catholic Church, the Lutheran Churches and the Eastern Orthodox Church, the three of which use the Latin form "alleluia" which is based on the alternative Greek transliteration. Etymology Hallelujah is a transliteration of he, הַלְלוּ יָהּ (), which means "praise ye Jah!" (from , "praise ye!" Page H. Kelley, ''Biblical Hebrew, an Introductory Grammar'', page 169. Ethics & Public Policy Center, 1959. . and , "Jah".) [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 149
Psalm 149 is the 149th psalm of the Book of Psalms, a hymn as the book's penultimate piece. The first verse of the psalm calls to praise in singing, in English in the King James Version: "Sing a new song unto the Lord". Similar to Psalm 96 and Psalm 98 (Cantate Domino), Psalm 149 calls to praise God in music and dance, because he has chosen his people and helped them to victory. Psalm 149 is also marked by its martial tone:Rodd, C. S., ''18. Psalms'' in Barton, J. and Muddiman, J. (2001)The Oxford Bible Commentary p. 404 it calls on the people to be ready to fight. The psalm forms a regular part of Jewish, Catholic, Lutheran and Anglican liturgies. It has often been set to music, notably by Antonín Dvořák who set the complete psalm for chorus and orchestra, while Bach chose only the first three verses for his motet ''Singet dem Herrn ein neues Lied'', BWV 225. It was paraphrased in hymns. Background and themes Psalm 149 shares its first line with Psalm 98, known as Cant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 148
Psalm 148 is the 148th psalm of the Book of Psalms, beginning in English in the King James Version: "Praise ye the Lord from the heavens". In Latin, it is known as "Laudate Dominum de caelis". The psalm is one of the Laudate psalms. Old Testament scholars have also classified it as a creation psalm and a wisdom psalm. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. It has often been set to music, including a four-part metered setting in German by Heinrich Schütz as part of the Becker Psalter, and Psalm 148, a setting for voice and piano of an English metered adaptation written and composed by Leonard Bernstein in 1935, his earliest surviving work. Background and themes In the Septuagint, Psalms 145 to 148 are given the title "of Haggai and Zechariah". This psalm takes in all of God's creations, from the heights of the heavens, including the angels, the stars, and the sun and moon, down to the earth, the birds and insects, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 147
Psalm 147 is the 147th psalm of the Book of Psalms, beginning in English in the King James Version, "Praise ye the : for it is good to sing praises". In the slightly different numbering system used in the Greek Septuagint version of the Bible, and in the Latin Vulgate/Vulgata Clementina, this psalm is divided into Psalm 146 and Psalm 147. In Latin, Psalm 146 is known as "Laudate Dominum quoniam bonum psalmus", and Psalm 147 as "Lauda Jerusalem Dominum". Both are considered psalms of praise and feature among the five final praise psalms in the psalter. They are used as regular parts of Jewish, Catholic, Anglican, Lutheran, and other Protestant liturgies and have often been set to music. Alternate numbering system The Greek Septuagint and Latin Vulgate versions of the Bible follow the numbering system for the psalms used by the Hebrew Bible and King James Version through Psalm 8, but combine and divide several psalms after that. Psalm 147 is the last to be divided into two parts, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 146
Psalm 146 is the 146th psalm of the Book of Psalms, beginning in English in the King James Version, "Praise ye the LORD. Praise the LORD, O my soul". In Latin, it is known as "Lauda anima mea Dominum". In the slightly different numbering system used in the Greek Septuagint version of the Bible, and in the Latin Vulgate/Vulgata Clementina, this psalm is Psalm 145. Psalm 146 is used as a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. It has often been set to music, paraphrased in hymns such as Paul Gerhardt's German "" (You my soul sing), and used in cantatas such as Bach's early (Praise the Lord, my soul). Text Hebrew Bible version The following is the Hebrew text of Psalm 146: King James Version # Praise ye the LORD. Praise the LORD, O my soul. # While I live will I praise the LORD: I will sing praises unto my God while I have any being. # Put not your trust in princes, nor in the son of man, in whom there is no help. # His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Jenkins
Sir Karl William Pamp Jenkins (born 17 February 1944) is a Welsh multi-instrumentalist and composer. His best known works include the song " Adiemus" and the ''Adiemus'' album series; '' Palladio''; ''The Armed Man''; and his ''Requiem''. Jenkins was educated in music at Cardiff University and the Royal Academy of Music: of the latter, he is a fellow and an Associate. He joined the jazz-rock band Soft Machine in 1972 and became the group's lead songwriter in 1974. Jenkins continued to work with Soft Machine up to 1984, but has not been involved with any incarnation of the group since. Jenkins has composed music for advertisement campaigns and has won the industry prize twice. Early life and education Karl Jenkins was born and raised in Penclawdd, Gower, Wales. His mother was Swedish, and his father was Welsh. Jenkins received his initial musical instruction from his father, who was the local schoolteacher, chapel organist and choirmaster. He attended Gowerton Grammar S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gloria (Jenkins)
Gloria is a sacred choral composition by Karl Jenkins, completed in 2010. It is an extended setting of the Gloria part of the mass in Latin, on the text of the Gloria in three movements, interpolated with two movements on other texts, Psalm 150 in Hebrew and a song derived from biblical verses in English. Spoken passages from sacred text from four religious traditions are part of the composition. It was published by Boosey & Hawkes in 2010. Gloria is often performed together with the composer's Te Deum. History Jenkins composed the work in 2010 on a commission by Don Monro who founded the ''Concerts from Scratch'' and The Really Big Chorus. The piece is scored for a solo voice, a mixed choir and a large symphony orchestra with extensive percussion. The text is the Gloria of the mass, extended by other sung and spoken texts. The premiere on 11 July 2010 was performed at the Royal Albert Hall by The Really Big Chorus and the London Festival Orchestra, conducted by Brian Kay. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony Of Psalms
The ''Symphony of Psalms'' is a choral symphony in three movements composed by Igor Stravinsky in 1930 during his neoclassical period. The work was commissioned by Serge Koussevitzky to celebrate the 50th anniversary of the Boston Symphony Orchestra. The symphony derives its name from the use of Psalm texts in the choral parts. History According to Stravinsky, the commission for the work came about from "a routine suggestion" from Koussevitzky, who was also Stravinsky's publisher, that he write something "popular" for orchestra without chorus. Stravinsky, however, insisted on the psalm-symphony idea, which he had had in mind for some time. The choice of Psalm 150, however, was in part because of the popularity of that text. The symphony was written in Nice, and Echarvines near Talloires, which was Stravinsky's summer home in those years. The three movements are performed without break, and the texts sung by the chorus are drawn from the Vulgate versions in Latin. Unlike many p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
