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Étienne Morel De Chédeville
Étienne Morel de Chédeville (10 October 1751 in Paris - 13 July 1814 in Villeneuve-Saint-Georges) was a 19th-century French playwright and librettist. He wrote the librettos for the following operas: *1783 : ''La caravane du Caire'' by André Grétry *1783 : ''Alexandre aux Indes'' by Nicolas-Jean Lefroid de Méreaux *1785 : '' Thémistocle'' by François-André Danican Philidor *1785 : ''Panurge dans l'île des lanternes'' by André Grétry *1786 : ''Tamerlan'' by Johann Friedrich Reichardt Johann Friedrich Reichardt (25 November 1752 – 27 June 1814) was a German composer, writer and music critic. Early life Reichardt was born in Königsberg, East Prussia, to lutenist and ''Stadtmusiker'' Johann Reichardt (1720–1780). Johann Fr ... *1789 : ''Aspasie'' by André Grétry External links Morel de Chédeville, Étienne (1751-1814)on idref.fr ''La Caravane du Caire'', three-act opera presented in Fontainebleau 18th-century French dramatists and playwrights 19th-century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villeneuve-Saint-Georges
Villeneuve-Saint-Georges () is a commune in the southeastern suburbs of Paris, France. It is located from the centre of Paris. People from Villeneuve-Saint-Georges are called ''Villeneuvois'' in French. History Prehistory and Antiquity Villeneuve-Saint-Georges was settled during the Paleolithic and the Neolithic ages at the meeting of the Yerres and the Seine rivers, as well at Triage, with evidence from archeological remains found by Francis Martin in the 19th century, which includes flints and some stone tools. After the battle of Melun during the Roman Empire, the area was integrated into the Roman Empire. A small town was built around the area, with the name of ''Villa Nova'' (Latin for ''new house''). Middle Ages In the Middle Ages, Villeneuve-Saint-Georges was a possession of the abbey of Saint-Germain-des-Prés. The addition of "Saint-Georges" in the name of the commune was after the remains of Saint George was brought back in AD 858. The strategic position o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Playwright
A playwright or dramatist is a person who writes plays. Etymology The word "play" is from Middle English pleye, from Old English plæġ, pleġa, plæġa ("play, exercise; sport, game; drama, applause"). The word "wright" is an archaic English term for a craftsman or builder (as in a wheelwright or cartwright). The words combine to indicate a person who has "wrought" words, themes, and other elements into a dramatic form—a play. (The homophone with "write" is coincidental.) The first recorded use of the term "playwright" is from 1605, 73 years before the first written record of the term "dramatist". It appears to have been first used in a pejorative sense by Ben Jonson to suggest a mere tradesman fashioning works for the theatre. Jonson uses the word in his Epigram 49, which is thought to refer to John Marston: :''Epigram XLIX — On Playwright'' :PLAYWRIGHT me reads, and still my verses damns, :He says I want the tongue of epigrams ; :I have no salt, no bawdry he doth mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Caravane Du Caire
''La Caravane du Caire'' is an opera or opéra-ballet in three acts by André Grétry, set to a libretto by Étienne Morel de Chédeville. Tradition has it that either the libretto was partially writtenCharlton. or the idea of it was allegedly suggestedPitou, p. 95. by the Count of Provence, who would go down in history as Louis XVIII of France. The opera was first performed at the Palace of Fontainebleau on 30 October 1783 and had its public premiere at the Théâtre de la Porte Saint-Martin, the period venue of the Paris Opera, on 15 January 1784. It was the most successful of Grétry's large-scale works that are lighter in tone: it received over 500 performances at the Paris Opera up to 1829, being billed every year between 1785 and 1791, and, except for 1818, between 1806 and 1828, besides enjoying further irregular stagings during the Revolutionary period. Roles Synopsis Act 1 A caravan is heading to Cairo. Among the travellers are the slave dealer Husca and his slaves Zà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Grétry
André Ernest Modeste Grétry (; baptised 11 February 1741; died 24 September 1813) was a composer from the Prince-Bishopric of Liège (present-day Belgium), who worked from 1767 onwards in France and took French nationality. He is most famous for his '' opéras comiques''. Biography He was born at Liège, his father being a poor musician. He was a choirboy at the church of St. Denis (Liège). In 1753 he became a pupil of Jean-Pantaléon Leclerc and later of the organist at St-Pierre de Liège, Nicolas Rennekin, for keyboard and composition and of Henri Moreau, music master at the collegiate church of St. Paul. But of greater importance was the practical tuition he received by attending the performance of an Italian opera company. Here he heard the operas of Baldassarre Galuppi, Giovanni Battista Pergolesi, and other masters; and the desire of completing his own studies in Italy was the immediate result. To find the necessary means he composed in 1759 a mass which he dedicat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre Aux Indes
''Alexandre aux Indes'' (''Alexander in India'') is an opera by the French composer Nicolas-Jean Lefroid de Méreaux, first performed at the Académie Royale de Musique (the Paris Opera) on 26 August 1783. It takes the form of a ''tragédie lyrique'' in three acts. The libretto, by Étienne Morel de Chédeville, concerns Alexander the Great and the Indian king Porus. The plot has similarities with Racine's tragedy ''Alexandre le Grand'' (1665) and Metastasio Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (), was an Italian poet and librettist, considered the most important writer of ''opera seria'' libretti. Early life Me ...'s libretto ''Alessandro nell'Indie''. Roles Synopsis King Porus is due to marry Axiane when he hears news that Alexander the Great is threatening his kingdom. Hephaestion arrives and offers Porus the choice of submission to Alexander or war. Porus chooses to resist. In the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas-Jean Lefroid De Méreaux
Nicolas-Jean Lefroid de MéreauxSpelled thus by , p.61 (1745–1797) was a French composer born in Paris. According to music critic François-Joseph Fétis, Méreaux studied music under French and Italian teachers before becoming the organist of the Church of Saint-Jacques-du-Haut-Pas. He wrote several motets for the church and had his oratorio ''Esther'' performed at the Concert Spirituel in 1775. His first published work was the cantata ''Aline, reine de Golconde'' in 1767. He went on to compose several operas.Fétis, p.377 His son, Joseph-Nicolas Lefroid de Méreaux (1767–1838), was also a composer, mostly of piano music. His grandson was Amédée Méreaux. Operas References Sources * Félix Clément and Pierre Larousse ''Dictionnaire des Opéras'', Paris, 1881. Available online her * Benoît Dratwicki, "Foreigners at the Académie Royale de Musique" in Antonio Sacchini, ''Renaud'', Madrid, Ediciones Singulares, 2013 (book accompanying the complete recording conducte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thémistocle
''Thémistocle'' (''Themistocles'') is an opera by the French composer François-André Danican Philidor, first performed at Fontainebleau on 13 October 1785. It transferred to the Académie Royale de Musique, Paris (the Paris Opera) on 23 May 1786. It takes the form of a '' tragédie lyrique'' in three acts. The libretto, by Étienne Morel de Chédeville, is based on the life of the ancient Greek statesman Themistocles. See also *Philidor's other works: ''Blaise le savetier'' (1759), ''Le maréchal ferrant'' (1761), '' Tom Jones'' (1765), '' Ernelinde'' (1767), ''Persée ''Persée'' (''Perseus'') is a tragédie lyrique with music by Jean-Baptiste Lully and a libretto by Philippe Quinault, first performed on 18 April 1682 by the Opéra at the Théâtre du Palais-Royal in Paris. Roles Synopsis ACT I: The Palac ...'' (1780) Sources Félix Clément and Pierre Larousse ''Dictionnaire des Opéras'' p.658 External links *Original edition of the score at Gallica BNF O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François-André Danican Philidor
François-André Danican Philidor (7 September 1726 – 31 August 1795), often referred to as André Danican Philidor during his lifetime, was a French composer and chess player. He contributed to the early development of the ''opéra comique''. He is widely regarded as the best chess player of his age; his book ''Analyse du jeu des Échecs'' was considered a standard chess manual for at least a century. A well-known chess opening, an endgame position, and a checkmate method are all named after him. Musical family François-André Danican Philidor came from the well-known musical Philidor family. The original name of his family was Danican, but François-André's grandfather, Jean Danican Philidor, was given the nickname of Philidor by Louis XIII because his oboe playing reminded the king of an Italian virtuoso oboist named Filidori. Music career Philidor joined the royal choir of Louis XV in 1732 at the age of 6, and made his first attempt at the composition of a song at th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Friedrich Reichardt
Johann Friedrich Reichardt (25 November 1752 – 27 June 1814) was a German composer, writer and music critic. Early life Reichardt was born in Königsberg, East Prussia, to lutenist and ''Stadtmusiker'' Johann Reichardt (1720–1780). Johann Friedrich began his musical training, in violin, keyboard, and lute, as a child. He was a student of Timofey Belogradsky, who in turn was a student of Sylvius Leopold Weiss. When Reichardt was ten years old, his father took the choir in which he sang, the ''"Wunderknaben"'', on a concert tour in East Prussia. After being encouraged by Immanuel Kant, Reichardt later studied Jurisprudence and Philosophy in his hometown and in Leipzig from 1769 to 1771. In 1771, he escaped civil service by embarking on a Sturm-und-Drang tour as a virtuoso. He returned to Königsberg in 1774 and became the ''Kammersekretär'' (Chamber Secretary) in Ragnit. After Reichardt sent his opera ''Le feste galanti'' as a sample piece to Friedrich II, he was appointed to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century French Dramatists And Playwrights
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century French Dramatists And Playwrights
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
