Philip Martiny
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Philip Martiny
Philip H. Martiny (May 19, 1858 – June 26, 1927) was a French-American sculptor who worked in the Paris atelier of Eugene Dock, where he became foreman before emigrating to New York in 1878—to avoid conscription in the French army, he later claimed. In the United States he found work with Augustus Saint-Gaudens, with whom he remained five years; a fellow worker in Saint-Gaudens' shop was Frederick MacMonnies. A group photograph taken in Saint-Gaudens's studio about 1883, conserved in the Archives of American Art, shows Kenyon Cox, Richard Watson Gilder, Martiny, Francis Davis Millet, Saint-Gaudens, Julian Alden Weir and Stanford White. He often worked in cooperation with architects in Beaux-Arts architecture. He lived in Bayside, Long Island, and had a sculpture studio in McDougal Alley, a fashionable former mews behind Washington Square Park. Much of his work is in New York City, though he provided bas-reliefs for the Art Institute of Chicago and for government buildings ...
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Strasbourg
Strasbourg (, , ; german: Straßburg ; gsw, label=Bas Rhin Alsatian, Strossburi , gsw, label=Haut Rhin Alsatian, Strossburig ) is the prefecture and largest city of the Grand Est region of eastern France and the official seat of the European Parliament. Located at the border with Germany in the historic region of Alsace, it is the prefecture of the Bas-Rhin department. In 2019, the city proper had 287,228 inhabitants and both the Eurométropole de Strasbourg (Greater Strasbourg) and the Arrondissement of Strasbourg had 505,272 inhabitants. Strasbourg's metropolitan area had a population of 846,450 in 2018, making it the eighth-largest metro area in France and home to 14% of the Grand Est region's inhabitants. The transnational Eurodistrict Strasbourg-Ortenau had a population of 958,421 inhabitants. Strasbourg is one of the ''de facto'' four main capitals of the European Union (alongside Brussels, Luxembourg and Frankfurt), as it is the seat of several European insti ...
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Washington Square Park
Washington Square Park is a public park in the Greenwich Village neighborhood of Lower Manhattan, New York City. One of the best known of New York City's public parks, it is an icon as well as a meeting place and center for cultural activity. It is operated by the New York City Department of Parks and Recreation (NYC Parks). The park is an open space, dominated by the Washington Square Arch at the northern gateway to the park, with a tradition of celebrating nonconformity. The park's fountain area has long been one of the city's popular spots, and many of the local buildings have at one time served as homes and studios for artists. Many buildings have been built by New York University, while others have been converted from their former uses into academic and residential buildings. __TOC__ Location and features Located at the foot of Fifth Avenue, the park is bordered by Washington Square North (known as Waverly Place east and west of the park), Washington Square East (known ...
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Art Commission Of The City Of New York
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, such ...
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John Rochester Thomas
John Rochester Thomas (June 18, 1848 – August 28, 1901) was an American architect credited in his time with being the nation's most prolific designer of public and semi-public buildings. His work was characterized by originality, moderation and dignity, according to ''The National Cyclopaedia of American Biography'' of 1899: "Judged by the artistic quality of his work and by his achievements in accomplishing repeatedly what others have declared impossible, he well deserves the title of America's leading architect." Among his works are college buildings, prisons, armories, dozens of churches, and New York's Surrogate's Courthouse, his early 20th century Beaux Arts masterpiece based on his award-winning plan for a new city hall for New York City which was never constructed. Early life Thomas was born in Rochester, New York on June 18, 1848, where he was educated in the city's schools until 1862, when his father's business failure obliged him to seek employment.
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Surrogate's Courthouse
The Surrogate's Courthouse (also the Hall of Records and 31 Chambers Street) is a historic building at the northwest corner of Chambers and Centre Streets in the Civic Center of Manhattan in New York City. Completed in 1907, it was designed in the Beaux Arts style. John Rochester Thomas created the original plans while Arthur J. Horgan and Vincent J. Slattery oversaw the building's completion. The building faces City Hall Park and the Tweed Courthouse to the south and the Manhattan Municipal Building to the east. The Surrogate's Courthouse is a seven-story steel-framed structure with a granite facade and elaborate marble interiors. The fireproof frame was designed to safely accommodate the city's paper records. The exterior is decorated with 54 sculptures by Philip Martiny and Henry Kirke Bush-Brown, as well as three-story colonnades with Corinthian columns along Chambers and Reade Streets. The basement houses the New York City Municipal Archives. The fifth floor contai ...
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Tammany Hall
Tammany Hall, also known as the Society of St. Tammany, the Sons of St. Tammany, or the Columbian Order, was a New York City political organization founded in 1786 and incorporated on May 12, 1789 as the Tammany Society. It became the main local political machine of the Democratic Party, and played a major role in controlling New York City and New York State politics and helping immigrants, most notably the Irish, rise in American politics from the 1790s to the 1960s. It typically controlled Democratic Party nominations and political patronage in Manhattan after the mayoral victory of Fernando Wood in 1854, and used its patronage resources to build a loyal, well-rewarded core of district and precinct leaders; after 1850 the vast majority were Irish Catholics due to mass immigration from Ireland during and after the Irish Famine. The Tammany Society emerged as the center of Democratic-Republican Party politics in the city in the early 19th century. After 1854, the Society expan ...
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National Sculpture Society
Founded in 1893, the National Sculpture Society (NSS) was the first organization of professional sculptors formed in the United States. The purpose of the organization was to promote the welfare of American sculptors, although its founding members included several renowned architects. The founding members included such well known figures of the day as Daniel Chester French, Augustus St. Gaudens, Richard Morris Hunt, and Stanford White as well as sculptors less familiar today, such as Herbert Adams, Paul W. Bartlett, Karl Bitter, J. Massey Rhind, Attilio Piccirilli, and John Quincy Adams Ward—who served as the first president for the society. Since its founding in the nineteenth century, the National Sculpture Society (NSS) has remained dedicated to promoting figurative and realistic sculpture. During the years 1919 to 1924, four works commissioned from members of the National Sculpture Society were funded by philanthropist Paul Goodloe McIntire, including '' George Rogers ...
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Cotton States And International Exposition (1895)
The Cotton States and International Exposition was a world's fair held in Atlanta, Georgia, United States in 1895. The exposition was designed "to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and Europe." The Cotton States and International Exposition featured exhibits from six states, including various innovations in agriculture and technology, and exhibits about women and African Americans. President Grover Cleveland presided over the opening of the exposition remotely by flipping an electric switch from his house in Massachusetts on September 18, 1895. The event is best remembered for the "Atlanta Compromise" speech given by Booker T. Washington on September 18, promoting racial cooperation. Background The idea for an international exposition in Atlanta was first proposed in November 1893 by William Hemphill, a former mayor of Atlanta .. Hemphill served as the vice ...
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Louisiana Purchase Exposition
The Louisiana Purchase Exposition, informally known as the St. Louis World's Fair, was an World's fair, international exposition held in St. Louis, Missouri, United States, from April 30 to December 1, 1904. Local, state, and federal funds totaling $15 million were used to finance the event. More than 60 countries and 43 of the then-45 American states maintained exhibition spaces at the fair, which was attended by nearly 19.7 million people. Historians generally emphasize the prominence of the themes of Race (human categorization), race and imperialism, and the fair's long-lasting impact on intellectuals in the fields of history, art history, architecture and anthropology. From the point of view of the memory of the average person who attended the fair, it primarily promoted entertainment, consumer goods and popular culture. The monumental Greco-Roman architecture of this and other fairs of the era did much to influence permanent new buildings and master plans of major cities. ...
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Pan-American Exposition
The Pan-American Exposition was a World's Fair held in Buffalo, New York, United States, from May 1 through November 2, 1901. The fair occupied of land on the western edge of what is now Delaware Park, extending from Delaware Avenue to Elmwood Avenue and northward to Great Arrow Avenue. It is remembered today primarily for being the location of the assassination of United States President William McKinley at the Temple of Music on September 6, 1901. The exposition was illuminated at night. Thomas A. Edison, Inc. filmed it during the day and a pan of it at night. History The event was organized by the Pan-American Exposition Company, formed in 1897. Cayuga Island was initially chosen as the place to hold the Exposition because of the island's proximity to Niagara Falls, which was a huge tourist attraction. When the Spanish–American War broke out in 1898, plans were put on hold. After the war, there was a heated competition between the cities of Buffalo and Niagara Falls over ...
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Karl Bitter
Karl Theodore Francis Bitter (December 6, 1867 – April 9, 1915) was an Austrian-born American sculptor best known for his architectural sculpture, memorials and residential work. Life and career The son of Carl and Henrietta Bitter, he was born in the municipal district Rudolfsheim-Fünfhaus of Vienna. His early training took place at the Vienna ''Kunstgewerbeschule'' (the imperial school for the applied arts), and after that at the ''Kunstakademie'' (the Academy of Fine Arts). At the Academy, he studied with August Kühne and Edmund Heller. Upon his graduation, he was apprenticed to an architectural sculptor,. This was the period that the ''Ringstraße'' was being built in Vienna, and a large number of decorated buildings were being built. He was drafted into the Austrian Army, and deserted while on leave. He was unable to return to Austria for many years because of his desertion. He later was pardoned by Emperor Franz Josef of Austria, who hoped to lure the famous sculpt ...
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Caryatid
A caryatid ( or or ; grc, Καρυᾶτις, pl. ) is a sculpted female figure serving as an architectural support taking the place of a column or a pillar supporting an entablature on her head. The Greek term ''karyatides'' literally means "maidens of Karyai", an ancient town on the Peloponnese. Karyai had a temple dedicated to the goddess Artemis in her aspect of Artemis Karyatis: "As Karyatis she rejoiced in the dances of the nut-tree village of Karyai, those Karyatides, who in their ecstatic round-dance carried on their heads baskets of live reeds, as if they were dancing plants". An atlas or telamon is a male version of a caryatid, i.e. a sculpted male statue serving as an architectural support. Etymology The term is first recorded in the Latin form ''caryatides'' by the Roman architect Vitruvius. He stated in his 1st century BC work ''De architectura'' (I.1.5) that the female figures of the Erechtheion represented the punishment of the women of Caryae, a town near Spart ...
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