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Philibert Rozet
Louis Philibert Rozet (died 11 April 1853) was a French playwright of the 19th century. His plays were performed on the most important Parisian stages of the 19th century: Théâtre de la Porte Saint-Martin, Théâtre des Variétés, Théâtre du Palais-Royal, Théâtre du Vaudeville etc. Works *1779: ''Lamentine, ou les Tapouis'', comi-tragic play in 2 acts and in verses, with Auguste-Étienne-Xavier Poisson de La Chabeaussière *1800: ''Arlequin portier'', comedy-parade in 1 act mingled with vaudevilles, with Joseph Marty *1801: ''Colombine toute seule'', scène-parade, mingled with vaudevilles, with Marty and Étienne Morel de Chédeville *1801: ''Jacasset ou, La contrainte par corps'', comedy in 1 act *1810: ''Le Monde renversé'', vaudeville in 1 act *1811: ''Les petits caquets'', explanatory prologue of ''La sœur de la Miséricorde'', in 1 act and in vaudevilles, with H. Simon *1811: ''Les Sabines de Limoges, ou l'Enlèvement singulier'', vaudeville héroïque in 1 act, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Play (theatre)
A play is a work of drama, usually consisting mostly of dialogue between characters and intended for theatrical performance rather than just reading. The writer of a play is called a playwright. Plays are performed at a variety of levels, from London's West End and Broadway in New York City – which are the highest level of commercial theatre in the English-speaking world – to regional theatre, to community theatre, as well as university or school productions. A stage play is a play performed and written to be performed on stage rather than broadcast or made into a movie. Stage plays are those performed on any stage before an audience. There are rare dramatists, notably George Bernard Shaw, who have had little preference as to whether their plays were performed or read. The term "play" can refer to both the written texts of playwrights and to their complete theatrical performance. Comedy Comedies are plays which are designed to be humorous. Comedies are often filled ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De La Porte Saint-Martin
The Théâtre de la Porte Saint-Martin is a venerable theatre and opera house at 18, Boulevard Saint-Martin in the 10th arrondissement of Paris. History It was first built very rapidly in 1781 under the direction of (1726–1810) to house the Paris Opéra, whose previous home, the second Salle du Palais-Royal, had burned down on 8 June 1781. The new theatre had a capacity of about 2,000 spectators and included a parterre with the lowest-priced tickets sold only to males who stood throughout the performances, an amphitheatre, and four rows of boxes. The Opéra used the theatre from 27 October 1781 until August 1794."Atlantes et cariatides des grands boulevards - Paris.fr" . The theat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Des Variétés
The Théâtre des Variétés is a theatre and "salle de spectacles" at 7–8, boulevard Montmartre, 2nd arrondissement, in Paris. It was declared a monument historique in 1974. History It owes its creation to the theatre director Mademoiselle Montansier (Marguerite Brunet). Imprisoned for debt in 1803 and frowned upon by the government, a decree of 1806 ordered her company to leave the Théâtre du Palais-Royal which then bore the name of "Variétés". The decree's aim was to move out Montansier's troupe to make room for the company from the neighbouring Théâtre-Français, which had stayed empty even as the Variétés-Montansier had enjoyed immense public favour. Strongly unhappy about having to leave the theatre by 1 January 1807, the 77-year-old Montansier gained an audience with Napoleon himself and received his help and protection. She thus reunited the "Société des Cinq", which directed her troupe, in order to found a new theatre, the one which stands at the side of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Palais-Royal
The Théâtre du Palais-Royal () is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais. Brief history Originally known as the Théâtre des Beaujolais, it was a puppet theatre with a capacity of about 750 that was built in 1784 to the designs of the architect Victor Louis. In 1790 it was taken over by Mademoiselle Montansier and became known as the Théâtre Montansier. She began using it for plays and Italian operas translated into French and the following year hired Louis to enlarge the stage and auditorium, increasing its capacity to 1300. After Napoleon's decree on the theatres in 1807 introduced significant constraints on the types of pieces that could be performed, it was used for lighter fare, such as acrobatics, rope dancing, performing dogs, and Neapolitan puppets. In 1812 the theatre was converted into a café with shows. Afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Vaudeville
The Théâtre du Vaudeville was a theatre company in Paris. It opened on 12 January 1792 on rue de Chartres. Its directors, Piis and Barré, mainly put on "petites pièces mêlées de couplets sur des airs connus", including vaudevilles. After the theatre on the rue de Chartres burned down in 1838, the Vaudeville temporarily based itself on boulevard de Bonne-Nouvelle before in 1841 setting up in the Salle de la Bourse on the Place de la Bourse in the 2e arrondissement. This building was demolished in 1869. Eugène Labiche and Henri Meilhac put on several of their works there, and it also hosted Jules Verne's play ''Onze jours de siège'' (1861). Other writers whose works were put on there were Edmond Gondinet, Alexandre Bisson, Théophile Marion Dumersan, Jean-François Bayard, Narcisse Fournier and Gaston Arman de Caillavet. In 1852, ''La Dame aux camélias'' by Alexandre Dumas fils was put on here. For the first time in the era, there were over 100 consecutive perfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaudeville
Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, but the idea of vaudeville's theatre changed radically from its French antecedent. In some ways analogous to music hall from Victorian Britain, a typical North American vaudeville performance was made up of a series of separate, unrelated acts grouped together on a common bill. Types of acts have included popular and classical musicians, singers, dancers, comedians, trained animals, magicians, ventriloquists, strongmen, female and male impersonators, acrobats, clowns, illustrated songs, jugglers, one-act plays or scenes from plays, athletes, lecturing celebrities, minstrels, and movies. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Étienne Morel De Chédeville
Étienne Morel de Chédeville (10 October 1751 in Paris - 13 July 1814 in Villeneuve-Saint-Georges) was a 19th-century French playwright and librettist. He wrote the librettos for the following operas: *1783 : ''La caravane du Caire'' by André Grétry *1783 : ''Alexandre aux Indes'' by Nicolas-Jean Lefroid de Méreaux *1785 : '' Thémistocle'' by François-André Danican Philidor *1785 : ''Panurge dans l'île des lanternes'' by André Grétry *1786 : ''Tamerlan'' by Johann Friedrich Reichardt Johann Friedrich Reichardt (25 November 1752 – 27 June 1814) was a German composer, writer and music critic. Early life Reichardt was born in Königsberg, East Prussia, to lutenist and ''Stadtmusiker'' Johann Reichardt (1720–1780). Johann Fr ... *1789 : ''Aspasie'' by André Grétry External links Morel de Chédeville, Étienne (1751-1814)on idref.fr ''La Caravane du Caire'', three-act opera presented in Fontainebleau 18th-century French dramatists and playwrights 19th-century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comedy
Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: in Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing '' agon'' or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Ourry
Maurice Ourry (19 October 1776 – 19 February 1843) was a French poet, playwright and journalist. Biography After his studies at the College of Juilly, he moved to Paris in 1794. His career was launched with his first vaudeville, ''La Danse interrompue'', which obtained an important success. But the plays that followed, even if numerous, would not equal the success of the first. An editor by the ''Journal des arts'' and the ''Journal de Paris'' of which he became chief editor, after the cessation of the newspaper, he founded the ''Nouveau journal de Paris'', solely dedicated to the arts and literature. He also participated to the Encyclopédie des gens du monde'' and to the ''Dictionnaire de la conversation''. His plays were presented on the most important Parisian stages of the 19th century, including the Théâtre des Variétés, the Théâtre du Vaudeville, and the Théâtre de la Gaîté. A member of the and the ''Soupers de Momus'', seriously ill, he died from an oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Simon
General Henri Joseph Simon (23 February 1866 – 15 May 1956) was a French army officer. He is particularly associated with the French protectorate of Morocco where he spent much of his army career. Simon served as head of intelligence to Hubert Lyautey and as director of the Moroccan Indigenous Affairs Service as well as conventional combat roles. He later wrote books about his time in Morocco and helped the production of the 1934 film ''Itto''. Morocco Simon was born on 23 February 1866 at Sélestat in the Bas-Rhin department of Alsace. As a captain Simon was attached to the native affairs office of Algeria and was appointed a chevalier of the Legion of Honour on 11 July 1903. As a Chef de bataillon (major) he was with the 116th Infantry Regiment in Casablanca on 30 December 1911 when he was appointed an officer of the Legion of Honour. He was given command of the irregular Moroccan Goumiers in French service in 1911. An initially temporary arrangement Simon provided such "go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Carmouche
Pierre Carmouche (9 April 1797 - 9 December 1868) was a French playwright and chansonnier. He wrote more than 200 successful plays, comedies, comédies en vaudevilles and texts for opéras comiques, in collaboration with diverse authors - Brazier, Dumersan, Mélesville, de Courcy, etc. In 1824 he married the actress Jenny Vertpré. He also collected a rich library, bequeathed in part to marshal Canrobert. Theatre * ''Les Poissons d'avril, ou le Charivari'', comédie en vaudevilles, with Émile Cottenet, Théâtre de la Porte-Saint-Martin, 1 April 1816. * ''Le Bateau à vapeur'', comedy in one act, mingled with couplets, with Émile Cottenet, Philibert Rozet, Théâtre de la Porte Saint-Martin, 1816. * ''L'Heureuse Moisson, ou le Spéculateur en défaut'', comédie en vaudevilles in 1 act mingled with couplets, with Jean-Toussaint Merle and Frédéric de Courcy, Théâtre de la Porte-Saint-Martin, September 1817. * ''La Cloyère d'huitres, ou les Deux Briquebec'', co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel De Lurieu
Gabriel de Lurieu (real name Gabriel-Zéphirin Gonyn de Lurieu; Paris, 28 October 1799 (7 brumaire year VIII) – Paris, 5 February 1889 ) was a French author and playwright. His brother Jules-Joseph-Gabriel de Lurieu (1792–1869), with whom he is sometimes mistaken, was also a playwright, who used the pseudonym "J. Gabriel", under which he cowrote the libretto for the opera ''La perle du Brésil'' by Félicien David, and the collective pseudonym "Monsieur Sapajou" (with Armand d'Artois and Francis d'Allarde). Biography The son of a captain of Dragons from a family of the minor nobility (squire) of the former Forez province, parallel to its inspector general career in the watch of Benevolent Institutions of the City of Paris, he started writing theatre plays. He authored numerous plays and libretti for opéras comiques, most of them written in collaboration, in particular with Théophile Marion Dumersan, Francis baron d'Allarde, Armand d'Artois, Nicolas Brazier, Eu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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