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Pascal Taskin
Pascal-Joseph Taskin (27 July 1723 – 9 February 1793) was a Belgium-born French harpsichord and piano maker. Biography Pascal Taskin, born in Theux near Liège, but worked in Paris for most of his life. Upon his arrival in Paris, he apprenticed in the workshop of François-Étienne Blanchet II. Little else is known of his activity until Blanchet's death on April 27, 1766. In early November of that year, he became a master harpsichord maker in the guild of instrument makers and took over the Blanchet workshop, and by the end of that month, he had married Blanchet's widow. The continuity between the Blanchet and Taskin traditions is indicated by the note Taskin attached to his instruments until 1770: : Taskin inherited Blanchet's title of royal harpsichord maker (''facteur des clavessins du Roi'') and additionally became keeper of the King’s instruments alongside Christophe Chiquelier in 1770, though he only fully occupied that role when Chiquelier retired in 1774. In order to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruckers
The Ruckers family (variants: Ruckaert, Ruckaerts, Rucqueer, Rueckers, Ruekaerts, Ruijkers, Rukkers, Rycardt) were harpsichord and virginal makers from the Southern Netherlands based in Antwerp in the 16th and 17th century. Their influence stretched well into the 18th century, and to the harpsichord revival of the 20th. The Ruckers family contributed immeasurably to the harpsichord's technical development, pioneering the addition of a second manual; the quality of their instruments is such that the name of Ruckers is as important to early keyboard instruments as that of Stradivarius is to the violin family. In the 18th century, Ruckers instruments were often modified by French makers in a process known as ''ravalement'', to allow for an extended range and other additions. The Ruckers family The family probably originated in Germany. The earliest known member, Hans Ruckers, was from Weissenburg, according to documents from 1530 in the Antwerp city archives, and the similarly name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Square Piano
The square piano is a type of piano that has horizontal strings arranged diagonally across the rectangular case above the hammers and with the keyboard set in the long side, with the sounding board above a cavity in the short side. It is variously attributed to Silbermann and Frederici and was improved by Petzold and Babcock. The English and Viennese square pianos were built in many different designs, including within the action as well as general appearance, from roughly 1760. Because of the competitive industry and relative youth of the instrument design itself, experimentation ensued in the early years, creating a range of moderators (sound-altering effects) and other technical devices (knee levers; hand stops) not seen today. In London, the explosion of the trade is generally attributed to the maker Zumpe. The overwhelming popularity of his instruments was due to inexpensive construction and price. Over time, square pianos were built in larger sizes with more keys and a wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Keyboard
A musical keyboard is the set of adjacent depressible levers or keys on a musical instrument. Keyboards typically contain keys for playing the twelve notes of the Western musical scale, with a combination of larger, longer keys and smaller, shorter keys that repeats at the interval of an octave. Pressing a key on the keyboard makes the instrument produce sounds—either by mechanically striking a string or tine ( acoustic and electric piano, clavichord), plucking a string ( harpsichord), causing air to flow through a pipe organ, striking a bell (carillon), or, on electric and electronic keyboards, completing a circuit (Hammond organ, digital piano, synthesizer). Since the most commonly encountered keyboard instrument is the piano, the keyboard layout is often referred to as the ''piano keyboard''. Description The twelve notes of the Western musical scale are laid out with the lowest note on the left. The longer keys (for the seven "natural" notes of the C major scale: C, D, E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catgut
Catgut (also known as gut) is a type of cord that is prepared from the natural fiber found in the walls of animal Gut (anatomy), intestines. Catgut makers usually use sheep or goat intestines, but occasionally use the intestines of cattle, Domestic pig, hogs, horses, mules, or donkeys. Despite the name, catgut is not made from cat intestines. Etymology The word ''catgut'' may have been an abbreviation of the word "cattlegut". Alternatively, it may derive by folk etymology from ''kitgut'' or ''kitstring'' — the dialectal word ''kit'', meaning fiddle, having at some point been confused with the word ''kit'' for a young cat, the word "kit" being possibly derived from Welsh language, Welsh. Common uses Stringed instruments For a long time, catgut was the most common material for the strings (music), strings of harps, lutes, violins, violas, cellos, and double basses, acoustic guitars and other String instrument, stringed musical instruments, as well as older marching snare drums. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psaltery
A psaltery ( el, ψαλτήρι) (or sawtry, an archaic form) is a fretboard-less box zither (a simple chordophone) and is considered the archetype of the zither and dulcimer; the harp, virginal, harpsichord and clavichord were also inspired by it. Its resonance box is usually trapezoidal, rectangular or in the form of a "pig's head" and often richly decorated. Etymology The psaltery of Ancient Greece (''epigonion'') was a harp-like stringed instrument. The word ''psaltery'' derives from the Ancient Greek ψαλτήριον (''psaltḗrion''), "stringed instrument, psaltery, harp" and that from the verb ψάλλω (''psállō''), "to touch sharply, to pluck, pull, twitch" and in the case of the strings of musical instruments, "to play a stringed instrument with the fingers, and not with the plectrum." The psaltery was originally made from wood, and relied on natural acoustics for sound production. In the King James Bible "psaltery", and its plural, "psalteries", are used to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wood Veneer
In woodworking, veneer refers to thin slices of wood and sometimes bark, usually thinner than 3 mm (1/8 inch), that typically are glued onto core panels (typically, wood, particle board or medium-density fiberboard) to produce flat panels such as doors, tops and panels for cabinets, parquet floors and parts of furniture. They are also used in marquetry. Plywood consists of three or more layers of veneer. Normally, each is glued with its grain at right angles to adjacent layers for strength. Veneer beading is a thin layer of decorative edging placed around objects, such as jewelry boxes. Veneer is also used to replace decorative papers in Wood Veneer HPL. Background Veneer is obtained either by "peeling" the trunk of a tree or by slicing large rectangular blocks of wood known as flitches. The appearance of the grain and figure in wood comes from slicing through the growth rings of a tree and depends upon the angle at which the wood is sliced. There are three main types ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friction
Friction is the force resisting the relative motion of solid surfaces, fluid layers, and material elements sliding against each other. There are several types of friction: *Dry friction is a force that opposes the relative lateral motion of two solid surfaces in contact. Dry friction is subdivided into ''static friction'' ("stiction") between non-moving surfaces, and ''kinetic friction'' between moving surfaces. With the exception of atomic or molecular friction, dry friction generally arises from the interaction of surface features, known as asperities (see Figure 1). *Fluid friction describes the friction between layers of a viscous fluid that are moving relative to each other. *Lubricated friction is a case of fluid friction where a lubricant fluid separates two solid surfaces. *Skin friction is a component of drag, the force resisting the motion of a fluid across the surface of a body. *Internal friction is the force resisting motion between the elements making up a so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Cristofori
Bartolomeo Cristofori di Francesco (; May 4, 1655 – January 27, 1731) was an Italian maker of musical instruments famous for inventing the piano. Life The available source materials on Cristofori's life include his birth and death records, two wills, the bills he submitted to his employers, and a single interview carried out by Scipione Maffei. From the latter, both Maffei's notes and the published journal article are preserved. Cristofori was born in Padua in the Republic of Venice. Nothing is known of his early life. A tale is told that he served as an apprentice to the great violin maker Nicolò Amati, based on the appearance in a 1680 census record of a "Christofaro Bartolomei" living in Amati's house in Cremona. However, as Stewart Pollens points out, this person cannot be Bartolomeo Cristofori, since the census records an age of 13, whereas Cristofori according to his baptismal record would have been 25 at the time. Pollens also gives strong reasons to doubt the a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottfried Silbermann
Gottfried Silbermann (January 14, 1683 – August 4, 1753) was a German builder of keyboard instruments. He built harpsichords, clavichords, organs, and fortepianos; his modern reputation rests mainly on the latter two. Life Very little is known about Silbermann's youth. He was born in Kleinbobritzsch (now a part of Frauenstein, Saxony) as the youngest son of the carpenter Michael Silbermann. They moved to the nearby town of Frauenstein in 1685, and it is possible that Gottfried also learnt carpentry there. He moved to Straßburg in 1702, where he learnt organ construction from his brother and came in touch with the French-Alsatian school of organ construction. He returned to Saxony as a master craftsman in 1710, and opened his own organ workshop in Freiberg one year later. His second project in Germany was the "Grand Organ" in the Freiberg Cathedral of St. Mary, finished in 1714. In 1723 he was bestowed the title ''Königlich Polnischen und Churfürstlich Sächsischen Hof- und ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortepiano
A fortepiano , sometimes referred to as a pianoforte, is an early piano. In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1698 up to the early 19th century. Most typically, however, it is used to refer to the mid-18th to early-19th century instruments for which composers of the Classical era, especially Haydn, Mozart, and the younger Beethoven wrote their piano music. Starting in Beethoven's time, the fortepiano began a period of steady evolution, culminating in the late 19th century with the modern grand. The earlier fortepiano became obsolete and was absent from the musical scene for many decades. In the 20th century the fortepiano was revived, following the rise of interest in historically informed performance. Fortepianos are built for this purpose in specialist workshops. Construction The fortepiano has leather-covered hammers and thin, harpsichord-like strings. It has a much lighter case ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
