Piano Concerto No. 1 (Glass)
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Piano Concerto No. 1 (Glass)
The Tirol Concerto for Piano and Orchestra (also known as the Piano Concerto No. 1) is a piano concerto by Philip Glass. The composer wrote the work in 2000. On commission by the Klangspuren in Stuttgart, it was written for the Stuttgarter Kammerorchester. It is one of eight concerti in Glass' series '' The Concerto Project'', an amalgamation of works in four volumes. Structure The piece is scored for solo piano, accompanied by string orchestra. Several recordings of the concerto have been made. The concerto is in three movements, the middle being the longest. An analysis by musicologist student Wilhelm Delport in 2015 rediscovered that the first and third movements borrow heavily from a Tyrolean Volkslied named, ''Maria! Hilf mir doch! (de),'' found in the Tyrolean Music Archive catalogue number A7249. He also determined that the second composition is likely an expansion of the piece ''Raising the Sail'' from the motion picture soundtrack In physics, motion is the phenome ...
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Piano Concerto
A piano concerto is a type of concerto, a solo composition in the classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuoso showpieces which require an advanced level of technique on the instrument. These concertos are typically written out in music notation, including sheet music for the pianist (which they typically memorize for a more virtuosic performance), orchestra parts for the orchestra members, and a full score for the conductor, who leads the orchestra in the accompaniment of the soloist. Depending on the era in which a piano concerto was composed, the orchestra parts may provide a fairly subordinate accompaniment role, setting out the bassline and chord progression over which the piano plays solo parts (more typical during the Baroque music era, from 1600 to 1750 and the Classical period, from 1730 to 1800), or the orchestra may be given an almost equal ro ...
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Philip Glass
Philip Glass (born January 31, 1937) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimal music, minimalism, being built up from repetitive phrases and shifting layers. Glass describes himself as a composer of "music with repetitive structures", which he has helped evolve stylistically. Glass founded the Philip Glass Ensemble, with which he still performs on keyboards. He has written fifteen operas, numerous chamber operas and musical theatre works, fourteen symphony, symphonies, twelve concertos, nine string quartets and various other chamber music, and several film scores. Three of his film scores have been nominated for an Academy Award. Life and work 1937–1964: Beginnings, early education and influences Philip Glass was born in Baltimore, Maryland, on January 31, 1937, the son of Ida (née Gouline) and Benjamin Charles Glass. His family were Lithuanian Je ...
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Klangspuren
Klangspuren, also Klangspuren Schwaz, subtitled Tiroler Festival für Neue Musik, is an annual festival for contemporary music in Schwaz in Tyrol, founded in 1994. The title literally translates to "traces of sound". It commissioned around 200 orchestral and ensemble compositions as of 2020. The artistic director is Reinhard Kager. History The Klangspuren festival was founded, dedicated to contemporary music and avant-garde music, in Schwaz, in 1994 by Thomas Larcher and Maria-Luise Mayr. The festival commissioned around 200 orchestral and ensemble works as of 2020, including compositions by Georg Friedrich Haas, Helmut Lachenmann, György Kurtág, Johannes Maria Staud, Olga Neuwirth, Beat Furrer and Pierre-Laurent Aimard. Performing ensembles have included the Ensemble Modern, the Klangforum Wien, and the Ensemble intercontemporain. One focus of the festival is the attempt to reach new audiences, for example apprentices and children. Projects are advertised with unu ...
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Stuttgart
Stuttgart (; Swabian: ; ) is the capital and largest city of the German state of Baden-Württemberg. It is located on the Neckar river in a fertile valley known as the ''Stuttgarter Kessel'' (Stuttgart Cauldron) and lies an hour from the Swabian Jura and the Black Forest. Stuttgart has a population of 635,911, making it the sixth largest city in Germany. 2.8 million people live in the city's administrative region and 5.3 million people in its metropolitan area, making it the fourth largest metropolitan area in Germany. The city and metropolitan area are consistently ranked among the top 20 European metropolitan areas by GDP; Mercer listed Stuttgart as 21st on its 2015 list of cities by quality of living; innovation agency 2thinknow ranked the city 24th globally out of 442 cities in its Innovation Cities Index; and the Globalization and World Cities Research Network ranked the city as a Beta-status global city in their 2020 survey. Stuttgart was one of the host cities ...
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Stuttgarter Kammerorchester
The Stuttgart Chamber Orchestra (Stuttgarter Kammerorchester) is a German chamber orchestra based in Stuttgart. Its principal concert venue is the Liederhalle, Stuttgart. History Karl Münchinger founded the orchestra in 1945, and served as its chief conductor until 1987. With Münchinger, the orchestra made its USA debut in March 1954, in New York City. Martin Sieghart was the orchestras second chief conductor, from 1990 to 1995. From 1995 to 2006, Dennis Russell Davies was chief conductor, and his projects with the orchestra included recordings of Haydn symphonies. Subsequent chief conductors have included Michael Hofstetter (2006–2013) and Matthias Foremny (2013–2019). In October 2017, the orchestra announced the appointment of Thomas Zehetmair as its next chief conductor, effective with the 2019–2020 season, with an initial contract of three years. Chief conductors * Karl Münchinger (1945–1987) * Martin Sieghart (1990–1995) * Dennis Russell Davies (1995–2 ...
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Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastia ...
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The Concerto Project
The Concerto Project is a collection of concerti written by Philip Glass. The series was begun in 2000 and contains eight works, the most famous of which is probably the '' Concerto for Cello and Orchestra''. Some of the concerti in the volumes were written before the commencement of the project and were categorized into the series. Volumes There are four volumes of the ''Project'': * ''The Concerto Project Vol. I'', containing the ''Cello Concerto'' and the '' Concerto Fantasy for Two Timpanists and Orchestra''. * ''The Concerto Project Vol. II'', containing the '' Piano Concerto No. 2: After Lewis and Clark'', and the '' Concerto for Harpsichord and Orchestra''. * ''The Concerto Project Vol. III'', containing the ''Concerto Grosso'' and the ''Concerto for Saxophone Quartet and Orchestra''. * ''The Concerto Project Vol. IV'', containing the ''Double Concerto for Violin, Cello and Orchestra'' and the '' Tirol Concerto for Piano and Orchestra'' (also known simply as ''Piano Concer ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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String Orchestra
A string orchestra is an orchestra consisting solely of a string section made up of the bowed strings used in Western Classical music. The instruments of such an orchestra are most often the following: the violin, which is divided into first and second violin players (each usually playing different parts), the viola, the cello, and usually, but not always, the double bass. String orchestras can be of chamber orchestra size ranging from between 12 (4 first violins, 3 second violins, 2 violas, 2 cellos and 1 bass = 12) and 21 musicians (6 first violins, 5 second violins, 4 violas, 4 cellos and 2 double basses= 21) sometimes performing without a conductor. It could also consist of the entire string section of a large symphony orchestra which could have 60 musicians (16 first violins, 14 second violins, 12 violas, 10 cellos and 8 double basses = 60; ''Gurre-Lieder'' calls for 84: 20.20.16.16.12). Repertoire The repertoire includes several works by Mozart (including '' Eine klei ...
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Volkslied
Volkslied (literally: folk song) is a genre of popular songs in German which are traditionally sung. While many of them were first passed orally, several collections were published from the late 18th century. Later, some popular songs were also included in this classification. History The earliest songs in German appeared in the 12th century. Art songs were created by minstrels and meistersinger while cantastoria (''Bänkelsänger'') sang songs in public that were orally transmitted. Song collections were written from the late 15th century, such as ''Lochamer-Liederbuch'' and ''Glogauer Liederbuch''. Georg Forster's ''Frische teutsche Liedlein'' was first printed in 1536. In the period of Sturm und Drang, poets and authors became interested in that which they saw as simple, close to nature, original, and unspoiled (nach dem ). Johann Gottfried Herder coined the term 'Volkslied' in the late 18th century, and published ''Von deutscher Art und Kunst'' (On German ways and artist ...
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