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Gloria (Jenkins)
Gloria is a sacred choral composition by Karl Jenkins, completed in 2010. It is an extended setting of the Gloria part of the mass in Latin, on the text of the Gloria in three movements, interpolated with two movements on other texts, Psalm 150 in Hebrew and a song derived from biblical verses in English. Spoken passages from sacred text from four religious traditions are part of the composition. It was published by Boosey & Hawkes in 2010. Gloria is often performed together with the composer's Te Deum. History Jenkins composed the work in 2010 on a commission by Don Monro who founded the ''Concerts from Scratch'' and The Really Big Chorus. The piece is scored for a solo voice, a mixed choir and a large symphony orchestra with extensive percussion. The text is the Gloria of the mass, extended by other sung and spoken texts. The premiere on 11 July 2010 was performed at the Royal Albert Hall by The Really Big Chorus and the London Festival Orchestra, conducted by Brian Kay. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Jenkins
Sir Karl William Pamp Jenkins (born 17 February 1944) is a Welsh multi-instrumentalist and composer. His best known works include the song " Adiemus" and the ''Adiemus'' album series; '' Palladio''; ''The Armed Man''; and his ''Requiem''. Jenkins was educated in music at Cardiff University and the Royal Academy of Music: of the latter, he is a fellow and an Associate. He joined the jazz-rock band Soft Machine in 1972 and became the group's lead songwriter in 1974. Jenkins continued to work with Soft Machine up to 1984, but has not been involved with any incarnation of the group since. Jenkins has composed music for advertisement campaigns and has won the industry prize twice. Early life and education Karl Jenkins was born and raised in Penclawdd, Gower, Wales. His mother was Swedish, and his father was Welsh. Jenkins received his initial musical instruction from his father, who was the local schoolteacher, chapel organist and choirmaster. He attended Gowerton Grammar S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hinduism
Hinduism () is an Indian religion or '' dharma'', a religious and universal order or way of life by which followers abide. As a religion, it is the world's third-largest, with over 1.2–1.35 billion followers, or 15–16% of the global population, known as Hindus. The word ''Hindu'' is an exonym, and while Hinduism has been called the oldest religion in the world, many practitioners refer to their religion as '' Sanātana Dharma'' ( sa, सनातन धर्म, lit='the Eternal Dharma'), a modern usage, which refers to the idea that its origins lie beyond human history, as revealed in the Hindu texts. Another endonym is ''Vaidika dharma'', the dharma related to the Vedas. Hinduism is a diverse system of thought marked by a range of philosophies and shared concepts, rituals, cosmological systems, pilgrimage sites, and shared textual sources that discuss theology, metaphysics, mythology, Vedic yajna, yoga, agamic rituals, and temple building, among other to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Symphony Orchestra
The London Symphony Orchestra (LSO) is a British symphony orchestra based in London. Founded in 1904, the LSO is the oldest of London's orchestras, symphony orchestras. The LSO was created by a group of players who left Henry Wood's Queen's Hall Orchestra because of a new rule requiring players to give the orchestra their exclusive services. The LSO itself later introduced a similar rule for its members. From the outset the LSO was organised on co-operative lines, with all players sharing the profits at the end of each season. This practice continued for the orchestra's first four decades. The LSO underwent periods of eclipse in the 1930s and 1950s when it was regarded as inferior in quality to new London orchestras, to which it lost players and bookings: the BBC Symphony Orchestra and the London Philharmonic Orchestra in the 1930s and the Philharmonia Orchestra, Philharmonia and Royal Philharmonic Orchestra, Royal Philharmonic after the Second World War. The profit-sharing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Youth Choir Of Great Britain
The National Youth Choirs of Great Britain (NYCGB) is the family of choirs for outstanding young singers, and those with outstanding potential, in the United Kingdom. It comprises a total of five choirs for around 750 young people between the ages of 9 and 25: * The National Youth Boys' Choir (incorporating Cambiata Voices). * The National Youth Girls' Choir * The National Youth Training Choir * The National Youth Choir * The National Youth Chamber Choir * NYCGB Fellowship * NYCGB Composers Background and performance history Founded in 1983 by Carl Browning, National Youth Choirs of Great Britain (NYCGB) is the UK’s most exciting, innovative and accessible organisation for young choral singers. NYCGB inspires and empowers young people through the life-changing experience of singing together, is home to some of the best young singers in the world and is a national champion for youth choral music. NYCGB’s five choirs: • National Youth Girls’ Choir of Great Britain • Natio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adiemus (song)
"Adiemus" is a world music song written by Welsh composer Karl Jenkins and performed by Miriam Stockley with Mary Carewe. It was recorded by the Adiemus project and officially released on the 1995 '' Adiemus: Songs of Sanctuary'' album. Recording "Adiemus" was written in 1994 by Karl Jenkins and premiered in a 1994 Delta Air Lines television advertisement. The song was also used in some Delta in-flight videos. Jenkins chose singer Miriam Stockley as a lead vocalist due to her wide range and Purley resident Mary Carewe for additional vocals. The London Philharmonic Orchestra also performed. The main idea was to create a modern song using classical forms, such as rondo and ternary. The lyrics themselves have no meaning. The vocals are simply used as another instrument to make music and not to convey any message. The song, written in D minor, is a mix of African-tribal and Celtic-style melodies. The song was also used as a soundtrack within the Italian TV programme Ciao Darwin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Major
D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has two sharps. Its relative minor is B minor and its parallel minor is D minor. The D major scale is: : Characteristics According to Paolo Pietropaolo, D major is Miss Congeniality: it is persistent, sunny, and energetic. D major is well-suited to violin music because of the structure of the instrument, which is tuned G D A E. The open strings resonate sympathetically with the D string, producing a sound that is especially brilliant. This is also the case with all other orchestral strings. Thus, it is no coincidence that many classical composers throughout the centuries have chosen to write violin concertos in D major, including those by Mozart ( No. 2, 1775, No. 4, 1775); Ludwig van Beethoven (1806); Paganini ( No. 1, 1817); Brahms (1878); Tchaikovsky (1878); Prokofiev ( No. 1, 1917); Stravinsky (1931); and Korngold ( 1945). The k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-flat Major
E-flat major (or the key of E-flat) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D minor). The E-flat major scale is: : Characteristics The key of E-flat major is often associated with bold, heroic music, in part because of Beethoven's usage. His ''Eroica Symphony'', ''Emperor Concerto'' and ''Grand Sonata'' are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. But even before Beethoven, Francesco Galeazzi identified E-flat major as "a heroic key, extremely majestic, grave and serious: in all these features it is superior to that of C." Three of Mozart's completed Horn Concertos and Joseph Haydn's Trumpet Concerto are in E-flat major, and so is Anton Bruckner's Fourth Symphony with its prominent horn theme in the first movement. Another notable heroic piece in the key of E-flat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Minor
C minor is a minor scale based on C, consisting of the pitches C, D, E, F, G, A, and B. Its key signature consists of three flats. Its relative major is E major and its parallel major is C major. The C natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C harmonic minor and melodic minor scales are: : : Notable compositions * Charles-Valentin Alkan ** Prelude Op. 31, No. 16 (Assez lentement) ** Symphony for Solo Piano, 1st movement: Allegro ** Trois grandes études, Op. 76, No. 3 "Mouvement semblable et perpetuel" (Rondo-Toccata) for the hands reunited * Johannes Sebastian Bach **Passacaglia and Fugue in C minor, BWV 582 **Lute Suite in C minor, BWV 997 ** Cello Suite No. 5, BWV 1011 **The Musical Offering, BWV 1079 ** Partita No. 2, BWV 826 *Ludwig van Beethoven (See Beethoven and C minor) ** Piano Sonata No. 5 ** Piano Sonata No. 8 (''Pathétique'') ** Piano Concer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incipit
The incipit () of a text is the first few words of the text, employed as an identifying label. In a musical composition, an incipit is an initial sequence of notes, having the same purpose. The word ''incipit'' comes from Latin and means "it begins". Its counterpart taken from the ending of the text is the explicit. Before the development of titles, texts were often referred to by their incipits, as with for example ''Agnus Dei''. During the medieval period in Europe, incipits were often written in a different script or colour from the rest of the work of which they were a part, and "incipit pages" might be heavily decorated with illumination. Though the word ''incipit'' is Latin, the practice of the incipit predates classical antiquity by several millennia and can be found in various parts of the world. Although not always called by the name of ''incipit'' today, the practice of referring to texts by their initial words remains commonplace. Historical examples Sumerian In th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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