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Persian Inscriptions On Indian Monuments
''Persian Inscriptions on Indian Monuments'' ( fa, نقش پارسی بر احجار هند) is a book written in Persian by Dr Ali Asghar Hekmat E Shirazi and published in 1956 and 1958 and 2013. New edition contains the Persian texts of more than 200 epigraphical inscriptions found on historical monuments in India, many of which are currently listed as national heritage sites or registered as UNESCO world heritage, published in Persian; an English edition is also being printed. Third edition After being forgotten for over 50 years, a third edition of the book has been printed by Dr. Mohammad Ajam. the absence of the book was felt particularly by students of the Persian language and literature, as well as linguistics. The new edition includes images of many of the inscriptions it describes, as well as a new seventh chapter consisting of five parts. The new edition of the book has been published under a different title: ''Persian Inscriptions on the Indian World Heritage Sites' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epigraphy
Epigraphy () is the study of inscriptions, or epigraphs, as writing; it is the science of identifying graphemes, clarifying their meanings, classifying their uses according to dates and cultural contexts, and drawing conclusions about the writing and the writers. Specifically excluded from epigraphy are the historical significance of an epigraph as a document and the artistic value of a literature, literary composition. A person using the methods of epigraphy is called an ''epigrapher'' or ''epigraphist''. For example, the Behistun inscription is an official document of the Achaemenid Empire engraved on native rock at a location in Iran. Epigraphists are responsible for reconstructing, translating, and dating the trilingual inscription and finding any relevant circumstances. It is the work of historians, however, to determine and interpret the events recorded by the inscription as document. Often, epigraphy and history are competences practised by the same person. Epigraphy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taj Mahal
The Taj Mahal (; ) is an Islamic ivory-white marble mausoleum on the right bank of the river Yamuna in the Indian city of Agra. It was commissioned in 1631 by the Mughal emperor Shah Jahan () to house the tomb of his favourite wife, Mumtaz Mahal; it also houses the tomb of Shah Jahan himself. The tomb is the centrepiece of a complex, which includes a mosque and a guest house, and is set in formal gardens bounded on three sides by a crenellated wall. Construction of the mausoleum was essentially completed in 1643, but work continued on other phases of the project for another 10 years. The Taj Mahal complex is believed to have been completed in its entirety in 1653 at a cost estimated at the time to be around ₹32 million, which in 2020 would be approximately 70 billion (about US $1 billion). The construction project employed some 20,000 artisans under the guidance of a board of architects led by the court architect to the emperor, Ustad Ahmad Lahauri. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agra Fort
The Agra Fort is a historical fort in the city of Agra in India also known as the Red Fort. Rebuilt by the Mughal emperor Akbar in 1565 and completed in 1573, it served as the main residence of the rulers of the Mughal Dynasty until 1638, when the capital was shifted from Agra to Delhi. It was also known as the “Lal-Qila”, “Fort Rouge” or “Qila-i-Akbari”. Before capture by the British, the last Indian rulers to have occupied it were the Marathas. In 1983, the Agra fort was life inscribed as a UNESCO World Heritage Site. It is about 2.5 km northwest of its more famous sister monument, the Taj Mahal. The fort can be more accurately described as a walled city. Like the rest of Agra, the history of Agra Fort prior to Mahmud Ghaznavi's invasion is unclear. However, in the 15th century, the Chauhan Rajputs occupied it. Soon after, Agra assumed the status of capital when Sikandar Lodi (A.D. 1487–1517) shifted his capital from Delhi and constructed a few buildings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indo-Persian Culture
Indo-Persian culture refers to a cultural synthesis present in the Indian subcontinent. It is characterised by the absorption or integration of Persian aspects into the various cultures of Pakistan, India and Bangladesh. The earliest introduction of Persian influence and culture to the Indian subcontinent was by various Muslim Turko-Persian rulers, such as the 11th-century Sultan Mahmud Ghaznavi, rapidly pushed for the heavy Persianization of conquered territories in northwestern India (present-day Pakistan), where Islamic influence was also firmly established. This socio-cultural synthesis arose steadily through the Delhi Sultanate from the 13th to 16th centuries, and the Mughal Empire from then onwards until the 19th century. Various Muslim dynasties of Turkic, local Indian and Afghan origin patronized the Persian language and contributed to the development of a Persian culture in India. The Delhi Sultanate developed their own cultural and political identity which built upon Pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akbar
Abu'l-Fath Jalal-ud-din Muhammad Akbar (25 October 1542 – 27 October 1605), popularly known as Akbar the Great ( fa, ), and also as Akbar I (), was the third Mughal emperor, who reigned from 1556 to 1605. Akbar succeeded his father, Humayun, under a regent, Bairam Khan, who helped the young emperor expand and consolidate Mughal domains in India. A strong personality and a successful general, Akbar gradually enlarged the Mughal Empire to include much of the Indian subcontinent. His power and influence, however, extended over the entire subcontinent because of Mughal military, political, cultural, and economic dominance. To unify the vast Mughal state, Akbar established a centralised system of administration throughout his empire and adopted a policy of conciliating conquered rulers through marriage and diplomacy. To preserve peace and order in a religiously and culturally diverse empire, he adopted policies that won him the support of his non-Muslim subjects. Eschewing t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Babur
Babur ( fa, , lit= tiger, translit= Bābur; ; 14 February 148326 December 1530), born Mīrzā Zahīr ud-Dīn Muhammad, was the founder of the Mughal Empire in the Indian subcontinent. He was a descendant of Timur and Genghis Khan through his father and mother respectively.F. LehmannẒahīr-al-Dīn Moḥammad Bābor In Encyclopædia Iranica. Online Ed. December 1988 (updated August 2011). "Bābor, Ẓahīr-al-Dīn Moḥammad son of Umar Sheikh Mirza, (6 Moḥarram 886-6 Jomādā I 937/14 February 1483 – 26 December 1530), Timurid prince, military genius, and literary craftsman who escaped the bloody political arena of his Central Asian birthplace to found the Mughal Empire in India. His origin, milieu, training, and education were steeped in Muslim culture and so Bābor played significant role for the fostering of this culture by his descendants, the Mughals of India, and for the expansion of Islam in the Indian subcontinent, with brilliant literary, artistic, and histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghurid Dynasty
The Ghurid dynasty (also spelled Ghorids; fa, دودمان غوریان, translit=Dudmân-e Ğurīyân; self-designation: , ''Šansabānī'') was a Persianate dynasty and a clan of presumably eastern Iranian Tajik origin, which ruled from the 10th-century to 1215. The Ghurids were centered in the Ghor of present-day central Afghanistan, where they initially started out as local chiefs. They gradually converted to Sunni Islam from Buddhism after the conquest of Ghor by the Ghaznavid ruler Mahmud of Ghazni in 1011. The dynasty ultimately overthrew the Ghaznavid Empire when Muhammad of Ghor conquered the last Ghaznavid principality of Lahore in 1186 from Khusrau Malik. The Ghurids initially ruled as vassals of the Ghaznavids and later of the Seljuks. However, during the early twelfth century the long-standing rivalry between the Seljuks and Ghaznavids created a power vacuum in Khurasan which the Ghurids took advantage of and began their territorial expansion. Ala al-Din Hu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Khorasan
Great may refer to: Descriptions or measurements * Great, a relative measurement in physical space, see Size * Greatness, being divine, majestic, superior, majestic, or transcendent People * List of people known as "the Great" *Artel Great (born 1981), American actor Other uses * ''Great'' (1975 film), a British animated short about Isambard Kingdom Brunel * ''Great'' (2013 film), a German short film * Great (supermarket), a supermarket in Hong Kong * GReAT, Graph Rewriting and Transformation, a Model Transformation Language * Gang Resistance Education and Training Gang Resistance Education And Training, abbreviated G.R.E.A.T., provides a school-based, police officer instructed program that includes classroom instruction and various learning activities. Their intention is to teach the students to avoid gang ..., or GREAT, a school-based and police officer-instructed program * Global Research and Analysis Team (GReAT), a cybersecurity team at Kaspersky Lab *'' Great!'', a 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nastaliq
''Nastaliq'' (; fa, , ), also romanized as ''Nastaʿlīq'', is one of the main calligraphic hands used to write the Perso-Arabic script in the Persian and Urdu languages, often used also for Ottoman Turkish poetry, rarely for Arabic. ''Nastaliq'' developed in Iran from '' naskh'' beginning in the 13th century and remains very widely used in Pakistan, Iran, Afghanistan and as a minority script in India and other countries for written poetry and as a form of art. History The name ''nastaliq'' "is a contraction of the Persian , meaning a hanging or suspended '' naskh''". Virtually all Safavid authors (like Dust Muhammad or Qadi Ahmad) attributed the invention of to Mir Ali Tabrizi, who lived at the end of the 14th and the beginning of the 15th century. That tradition was questioned by Elaine Wright, who traced evolution of ''nastaliq'' in 14th century Iran and showed how it developed gradually among scribes in Shiraz. Moreover, according to her studies ''nastaliq'' has its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thuluth
''Thuluth'' ( ar, ثُلُث, ' or ar, خَطُّ الثُّلُثِ, '; fa, ثلث, ''Sols''; Turkish: ''Sülüs'', from ' "one-third") is a script variety of Islamic calligraphy. The straight angular forms of Kufic were replaced in the new script by curved and oblique lines. In ''Thuluth'', one-third of each letter slopes, from which the name (meaning "a third" in Arabic) comes. An alternative theory to the meaning is that the smallest width of the letter is one third of the widest part. It is an elegant, cursive script, used in medieval times on mosque decorations. Various calligraphic styles evolved from ''Thuluth'' through slight changes of form. History The greatest contributions to the evolution of the ''Thuluth'' script occurred in the Ottoman Empire in three successive steps that Ottoman art historians call "calligraphical revolutions": *The first revolution occurred in the 15th century and was initiated by the master calligrapher Sheikh Hamdullah. *The second revolutio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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