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Prana
In yoga, Indian medicine and Indian martial arts, prana ( sa2, प्राण, ; the Sanskrit word for breath, " life force", or "vital principle") permeates reality on all levels including inanimate objects. In Hindu literature, prāṇa is sometimes described as originating from the Sun and connecting the elements. Five types of prāṇa, collectively known as the five ''vāyus'' ("winds"), are described in Hindu texts. Ayurveda, tantra and Tibetan medicine all describe ''prāṇa vāyu'' as the basic vāyu from which the other vāyus arise. Prana is divided into ten main functions: The five Pranas – Prana, Apana, Udana, Vyana and Samana – and the five Upa-Pranas – Naga, Kurma, Devadatta, Krikala and Dhananjaya. Pranayama, one of the eight limbs of yoga, is intended to expand prana. Etymology V. S. Apte provides fourteen different meanings for the Sanskrit word ' () including breath or respiration; the breath of life, vital air, principle of life (usually plura ...
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Pranayama
Pranayama is the yogic practice of focusing on breath. In Sanskrit, '' prana'' means "vital life force", and ''yama'' means to gain control. In yoga, breath is associated with ''prana'', thus, pranayama is a means to elevate the '' prana'' ''shakti'', or life energies. Pranayama is described in Hindu texts such as the ''Bhagavad Gita'' and the ''Yoga Sutras of Patanjali''. Later in Hatha yoga texts, it meant the complete suspension of breathing. Etymology ''Prāṇāyāma'' (Devanagari: ') is a Sanskrit compound. It is defined variously by different authors. Macdonell gives the etymology as prana ('), breath, + ''āyāma'' and defines it as the suspension of breath. Monier-Williams defines the compound ' as "of the three 'breath-exercises' performed during (''See'' ', ', '". This technical definition refers to a particular system of breath control with three processes as explained by Bhattacharyya: ' (to take the breath inside), ' (to retain it), and ' (to discharge i ...
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Pranayama
Pranayama is the yogic practice of focusing on breath. In Sanskrit, '' prana'' means "vital life force", and ''yama'' means to gain control. In yoga, breath is associated with ''prana'', thus, pranayama is a means to elevate the '' prana'' ''shakti'', or life energies. Pranayama is described in Hindu texts such as the ''Bhagavad Gita'' and the ''Yoga Sutras of Patanjali''. Later in Hatha yoga texts, it meant the complete suspension of breathing. Etymology ''Prāṇāyāma'' (Devanagari: ') is a Sanskrit compound. It is defined variously by different authors. Macdonell gives the etymology as prana ('), breath, + ''āyāma'' and defines it as the suspension of breath. Monier-Williams defines the compound ' as "of the three 'breath-exercises' performed during (''See'' ', ', '". This technical definition refers to a particular system of breath control with three processes as explained by Bhattacharyya: ' (to take the breath inside), ' (to retain it), and ' (to discharge i ...
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Haṭha Yoga
Haṭha yoga is a branch of yoga which uses physical techniques to try to preserve and channel the vital force or energy. The Sanskrit word हठ ''haṭha'' literally means "force", alluding to a system of physical techniques. Some haṭha yoga style techniques can be traced back at least to the 1st-century CE, in texts such as the Hindu Sanskrit epics and Buddhism's Pali canon. The oldest dated text so far found to describe haṭha yoga, the 11th-century ''Amṛtasiddhi'', comes from a tantric Buddhist milieu. The oldest texts to use the terminology of ''hatha'' are also Vajrayana Buddhist. Hindu hatha yoga texts appear from the 11th century onwards. Some of the early haṭha yoga texts (11th-13th c.) describe methods to raise and conserve bindu (vital force, that is, semen, and in women ''rajas –'' menstrual fluid). This was seen as the physical essence of life that was constantly dripping down from the head and being lost. Two early Haṭha yoga techniques sought to e ...
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Prasna Upanishad
The Prashnopanishad ( sa, प्रश्नोपनिषद्, ) is an ancient Sanskrit text, embedded inside Atharva Veda, ascribed to ''Pippalada'' sakha of Vedic scholars. It is a Mukhya (primary) Upanishad, and is listed as number 4 in the Muktika canon of 108 Upanishads of Hinduism. The Prashna Upanishad contains six ''Prashna'' (questions), and each is a chapter with a discussion of answers.Robert HumePrasna Upanishad Thirteen Principal Upanishads, Oxford University Press, pages 378-390 The chapters end with the phrase, ''prasnaprativakanam'', which literally means, "thus ends the answer to the question". In some manuscripts discovered in India, the Upanishad is divided into three ''Adhyayas'' (chapters) with a total of six ''Kandikas'' (कण्डिका, short sections).Raksha BandhanRaksha BandhanBibliotheca Indica, Vol. XV, No. 41 and 50, Asiatic Society of Bengal, pages 119-141 The first three questions are profound metaphysical questions but, states Eduard R ...
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Chandogya Upanishad
The ''Chandogya Upanishad'' (Sanskrit: , IAST: ''Chāndogyopaniṣad'') is a Sanskrit text embedded in the Chandogya Brahmana of the Sama Veda of Hinduism.Patrick Olivelle (2014), ''The Early Upanishads'', Oxford University Press; , pp. 166-169 It is one of the oldest Upanishads. It lists as number 9 in the Muktika canon of 108 Upanishads. The Upanishad belongs to the ''Tandya'' school of the Samaveda. Like ''Brihadaranyaka Upanishad'', the Chandogya is an anthology of texts that must have pre-existed as separate texts, and were edited into a larger text by one or more ancient Indian scholars. The precise chronology of ''Chandogya Upanishad'' is uncertain, and it is variously dated to have been composed by the 8th to 6th century BCE in India. It is one of the largest Upanishadic compilations, and has eight ''Prapathakas'' (literally lectures, chapters), each with many volumes, and each volume contains many verses. The volumes are a motley collection of stories and themes. As ...
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Vāyu
Vayu (, sa, वायु, ), also known as Vata and Pavana, is the Hindu god of the winds as well as the divine massenger of the gods. In the ''Vedic scriptures'', Vayu is an important deity and is closely associated with Indra, the king of gods. He is mentioned to be born from the breath of Supreme Being Vishvapurusha and also the first one to drink Soma. The ''Upanishads'' praise him as ''Prana'' or 'life breath of the world'. In the later Hindu scriptures, he is described as a Dikpala (guardians of the direction), who looks over the North-west direction. The Hindu epics describe him as the father of the god Hanuman and Bhima.https://books.google.co.in/books?id=1HMXN9h6WX0C&q=Indra+wife&pg=RA1-PA260&redir_esc=y#v=snippet&q=Vayu&f=false The followers of the 13th-century saint Madhva believe their guru as an incarnation of Vayu. They worship the wind deity as Mukhyaprana and consider him as the son of the god Vishnu. Connotations The word for air (''vāyu'') or wind (''pavan ...
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Yoga
Yoga (; sa, योग, lit=yoke' or 'union ) is a group of physical, mental, and spiritual practices or disciplines which originated in ancient India and aim to control (yoke) and still the mind, recognizing a detached witness-consciousness untouched by the mind ('' Chitta'') and mundane suffering (''Duḥkha''). There is a wide variety of schools of yoga, practices, and goals in Hinduism, Buddhism, and Jainism,Stuart Ray Sarbacker, ''Samādhi: The Numinous and Cessative in Indo-Tibetan Yoga''. SUNY Press, 2005, pp. 1–2.Tattvarthasutra .1 see Manu Doshi (2007) Translation of Tattvarthasutra, Ahmedabad: Shrut Ratnakar p. 102. and traditional and modern yoga is practiced worldwide. Two general theories exist on the origins of yoga. The linear model holds that yoga originated in the Vedic period, as reflected in the Vedic textual corpus, and influenced Buddhism; according to author Edward Fitzpatrick Crangle, this model is mainly supported by Hindu scholars. According ...
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Three Bodies Doctrine (Vedanta)
According to Sarira Traya, the Doctrine of the Three bodies in Hinduism, the human being is composed of three shariras or "bodies" emanating from Brahman by avidya, "ignorance" or "nescience". They are often equated with the five koshas (sheaths), which cover the atman. The ''Three Bodies Doctrine'' is an essential doctrine in Indian philosophy and religion, especially Yoga, Advaita Vedanta, Tantra and Shaivism. The Three Bodies Karana sarira – causal body ''Karana sarira'' or the causal body is merely the cause or seed of the subtle body and the gross body. It has no other function than being the seed of the subtle and the gross body. It is ''nirvikalpa rupam'', "undifferentiated form". It originates with ''avidya'', "ignorance" or "nescience" of the real identity of the atman, instead giving birth to the notion of ''jiva''. Swami Sivananda characterizes the causal body as "The beginningless ignorance that is indescribable". Siddharameshwar Maharaj, the guru of Nisargad ...
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Eight Limbs Of Yoga
Ashtanga yoga (, "the eight limbs of yoga") is Patanjali's classification of classical yoga, as set out in his ''Yoga Sutras''. He defined the eight limbs as yamas (abstinences), niyama (observances), asana (postures), pranayama (breathing), pratyahara (withdrawal), dharana (concentration), dhyana (meditation) and samadhi (absorption). The eight limbs form a sequence from the outer to the inner. Postures, important in modern yoga as exercise, form just one limb of Patanjali's scheme; he states only that they must be steady and comfortable. The main aim is ''kaivalya'', discernment of ''Purusha'', the witness-conscious, as separate from '' prakriti'', the cognitive apparatus, and disentanglement of ''Purusha'' from its muddled defilements. Definition of yoga Patanjali begins his treatise by stating the purpose of his book in the first sutra, followed by defining the word "yoga" in his second sutra of Book 1: * Sanskrit Original with Translation 1The Yoga PhilosophyTR Tatya (T ...
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Vedas
upright=1.2, The Vedas are ancient Sanskrit texts of Hinduism. Above: A page from the '' Atharvaveda''. The Vedas (, , ) are a large body of religious texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of Hinduism. There are four Vedas: the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda. Each Veda has four subdivisions – the Samhitas (mantras and benedictions), the Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), the Brahmanas (commentaries on rituals, ceremonies and sacrifices), and the Upanishads (texts discussing meditation, philosophy and spiritual knowledge).Gavin Flood (1996), ''An Introduction to Hinduism'', Cambridge University Press, , pp. 35–39A Bhattacharya (2006), ''Hindu Dharma: Introduction to Scriptures and Theology'', , pp. 8–14; George M. Williams (2003), Handbook of Hindu Mythology, Oxford University Press, , p ...
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Upanishads
The Upanishads (; sa, उपनिषद् ) are late Vedic Sanskrit texts that supplied the basis of later Hindu philosophy.Wendy Doniger (1990), ''Textual Sources for the Study of Hinduism'', 1st Edition, University of Chicago Press, , pages 2-3; Quote: "The Upanishads supply the basis of later Hindu philosophy; they are widely known and quoted by most well-educated Hindus, and their central ideas have also become a part of the spiritual arsenal of rank-and-file Hindus." They are the most recent part of the Vedas, the oldest scriptures of Hinduism, and deal with meditation, philosophy, consciousness, and ontological knowledge; earlier parts of the Vedas deal with mantras, benedictions, rituals, ceremonies, and sacrifices.Gavin Flood (1996), ''An Introduction to Hinduism'', Cambridge University Press, , pp. 35–39A Bhattacharya (2006), ''Hindu Dharma: Introduction to Scriptures and Theology'', , pp. 8–14; George M. Williams (2003), Handbook of Hindu Mythology, Oxford Un ...
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Thomas McEvilley
Thomas McEvilley (; July 13, 1939 – March 2, 2013) was an American art critic, poet, novelist, and scholar. He was a Distinguished Lecturer in Art History at Rice UniversityThomas McEvilley, G. Roger Denson (1996), ''Capacity: : History, the World, and the Self in Contemporary Art and Criticism''. Routledge. : This information is given on the backpage of this book. and founder and former chair of the Department of Art Criticism and Writing at the School of Visual Arts in New York City. Biography McEvilley was born in Cincinnati. He studied Greek, Latin, Sanskrit, and classical philosophy in the classics programs of the University of Cincinnati where he received a B.A., and the University of Washington, where he received an M.A. He then returned to Cincinnati, where he received a Ph.D. in classical philology. He also retained a strong interest in modern art, reinforced by the artists of his acquaintance. In 1969, McEvilley joined the faculty of Rice University, where he spen ...
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