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Pietà (Bellini, Bergamo)
The ''Pietà'' or ''Christ's Body Supported by the Virgin Mary and St John the Evangelist'' is a tempera on panel painting by Giovanni Bellini, now in the Accademia Carrara in Bergamo. Dated to around 1455, it is one of his earliest independent works and the prototype for his series of pietàs. It draws on Byzantine icons of the 'imago pietatis', of which there were many examples throughout Venice, and of 'Ritratti di Passione' or 'portraits of the Passion', in which the dead Christ invites the viewer to contemplate his wounds. The crossed arms are drawn from a famous Roman mosaic-icon from Santa Croce in Gerusalemme basilica which was held to be miraculous and had according to legend been commissioned by pope Gregory the Great based on a vision during a mass. Mariolina Olivari, ''Giovanni Bellini'', in AA.VV., ''Pittori del Rinascimento'', Scala, Firenze 2007. The three figures appear behind a balustrade which bears a (possibly fake) signature by the artist. Above each figure is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bellini
Giovanni Bellini (; c. 1430 – 26 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned.; “Giovanni Bellini: Birth, Parentage, and Independence" in ''Renaissance Quarterly'' An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna. Giovanni Bellini was considered to have revolutionized Venetian painting, moving it toward a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian. Life Early career Giovanni Bell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bergamo
Bergamo (; lmo, Bèrghem ; from the proto- Germanic elements *''berg +*heim'', the "mountain home") is a city in the alpine Lombardy region of northern Italy, approximately northeast of Milan, and about from Switzerland, the alpine lakes Como and Iseo and 70 km (43 mi) from Garda and Maggiore. The Bergamo Alps (''Alpi Orobie'') begin immediately north of the city. With a population of around 120,000, Bergamo is the fourth-largest city in Lombardy. Bergamo is the seat of the Province of Bergamo, which counts over 1,103,000 residents (2020). The metropolitan area of Bergamo extends beyond the administrative city limits, spanning over a densely urbanized area with slightly less than 500,000 inhabitants. The Bergamo metropolitan area is itself part of the broader Milan metropolitan area, home to over 8 million people. The city of Bergamo is composed of an old walled core, known as ''Città Alta'' ("Upper Town"), nestled within a system of hills, and the modern expan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Carrara
The Accademia Carrara, (), officially Accademia Carrara di Belle Arti di Bergamo, is an art gallery and an academy of fine arts in Bergamo, in Lombardy in northern Italy. The art gallery was established in about 1780 by , a Bergamasco collector or ' of the arts. The academy of fine arts was added to it in 1794. The school was recognised by the Ministero dell'Istruzione, dell'Università e della Ricerca, the Italian ministry of education, in 1988. History The art gallery was established in the early 1780s by , a Bergamasco collector or ' of the arts; by 1785 it was open to some visitors. An academy of fine arts was added to it in 1793 or 1794, initially under the direction of the Milanese painter Carlo Dionigi Sadis. Carrara made his will in 1795, leaving his entire estate to the gallery and art school he had founded; these were to be managed by a five-member commission, of which the first five were chosen by him. He died the next year. In 1810, a new building in the neo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietà
The Pietà (; meaning "pity", "compassion") is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus after his body was removed from the cross. It is most often found in sculpture. The Pietà is a specific form of the Lamentation of Christ in which Jesus is mourned by the Virgin Mary alone. Context and development Pietà is one of the three common artistic representations of a sorrowful Virgin Mary, the other two being Mater Dolorosa (Mother of Sorrows) and Stabat Mater (the mother was standing). The other two representations are most commonly found in paintings, rather than sculpture, although combined forms exist. The Pietà developed in Germany (where it is called the "Vesperbild") about 1300, reached Italy about 1400, and was especially popular in Central European Andachtsbilder. Many German and Polish 15th-century examples in wood greatly emphasise Christ's wounds. The Deposition of Christ and the Lamentation or Pietà form the 13th of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Croce In Gerusalemme
The Basilica of the Holy Cross in Jerusalem or Basilica di Santa Croce in Gerusalemme, ( la, Basilica Sanctae Crucis in Hierusalem) is a Catholic Minor basilica and titular church in rione Esquilino, Rome, Italy. It is one of the Seven Pilgrim Churches of Rome. According to Christian tradition, the basilica was consecrated circa 325 to house the relics of the Passion of Jesus Christ brought to Rome from the Holy Land by Empress Helena, mother of Roman Emperor Constantine I. The basilica's floor was covered with soil from Jerusalem, thus acquiring the title ''in Hierusalem''; it is not dedicated to the Holy Cross of Jerusalem, but the basilica was considered in a sense to be "in Jerusalem" (much in the way that an embassy today is considered extraterritorial). The current Cardinal Priest of the ''Titulus S. Crucis in Hierusalem'' is Juan José Omella. History The basilica is built on the foundations of an imperial villa called ''Horti Variani ad Spem Veterem'' which was begun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Gregory The Great
Pope Gregory I ( la, Gregorius I; – 12 March 604), commonly known as Saint Gregory the Great, was the bishop of Rome from 3 September 590 to his death. He is known for instigating the first recorded large-scale mission from Rome, the Gregorian mission, to convert the then largely pagan Anglo-Saxons to Christianity. Gregory is also well known for his writings, which were more prolific than those of any of his predecessors as pope. The epithet Saint Gregory the Dialogist has been attached to him in Eastern Christianity because of his ''Dialogues''. English translations of Eastern texts sometimes list him as Gregory "Dialogos", or the Anglo-Latinate equivalent "Dialogus". A Roman senator's son and himself the prefect of Rome at 30, Gregory lived in a monastery he established on his family estate before becoming a papal ambassador and then pope. Although he was the first pope from a monastic background, his prior political experiences may have helped him to be a talented administr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donatello
Donato di Niccolò di Betto Bardi ( – 13 December 1466), better known as Donatello ( ), was a Republic of Florence, Florentine sculptor of the Renaissance period. Born in Republic of Florence, Florence, he studied classical sculpture and used this to develop a complete Renaissance style in sculpture. He spent time in other cities, and while there he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy his techniques, developed in the course of a long and productive career. Financed by Cosimo de' Medici, Donatello's ''David (Donatello), David'' was the first freestanding Nude (art), nude male sculpture since antiquity. He worked with stone, bronze, wood, clay, stucco, and wax, and had several assistants, with four perhaps being a typical number. Although his best-known works mostly were statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Of Saint Anthony Of Padua
The Pontifical Basilica of Saint Anthony of Padua ( it, Basilica Pontificia di Sant'Antonio di Padova) is a Catholic church and minor basilica in Padua, Veneto, Northern Italy, dedicated to St. Anthony of Padua. Although the basilica is visited as a place of pilgrimage by people from all over the world, it is not the cathedral of the city, a title belonging to the Cathedral-Basilica of St. Mary of Padua. The basilica is known locally as "il Santo". It is one of the national shrines recognized by the Holy See. History Construction of the Basilica probably began around 1232, just one year after the death of St. Anthony. It was completed in 1310 although several structural modifications (including the falling of the ambulatory and the construction of a new choir screen) took place between the end of the 14th and the mid-15th century. The Saint, according to his will, had been buried in the small church of ''Santa Maria Mater Domini'', probably dating from the late 12th centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Squarcione
Francesco Squarcione (''c.'' 1395 – after 1468) was an Italian artist from Padua. His pupils included Andrea Mantegna (with whom he had many legal battles), Cosimo Tura and Carlo Crivelli. There are only two works signed by him: the ''Madonna and Child'' (now in Berlin) and the Lazara Altarpiece (now in Padua). Biography Squarcione, whose original vocation was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Squarcione was interested in ancient Rome; he travelled in Italy, and perhaps Greece, collecting antique statues, reliefs, vases, and other works of art, forming a collection of such works, making drawings from them himself, and throwing open his stores for others to study from. Based on this collection, he undertook works on commission for which his pupils no less than himself were made available. As many as 137 painters and pictorial students passed through his school, established in 1431 and which became famous all o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Crivelli
Carlo Crivelli (Venice, c. 1430 – Ascoli Piceno, c. 1495) was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivarini, Squarcione, and Mantegna. He left the Veneto by 1458 and spent most of the remainder of his career in the March of Ancona, where he developed a distinctive personal style that contrasts with that of his Venetian contemporary Giovanni Bellini. Early life Crivelli was born around 1430–35 in Venice to a family of painters and received his artistic formation there and in Padua. The details of Crivelli's career are still sparse: He is said to have studied under Jacobello del Fiore, who was painting as late as 1436; at that time Crivelli was probably only a boy. He also studied at the school of Vivarini in Venice, then left Venice for Padua, where he is believed to have worked in the workshop of Francesco Squarcione and then, after bein ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
School Of Ferrara
The School of Ferrara was a group of painters which flourished in the Duchy of Ferrara during the Renaissance. Ferrara was ruled by the Este family, well known for its patronage of the arts. Patronage was extended with the ascent of Ercole d'Este I in 1470, and the family continued in power till Alfonso II, Ercole's great-grandson, died without an heir in 1597. The duchy was then occupied in succession by Papal and Austrian forces. The school evolved styles of painting that appeared to blend influences from Mantua, Venice, Lombardy, Bologna, and Florence. The ties to Bolognese School were particularly strong. Much of the local collections, like those of the Gonzaga family in Mantua, were dispersed with the end of the Este line in 1598. Especially in the late 15th century Ferrara was also a main centre of engraving in Italy. The most famous prints it produced are the two sets traditionally, if inaccurately, known as the Mantegna Tarocchi, each by an unidentified master. A list of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Giovanni Bellini
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
