Palazzo Muti Papazzurri
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Palazzo Muti Papazzurri
Palazzo Muti Papazzurri is a Baroque palazzo in Rome, Italy. It was built in 1660 by the architect Mattia de' Rossi, a pupil of Gian Lorenzo Bernini. It is thought it was constructed for the newly married Pompeo Muti Papazzurri and Maria Isabella Massimo. A print of 1699 shows a large townhouse built around an open cour d'honneur, the court being entered through a triumphal arch at the centre of a Baroque screen linking the two flanking wings. The screen still remains but has today had rooms built above it, thus completely altering the open appearance of the palazzo to a plain closed façade. During the 18th century the palazzo formed the centre of a family complex of properties which were rented in their entirety to the Stuarts, pretenders to the British throne; thus for a time the palazzo was the home of a court in exile.Jacobite Gazetteer In 1909 the palazzo was heavily restored which has changed de' Rossi's architectural concept of the original design by removing the ped ...
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Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ...
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Pediment
Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The tympanum, the triangular area within the pediment, is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. Pediments are found in ancient Greek architecture as early as 600 BC (e.g. the archaic Temple of Artemis). Variations of the pediment occur in later architectural styles such as Classical, Neoclassical and Baroque. Gable roofs were common in ancient Greek temples with a low pitch (angle of 12.5° to 16°). History The pediment is found in classical Greek temples, Et ...
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Houses Completed In 1660
A house is a single-unit residential building. It may range in complexity from a rudimentary hut to a complex structure of wood, masonry, concrete or other material, outfitted with plumbing, electrical, and heating, ventilation, and air conditioning systems.Schoenauer, Norbert (2000). ''6,000 Years of Housing'' (rev. ed.) (New York: W.W. Norton & Company). Houses use a range of different roofing systems to keep precipitation such as rain from getting into the dwelling space. Houses may have doors or locks to secure the dwelling space and protect its inhabitants and contents from burglars or other trespassers. Most conventional modern houses in Western cultures will contain one or more bedrooms and bathrooms, a kitchen or cooking area, and a living room. A house may have a separate dining room, or the eating area may be integrated into another room. Some large houses in North America have a recreation room. In traditional agriculture-oriented societies, domestic animals such a ...
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Baroque Architecture In Rome
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ...
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Palaces In Rome
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Roman Empire, Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification ...
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Pontifical Biblical Institute
The Pontifical Biblical Institute (also known as Biblicum) is a research and postgraduate teaching institution specialised in biblical and ancient Near Eastern studies. It is an institution of the Holy See entrusted to the Society of Jesus. History The Pontifical Biblical Institute was founded by Pope Pius X in the apostolic letter ''Vinea Electa'' in 1909 as a centre of advanced studies in Holy Scripture. At first, the institute prepared students for exams at the Pontifical Biblical Commission. In 1916, it was licensed by Pope Benedict XV to grant academic degrees in the name of the commission. In 1928, it was licensed by Pope Pius XI to grant doctorates in affiliation with the Pontifical Gregorian University, independently of the commission. In 1927, a branch was opened in Jerusalem by Alexis Mallon. In 1932, the Oriental Faculty was founded. Rectors All of its rectors have been Jesuit priests. Cardinal Bea is particularly noteworthy for having defended the university agains ...
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Cardinal Mazarin
Cardinal Jules Mazarin (, also , , ; 14 July 1602 – 9 March 1661), born Giulio Raimondo Mazzarino () or Mazarini, was an Italian cardinal, diplomat and politician who served as the chief minister to the Kings of France Louis XIII and Louis XIV from 1642 to his death. In 1654, he acquired the title Duke of Mayenne and in 1659 that of 1st Duke of Rethel and Nevers. After serving as a papal diplomat for Pope Urban VIII, Mazarin offered his diplomatic services to Cardinal Richelieu and moved to Paris in 1640. After the death of Richelieu in 1642, Mazarin took his place as first minister and then of Louis XIII in 1643. Mazarin acted as the head of the government for Anne of Austria, the regent for the young Louis XIV. Mazarin was also made responsible for the king's education until he came of age. The first years of Mazarin in office were marked by military victories in the Thirty Years' War, which he used to make France the main European power and establish the Peace of West ...
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Niccolò Berrettoni
Niccolò Berrettoni (15 December 1637 – February 1682) was an Italian painter of the Baroque period. Life and Work He was born in Macerata Feltria on December 14. 1637. As a child he studied under Simone Cantarini in Pesaro; at the death of this master, he moved circa 1670 to Rome to work for the large studio of Carlo Maratta. In 1675, while still in the orbit of Carlo Maratta, he entered as an academic into the Roman painter's guild, the Accademia di San Luca. Under the patronage of Maratta, he obtained important commissions; however, in the last years of his life, his relationship with this master altered. According to Pascoli, in 1680 when Berrettoni was about to receive the commission of the ceiling fresco of the nave of San Silvestro in Capite, Maratta, fearing the rising fame of his pupil, caused the commission to be assigned instead to the older Giacinto Brandi. Embittered by the affair, Pascoli said Berrettoni fell ill, and died in February 1682. Some of Berrettoni's p ...
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Giovanni Francesco Grimaldi
Giovanni Francesco Grimaldi (1606 – 28 November 1680) was an Italian painter, draughtsman, printmaker and architect. He was an accomplished fresco painter of classical landscapes which were popular with leading Roman families. Life Grimaldi was born in Bologna, and trained in the circle of the Carracci family. He was afterwards a pupil of Cardinal Francesco Albani. He went to Rome, and was appointed architect to Pope Paul V and also patronized by succeeding popes. Towards 1648 he was invited to France by Cardinal Mazarin, and for about two years was employed in buildings for that minister and for Louis XIV, and in fresco-painting in the Louvre. His colour was strong, somewhat excessive in the use of green; his touch light. He painted history, portraits and landscapes—the, last with predilection, especially in his advanced years—and executed engravings and etchings from his own landscapes and from those of Titian and the Caracci. Returning to Rome, he was made ''princip ...
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Mythology
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many soc ...
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Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ...
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Statue
A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size; a sculpture that represents persons or animals in full figure but that is small enough to lift and carry is a statuette or figurine, whilst one more than twice life-size is a colossal statue. Statues have been produced in many cultures from prehistory to the present; the oldest-known statue dating to about 30,000 years ago. Statues represent many different people and animals, real and mythical. Many statues are placed in public places as public art. The world's tallest statue, ''Statue of Unity'', is tall and is located near the Narmada dam in Gujarat, India. Color Ancient statues often show the bare surface of the material of which they are made. For example, many people associate Greek classical art with white marble sculpture, but there is evidenc ...
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